Sterling Bruce Conaway was born on October 26, 1900 in Washington, D.C. and learned to play the banjo and mandolin. His early career was spent playing with fellow Washingtonian Duke Ellington in their hometown. Relocated to Chicago, Illinois he joined the band of Carroll Dickerson.
He played in Cyril Fullerton’s band in 1924 and recorded with Helen Gross on ukulele. By the late 1920s he moved to Europe where he worked with Eddie South, Noble Sissle, Freddy Johnson, Freddy Taylor, and Leon Abbey. During this period in his career Sterling led several groups as well.
1936 saw him in Bombay, India playing with Crickett Smith, however, three years later returned to the United States. Banjoist and mandolinist Sterling Conaway continued to perform in big bands and leading his own groups until his passing away in November 1973.
Cyril Blake was born October 22, 1900 in Trinidad and moved to England about 1918, where he sometimes performed under the stage name of “Midnight,” and quite often appearing well after midnight. He was an essential part of the freewheeling music scene of London in the decades both before and after World War II.
He became well versed in jazz, blasted away in rhythm & blues bands of various ethnic persuasions. and played in a British group called the Southern Syncopated Orchestra. Being a trumpet player and was working in both London and Paris clubs whilst the ’20s roared helped to skyrocket his career.
Working in Paris, France and London as a musician throughout the 1920s, in the 1930s he played in the bands of Leon Abbey, Happy Blake, Rudolph Dunbar, Leslie Thompson’s Emperors of Jazz, Joe Appleton, and Lauderic Caton. 1938 saw Cyril putting together his own band, which was centred on Jig’s Club in London but was also the house band for several other venues around Soho. He recorded several times with this ensemble and in the 1940s led his band behind Lord Kitchener for recordings on Parlophone Records, playing in a calypso style.
Late in his life he returned to Trinidad, where he continued to lead bands. Trumpeter Cyril Blake, along with Bertie King, Lauderic Caton and Brylo Ford were credited in the Who’s Who of British Jazz by John Chilton and influenced generations of British jazz musicians, passed away of an illness on December 3, 1951.
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Antonio Sparbaro, better known as Tony Sbarbaro or Tony Spargo was born on June 27, 1897 in New Orleans, Louisiana to an immigrant Sicilian family. Early in his career he played with the Frayle Brothers Band, possibly as early as 1911 and the Reliance Band of Papa Jack Laine.
After doing side work with Merritt Brunies and Carl Randall he joined the Original Dixieland Jazz Band for their initial recordings in 1917. Tony became its leader in the 1940s and remained a member of the ensemble until its dissolution in the 1960s. At the time the band broke up he was the only founding member still in the group.
Sbarbaro composed for the group, writing the tune Mourning Blues among others. He remained a fixture of Dixieland jazz performance for most of his life, performed at the New York World’s Fair in 1941 and with Connee Boswell in the 1950s. Later in life in New Orleans he played with Miff Mole, Big Chief Moore, Pee Wee Erwin, and Eddie Condon. Quitting music in the Sixties due to the popularity of rock & roll, drummer Tony Sbarbaro passed away on October 30, 1969.
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Punch Miller was born Ernest Miller on June 10, 1894 in Raceland, Louisiana and learned to play the trumpet as a child. He was also known as Kid Punch Miller in New Orleans, Louisiana, where he was based from 1919 to 1927,
He moved to Chicago, Illinois and worked with various bands, including Jelly Roll Morton and Tiny Parham, as well as appearing on a number of recordings. His lifestyle and the decline of Dixieland or New Orleans jazz led to his return to mostly doing festivals and falling out of the limelight. This changed with the rising importance of the Preservation Hall Jazz Band and he returned to national attention.
He returned to New Orleans, playing at Preservation Hall and leading a band under his own name, in addition to playing with other groups. In 1963 he toured Japan with the clarinetist George Lewis.
Trumpeter Punch Miller, who was the subject of the television documentary Til the Butcher Cuts Him Down, passed away on December 2, 1971 in New Orleans.
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Lawrence Duhé was born April 30, 1887 in La Place, Louisiana. He played with Kid Ory in his youth, and followed Ory to New Orleans, Louisiana. There he played clarinet with Ory, King Oliver, Frankie Duson, and led his own band in Storyville.
Duhé moved to Chicago, Illinois in 1917 and his band became popular in the clubs and dance halls. They played in the stands at the notorious 1919 World Series. During the Roaring Twenties he led Sugar Johnnie’s New Orleans Creole Orchestra comprised of Lil Hardin, Sidney Bechet, King Oliver, Freddie Keppard, tubby Hall and Mutt Carey among others.
By the mid-1920s he had returned to New Orleans and for a time played with Armand J. Piron. After touring with the Rabbit Foot Minstrel Show, Lawrence worked out of Lafayette and New Iberia in Southwest Louisiana with such musicians as Evan Thomas and Bunk Johnson before retiring from music in the 1940s.
Clarinetist and bandleader Lawrence Duhé, passed away in Lafayette, Louisiana in 1960.
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