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GENE KRUPA

Daily Dose Of Jazz…

Gene Krupa was born Eugene Bertram Krupa on January 15, 1909 in Chicago, Illinois. Originally groomed for the priesthood by his parents, he He spent his grammar school days at various parochial schools and upon graduation, attended Saint Joseph’s College for a year, but later decided it was not his vocation. He studied with Sanford A Moeller and began playing drums professionally in the mid-1920s with bands in Wisconsin.

Gene broke into the Chicago scene in 1927, when he was picked by MCA to become a member of Thelma Terry and Her Playboys, the first notable American Jazz band to be led by a female musician. The Playboys were the house band at The Golden Pumpkin nightclub in Chicago and also toured extensively throughout the eastern and central United States.

Making his first recordings in 1927 with a band under the leadership of guitarist Eddie Condon and Red McKenzie, Krupa recorded others on the Chicago scene such as Bix Beiderbecke. His big influences during this time were Tubby Hall, Zutty Singleton and Baby Dodds.

By 1934 he joined Benny Goodman’s band, where his featured drum work made him a national celebrity. His tom-tom interludes on their hit “Sing, Sing, Sing” were the first extended drum solos to be recorded commercially. He made a cameo appearance in the 1941 film, Ball of Fire, in which he and his band performed an extended version of the hit Drum Drum Boogie, which he had composed with trumpeter Roy Eldridge. He also appeared in The Best Years Of Our Lives in 1946 during the waning years of the big band era.

1951 saw Gene leading a trio or quartet, appeared regularly with the Jazz At The Philharmonic band, never quite adjusted to be-bop, and by the end of the decade returned to Hollywood appearing in such films as The Glenn Miller Story, The Benny Goodman Story and had a biography starring Sal Mineo titled The Gene Krupa Story, featuring a cameo appearance by Red Nichols.

During the 1960s he played clubs in Washington, DC and New York but increasingly troubled by back pain, he retired in the late 1960s and opened a music school. He would give instruction to future KISS drummer Peter and Jerry Nolan of the New York Dolls. He occasionally played in public in the early 1970s until shortly before his death. Gene Krupa, big band drummer, band leader, actor and composer, known for his highly energetic and flamboyant style passed away on October 16, 1973.

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JIMMY JONES

Daily Dose Of Jazz…

Jimmy Jones was born James Henry Jones on December 30, 1918 in Memphis, Tennessee and learned guitar and piano as a child. By the late 1920 he was playing in various orchestras in Chicago and played a trio with Stuff Smith in the mid 40s.

Following this period Jones would play with Don Byas, Dizzy Gillespie, J.C. Heard, Buck Clayton, Etta Jones and Sarah Vaughan into the early Fifties. He recorded with Clifford Brown in 1954 and toured Europe. During the Sixties he would play with Anita O’Day, Helen Merrill, Gil Evans, Dakota Staton, Morgana King, Harry Belafonte, Johnny Hodges, Clark Terry, Duke Ellington, Kenny Burrell and Cannonball Adderley on the short list.

Jimmy had a prolific career also as an arranger, working with Wes Montgomery, Nancy Wilson, Shirley Horn, Joe Williams, Billy Taylor and Chris Connor and recorded with Harry “Sweets” Edison, Ben Webster, Coleman Hawkins, Frank Wess, Milt Jackson and others. His recording catalog was limited as a leader releasing two album for the Riverside label in 1946. Jimmy Jones passed away on April 29, 1982 in Los Angeles, California.

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BUTCH BALLARD

Daily Dose Of Jazz…

Butch Ballard was born George Edward Ballard on December 26, 1918 in Camden, New Jersey but grew up in Frankford, Pennsylvania. Following American Legion parades near his home, as a child he focused on the drummer and around 10 years old, his father bought him a set of drums. He took lessons for 75 cents each and continued his musical education Northeast High School in Philadelphia.

By 16 Ballard saw Herb Thorton, sat in and played and was invited to join a band by a man who heard him, and over the next few months rehearsed and played. In 1938, he started playing with Louis Armstrong’s band The Dukes, followed by stints with Cootie Williams, Ella Fitzgerald, Sarah Vaughan, Dinah Washington and Pearl Bailey.

Butch served in the Navy during WWII, then went to New York and worked with Eddie “Lockjaw” Davis, Eddie Vinson, Arnett Cobb and Clark Terry. He replaced Shadow Wilson in the Basie band in the late 1940s. The Fifties saw him touring Europe with the Ellington outfit and playing with Harry Carney, Paul Gonsalves, Billy Strayhorn, Kay Davis and Wendell Marshall. He declined the invite to join permanently because he didn’t want to change his drumming style to suit Duke, though he did record with him on such tunes as Satin Doll.

By the Sixties he was back in Philadelphia leading his own band and over the course of his career worked with the likes of John Coltrane, Harry “Sweets” Edison, Cat Anderson, Fats Waller, Lucky Millinder, Bootsie Barnes and Mercer Ellington among others.

In his later years he became a music teacher and played with the Philadelphia Legends of Jazz Orchestra and was honored with the Mellon Jazz Community Award for his continued education of young jazz musicians. Butch Ballard, who got the nickname after Machine Gun Butch, a character in the 1930 film The Big House, passed away on October 1, 2011.

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REUNALD JONES

Daily Dose Of Jazz…

Reunald Jones Sr. was born December 22, 1910 in Indianapolis, Indiana and studied trumpet at the Michigan Conservatory. He played with territory bands such as Speed Webb’s outfit and then into the 30s worked with Charlie Johnson, the Savoy Bearcats, Chick Webb, Sam Wooding, Claude Hopkins and others.

By the 1940s he would work with Erskine Hawkins, Duke Ellington, Jimmy Lunceford, Lucky Millinder and Sy Oliver; and worked extensively as a studio musician. During the Fifties, Jones toured with Woody Herman, and played lead trumpet with the Count Basie Orchestra gaining some fame due to his “one-handed” solo style of playing, but was rarely featured.

However, Jones was featured as a member of the Quincy Jones group, “The Jones Boys” from 1956-58, a session conceived by Leonard Feather featuring a number of musicians named “Jones,” though none of them were related.

The Sixties saw him playing and touring with George Shearing and with orchestra accompanying Nat King Cole. By the 70s he was playing less and on February 26, 1989 he passed away.

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EDDIE CLEANHEAD VINSON

Daily Dose Of Jazz…

Eddie “Cleanhead” Vinson was born on December 18, 1917 in Houston, Texas and took up the alto saxophone in his youth. By the late 30s he joined Milton Larkin’s Orchestra and at various times sat next to Arnett Cobb, Illinois Jacquet, Cedric Haywood and Wild Bill Davis.

Exiting Larkin’s employment in 1941, Vinson picked up a few vocal tricks while touring with bluesman Big Bill Broonzy, moved to New York City joining and recording with Cootie Williams, and then struck out on his own in 1945, Eddie formed his own large band that performed, recorded and toured over the next ten years.

He signed with Mercury Records, and enjoying a double-sided hit in 1947 with his R&B chart-topper “Old Maid Boogie”, and the song that would prove to be his signature number, “Kidney Stew Blues”.

Vinson leaned towards jazz during the early 50s when his band included John Coltrane. In the early 1960s he moved to Los Angeles working with Johnny Otis and by the late 60s he was touring in a strict jazz capacity with Jay McShann and his career took an upswing. A 1970 appearance at the Monterey Jazz Festival with Otis spurred a bit of a comeback for Vinson and throughout the decade worked high-profile blues and jazz sessions for Count Basie, Johnny Otis, Roomful of Blues, Arnett Cobb and Buddy Tate.

During this period he also composed steadily, including “Tune Up” and “Four”, both of which have been incorrectly attributed to Miles Davis. Vinson recorded extensively during his fifty-odd year career and performed regularly in Europe and the United States.

Jump blues, R&B, jazz and bebop alto saxophonist Eddie “Cleanhead” Vinson, whose nickname came from a hair straightening incident in which the lye destroyed his hair, passed away on July 2, 1988 from a heart attack whilst undergoing chemotherapy in Los Angles, California.

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