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Daily Dose Of Jazz…

Miriam Klein was born on March 27, 1937 in Basel, Switzerland and after a training at the music school in Vienna, Austria she went back to Switzerland and has been singing since 1963 in groups formed with her husband Oscar Klein. She, however, became famous when she appeared in Paris, France with Pierre Michelot, Don Byas and Art Simmons in the 1950s.

In the 1960s and 1970s she became internationally known as a singer and during this period recorded an album of Bessie Smith tunes. In 1973 the breakthrough came with the album Lady Like dedicated to Billie Holiday. She was accompanied by musicians Roy Eldridge , Dexter Gordon and Slide Hampton. She also recorded a record with Albert Nicholas.

Klein worked with the Fritz Pauer Trio in 1977, with Sir Roland Hanna and George Mraz in 1978 on their album By Myself. At the Frankfurt Jazz Festival 1980 she was accompanied by Hans Kollers International Brass Company. Through 1981/82 she toured with Kenny Clarke, Hanna and Isla Eckinger.

2001 saw Miriam involved in the recording of the album My Marilyn by her son David Klein. Though she fashioned her vocal style after Billie Holiday, she found herself not copying her but singing the way Billie did but in her own way. Vocalist Miriam Klein occasionally continues to perform and record.

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Milton Aubrey “Brew” Moore was born March 26, 1924 in Indianola, Mississippi where his formal musical training began at twelve, first on trombone, and then clarinet before switching to tenor saxophone. Inspired by the style of Lester Young, he even held his horn at the same unorthodox 120 degree angle. He got his first professional experience playing in a Texas territorial band the summer before entering college.

Moore left the University of Mississippi in his first year to pursue a performing career, with stints in New Orleans, Louisiana, Memphis, Tennessee and twice in New York City between 1942-47. It was in New York that he first heard the new music called bebop. Combining Young’s and Charlie Parker’s style he was able to create his own thing. Returning to New York in 1948, he became a fixture on the city’s vibrant jazz scene, cutting his first album Brew Moore and His Playboys as a leader on the Savoy Records label.

He went on to work with Machito’s orchestra, Claude Thornhill’s Big Band, the Kai Winding sextet, Stan Getz and George Wallington among others. In 1949 he joined Getz, Zoot Sims and Al Cohn, three of the four brothers from Woody Herman’s Second Herd plus Allen Eager and recorded the album The Brothers on Prestige Records. The early 50s saw Brew gigging with Bird and other beboppers of note before leaving New York in 1954 for the West Coast, settling eventually in San Francisco, California.  Fitting well into the beat generation culture, however by 1959 the heavy drinking that had early on given him his nickname took its toll, and he withdrew from the scene.

Resurfacing in Copenhagen, Denmark, he would, with the exception of three years in New York from 1967 to 1970, continue to perform there for the rest of his life. He teamed with Kenny Drew, Sahib Shihab, Alex Riel and Niels-Henning Ørsted Pedersen among others. Following a trip home to settle his late father’s affairs and coming into a substantial inheritance, he fell down a flight of stairs in Tivoli Gardens after a characteristically bibulous night and suffered the injuries that caused his death. Tenor saxophonist Brew Moore passed away on August 19, 1973.

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Larry Gales was born Lawrence Bernard Gales on March 25, 1936 in New York City and began playing bass at age 11. He attended the Manhattan School of Music in the late 1950s.  Moving into the early Sixties he worked with J.C. Heard, Eddie “Lockjaw” Davis, Johnny Griffin, Herbie Mann, Junior Mance and Joe Williams.

From 1964 to 1969 Larry was a member of the Thelonious Monk Quartet, and as such, recorded extensively and toured worldwide. After 1969, he relocated to Los Angeles, California where he worked frequently on the local scene with Erroll Garner, Willie Bobo, Red Rodney, Sweets Edison, Benny Carter, Blue Mitchell, Clark Terry, Teddy Edwards, and Kenny Burrell.

He recorded with Buddy Tate, Bennie Green, Sonny Stitt, Mary Lou Williams, Jimmy Smith, Sonny Criss, Charlie Rouse, Johnny Lytle and Big Joe Turner, among others. His first session as a leader was  A Message From Monk, released in 1990 on Candid Records that comprised one original and five Thelonious Monk tunes.

Double-bassist Larry Gales passed away on September 12, 1995 in Sylmar, California at 59 years old.

Discography[edit]

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Steve Kuhn was born on March 24, 1938 in Brooklyn, New York City and began studying piano at the age of five. He studied under Boston, Massachusetts piano teacher Margaret Chaloff, mother of jazz baritone saxophonist Serge Chaloff. She taught him the Russian style of piano playing and at an early age he began improvising classical music.

As a teenager Steve appeared in jazz clubs in the Boston area with Coleman Hawkins, Vic Dickenson, Chet Baker, and Serge Chaloff. After graduating from Harvard University, he attended the Lenox School of Music where he became associated with Ornette Coleman, Don Cherry, and Gary McFarland. His professors included Bill Evans, George Russell, Gunther Schuller, and the members of the Modern Jazz Quartet. This experience with some of the most forward-thinking innovators of jazz improvisation and composition culminated with his joining trumpeter Kenny Dorham’s group for an extended time and for a brief time in John Coltrane’s quartet at New York’s Jazz Gallery club.

Kuhn has appeared or recorded with Stan Getz, Art Farmer, Oliver Nelson, Gary McFarland, Art Farmer, Joe Henderson, Scott LaFaro, Harvie Swartz, Pete LaRoca, Sheila Jordan, Billy Drummond, David Finck, and Miroslav Vitous. In 1967 he moved to Stockholm, Sweden where he worked with his own trio throughout Europe until 1971. Moving back to New York City he formed a quartet while continuing to play European gigs and appearing at the Newport Jazz Festival.

Known as an avant-garde pianist in his early career, he was associated with bassist Steve Swallow and drummer Pete La Roca during the Sixties that produced several notable recordings. He was part of the quartet on the landmark recording Sound Pieces led by saxophonist, composer, and arranger Oliver Nelson with bassist Ron Carter and drummer Grady Tate. Among other critically acclaimed recordings there was The October Suite composed by Gary McFarland for Kuhn and an ensemble which included strings, woodwinds, and reeds.

For decades he has led all-star trios that have included such players as bassists Ron Carter and David Finck, and with drummers Al Foster, Jack DeJohnette, and Joey Baron. Pianist Steve Kuhn is the composer of the jazz standard The Saga of Harrison Crabfeathers, has recorded several live albums at New York City jazz clubs and continues to lead a trio and compose.

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Albert Aarons was born in Pittsburgh, Pennsylvania on March 23, 1932 and graduated from Wayne State University in Detroit, Michigan. Remaining in Detroit he began gaining attention as a trumpeter in 1956 and started working with Yusef Lateef and pianist Barry Harris in the latter part of that decade. After a period playing with jazz organist Wild Bill Davis, he went on to play trumpet in the Count Basie Orchestra from 1961 to 1969.

In the Seventies Aarons worked as a sideman for singers Sarah Vaughan and Ella Fitzgerald, worked with saxophonist Gene Ammons and was a  contributor to jazz fusion, playing on School Days with Stanley Clarke. He appeared with Snooky Young on the classic 1976 album Bobby Bland and B. B. King Together Again…Live.

He also worked with Brass Fever, Kenny Burrell, Eddie Harris, Gene Harris, Milt Jackson, Carmen McRae, Zoot Sims with the Benny Carter Orchestra, Frank Wess and Gerald Wilson. Trumpeter Al Aarons passed away on November 17, 2015 in Laguna Woods, California at age 83.

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