Les McCann Ltd. in San Francisco is a live album recorded in 1960 by the pianist and released on the Pacific Jazz label. He is joined by bassist Herbie Lewis and drummer Ron Jefferson.

On this project McCann contributed four original compositions and completed the seven track album with three classic tunes. The tracks offered are: Oh, Them Golden Gaters, Red Sails in the Sunset by Hugh Williams and Jimmy Kennedy, Big Jim, I Am in Love by Cole Porter, Jeepers Creepers by Harry Warren and Johnny Mercer, Gone On and Get That Church and We’ll See Yaw’ll After While, Ya Heah#forthecollectorinyou

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Lambert, Hendricks & Ross were a vocalese trio formed by jazz vocalists Dave Lambert, Jon Hendricks and Annie Ross. This was their fourth album of the six they would record before Annie Ross left the group.

The Hottest New Group In Jazz is a 1960 album for the CBS record label and consists of ten compositions recorded: Charleston Alley, Moanin’, Twisted, Bijou, Cloudburst, Centerpiece, Give Me That Wine, Sermonette, Summertime and Everybody’s Boppin’.

The cover photo was taken by Vernon Smith.

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Daily Dose Of Jazz…

Joe Fonda was born on December 16, 1954 in Amsterdam, New York to parents who both played jazz. He played guitar in his youth but switched to bass guitar later on. He studied bass at Berklee College of Music, where he also began playing upright bass.

In the early 1980s he played in the New Haven, Connecticut area and recorded with Wadada Leo Smith. Fonda explored dance and its relationship to jazz music, playing bass with a dance company in the 1980s and incorporating a tap dancer into his ensemble for the albums From the Source and The Healing.

1994 began his playing with Anthony Braxton, collaborating with him extensively for the next five years and recording fifteen albums. He and Michael Jefry Stevens co-lead an ensemble, the Fonda-Stevens group, that began in 1991. The group has recorded ten sessions and continues to perform extensively in Europe and the United States.

Bassist Joe Fonda has recorded seventeen albums as a bandleader and continues to record, perform and explore free jazz.


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Daily Dose Of Jazz…

Pops Mohamed was born Ismail Mohamed-Jan on December 10, 1949 in Benoni, Gauteng, South Africa. His career in music was the logical outcome of an early exposure at Dorkay House to the likes of Abdullah Ibrahim and Kippie Moeketsi. He started his first band The Valiants at 14.

Known by fans as the Minister of Music, Pops plays a wide variety of instruments, African mouth bow, bird whistle, berimbau, didgeridoo, guitar, keyboard, kora, and the thumb piano. He is also known for his wide range of musical styles which include jazz, kwela, pop, and soul. He produced Finding One’s Self, the late Moses Taiwa Molelekwa’s award-winning album.

His recorded his debut album Kalamazoo in 1991 and has since recorded eleven more, his last to date being 205’s Mood Africa. He performs regularly with and sits on the board of the Johannesburg Youth Orchestra Company. Multi-instrumentalist, jazz musician and producer Pops Mohamed continues to pursue his career in music.


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Daily Dose Of Jazz…

Mathias Rüegg was born on December 8, 1952 in Zurich, Switzerland and began playing jazz in secondary school. Trained as a schoolteacher, he taught for a while in special-needs schools. From 1973 to 1975 he attended the Musikhochschule in Graz, Austria, studying classical composition and jazz piano. In Vienna, Austria he performed in a nightclub as a solo jazz pianist, joined later by saxophonist Wolfgang Puschnig. The duo formed the core of an ensemble that became the Vienna Art Orchestra in 1977.

Rüegg’s distinctive, often humorous compositions have drawn on a range of influences from traditional folk music to classics. He has also led the VAO to explore the big band repertory of American jazz composers such as Duke Ellington. Beyond the traditional big-band complement, his orchestrations have prominently featured such instruments as the tuba, piccolo, bass clarinet, alphorn, exotic percussion, and wordless vocals.

Mathia has composed hundreds of pieces for the Vienna Art Orchestra, other European big bands, and classical orchestras, as well as theatre music and film music. Since 1994 he has composed several works for soloist and chamber orchestra.

Besides managing the VAO, Rüegg has conducted workshops in Europe, worked as artistic director for music festivals, and headed multimedia and music-related projects. From 1983 to 1987 he was the director of the Vienna Art Choir. He founded the Porgy & Bess music club in Vienna and the Hans Koller Prize for Austrian jazz.

Pianist, composer, director and bandleader Mathias Rüegg continues to pursue his career in a variety of musical endeavors.


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