Arturo “Chico” O’Farrill was born on October 28, 1921 in Havana, Cuba of Irish/German heritage. Attending military school in Georgia he learned to play trumpet and was exposed to big band jazz.
Although he played trumpet early in his career, he became a sought-after composer and arranger, and was one of many leading the emergence of the Afro-Cuban jazz movement in the ‘50s dubbed Cubop.
Best known for his work in the Latin idiom, Chico also composed straight-ahead jazz pieces and even symphonic works. He composed works for Machito’s Afro-Cuban Suite with Charlie Parker and Benny Goodman’s Bebop Orchestra’s Undercurrent Blues and composed the Manteca Suite for Dizzy Gillespie and arranged for Stan Kenton and David Bowie, among others.
Over the course of his career he has recorded for Norman Granz’s label, with Todd Barkan at Fantasy, worked with the count Basie, Gato Barbieri, and Cal Tjader and has recorded and performed as a leader in small configurations, a bandleader and a sideman on more the two dozen albums. His music has been featured in the film Calle-54 and in the ‘90s he led a big band that took up residence at Birdland in New York.
Chico O’Farrill, Grammy nominee, passed away on June 27, 2001 in New York City and eventually his son Arturo took over the band.
More Posts: piano
Clare Fischer was born October 22, 1928 in Durand, Michigan and started general music study in grade school with violin and piano as his first instruments. By age 7 he was picking out four-part harmony on the piano and by 12 was composing classical music and creating instrumental arrangements for dance bands.
In high school he added cello, clarinet and saxophone to his arsenal of instruments and studied music theory, harmony and orchestration privately. He started his own band at 15, writing all the arrangements, went on to college studying music composition and theory as a piano major. After graduation and a stint in the Army as the arranger for the U.S. Military Academy Band at West Point, N.Y., he returned to Michigan State and received his Masters in 1955.
He went on to arrange for the vocal quartet Hi-Lo’s that would later become a major influence on Herbie Hancock, would record under his own name in 1962 for Pacific Jazz, play with Bud Shank, Joe Pass and Cal Tjader among others, arrange for Sergio Mendes and Willy Ruff, began playing organ and composed his most famous compositions, Pensativa and Morning.
By the mid-‘70s Fischer was pioneering the electric keyboard, reconnected with Tjader started his group Salsa Picante, won a Grammy for his album 2+2 and Free Fall, forayed into R&B doing orchestral sweeteners, worked with Rufus with Chaka Khan, The Jacksons, Earl Klugh, The Debarges, Shot-gun and Atlantic Starr and pop artists such as Paul McCartney, Prince, Celine Dion and Robert Palmer, picking up numerous gold records.
From the Eighties on Clare has been commissioned to score symphonic work using Duke Ellington and Billy Strayhorn themes, working with Branford Marsalis, the Netherlands Metropole Orchestra, arranged for Spike Lee’s Girl 6, has conducted clinics and master classes at numerous universities, and continued to record in small group and orchestral settings until his death in Los Angeles, California on January 26, 2012 at age 82..
Louis “Sabu” Martinez was born on July 14, 1930 in New York City and made his professional debut in 1941 at age 11. He replaced Chano Pozo in Dizzy Gillespie’s orchestra in 1948, and began performing with Benny Goodman’s Bebop Orchestra in 1949.
Over the next 15 years, Martinez worked with jazz luminaries Charlie Parker, Duke Ellington, Count Basie, J.J. Johnson, Mary Lou Williams, Horace Silver, Thelonious Monk, Charles Mingus and Lionel Hampton; vocalist Tony Bennett, Sammy Davis Jr. and Harry Belafonte as well as Latin favorites Noro Morales, Marcelino Guerra, Tito Rodriguez and the Lecuona Cuban Boys.
A prominent conguero and percussionist in the Cubop movement in the 1950s, Martinez appeared on many important recordings and live performances during that period. Martinez also recorded several Latin jazz albums, now recognized as classics of the genre.
Martinez first recorded with Art Blakey in 1953, and contributed to his Orgy in Rhythm and Holiday for Skins projects from 1957–58. Martinez became a bandleader in 1957, recording his debut album, Palo Congo for Blue Note Records. He followed it up with releases on Vik and Alegre Records.
Martinez moved to Sweden in 1967 and recorded with the Francy Boland-Kenny big band, releasing two albums. Subsequently he led the group Burnt Sugar, which was active into the mid ’70s, but, on January 13, 1979, he died in Sweden at the age of 48.
Michele Rosewoman was born on March 19, 1953 in Oakland, California. She began playing the piano at age six and as a teenager studied with organist/pianist Ed Kelly. After extensive work locally leading several jazz groups she also played with Baikida Carroll, Julius Hemphill and Julian Priester. In 1977 Michele moved to New York where she involved herself in the avant-garde scene playing and recording as a sidewoman with Oliver Lake, Billy Bang, Greg Osby, Ralph Peterson and the members of M Base among others.
Rosewoman is most notable for her work and recordings with her Quintessence ensemble as well as several trio and quartet sessions. Steeped in Cuban percussion and African music and since the early 80s for her Afro Cuban jazz big band “New Yor-Uba Ensemble” featuring Orlando “Puntilla” Rios.
Michele has played with such jazz masters as Freddie Waits, Rufus Reid, Billy Hart, Reggie Workman and Latin music greats such as Celia Cruz, Chocalate, Nicky Marrero, Paquito D’Rivera, and Daniel Ponce among others. She continues to perform and record around the world.
More Posts: piano
Arturo Sandoval was born in Artemisa, Cuba on November 6, 1949 and began to play music at age 12 in the village band. After playing many instruments, he fell in love with the trumpet. In 1964, he began three years of serious classical trumpet studies at the Cuban National School of Arts. By the age of 16 he had earned a place in Cuba’s all-star national band and was totally immersed in jazz influenced by Charlie Parker, Clifford Brown and with Dizzy Gillespie as his idol and later mentor and colleague.
In 1971 he was drafted into the military. Luckily, Sandoval was still able to play with the Orquesta Cubana de Musica Moderna. In Cuba, Sandoval co-founded the band Irakere with Chucho Valdes and Paquito D’Rivera. They quickly became a worldwide sensation. Their appearance at the 1978 Newport Jazz Festival introduced them to American audiences and garnered them a recording contract with Columbia Records.
Arturo defected to the United States while touring in Spain with Dizzy in 1990, becoming a naturalized citizen in 1999 and has enjoyed a successful career. He has played with Woody Herman, Herbie Hancock, Woody Shaw, Stan Getz, Celine Dion, Tito Puente, Patti LaBelle, Frank Sinatra, Paul Anka, Gordon Goodwin and numerous others.
His life was the subject of the 2000 TV film For Love or Country: The Arturo Sandoval Story, starring Andy Garcia. He currently continues to perform, tour and record around the globe.