Daily Dose Of Jazz…

Leonard Gaskin was born August 25, 1920 in Brooklyn, New York.  He played on the early bebop scene at Minton’s and Monroe’s in New York in the early 1940s. In 1944 he took over Oscar Pettiford’s spot in Dizzy Gillespie’s band,and followed it with stints in bands led by Cootie Williams, Charlie Parker, Don Byas, Eddie South, Charlie Shavers, and Erroll Garner.

In the 1950s, he played with Eddie Condon’s Dixieland band, and played with Ruby Braff, Bud Freeman, Rex Stewart, Cootie Williams, Billie Holiday, Stan Getz, J.J. Johnson, and Miles Davis. In the 1960s he became a studio musician, playing on numerous gospel and pop records. In the 1970s and 1980s he returned to jazz, playing with Sy Oliver, Panama Francis, and The International Art of Jazz.

Gaskin became involved in educating young people later in his life. He toured and performed at New York City schools, sharing his knowledge with elementary students with the Good Groove Band and the International Art of Jazz groups. For more than a decade, he and drummer Oliver Jackson teamed to play the European jazz festival circuit. He also regularly collaborated with Sy Oliver’s Rainbow Room Orchestra.

Capping off his career in 1994, Leonard performed at the White House’s Congressional Ball at the behest of President Bill Clinton. Although his touring schedule slowed dramatically in the decade to follow, he wrote a privately published autobiography and donated his personal jazz collection to the American Music Archives at the Smithsonian’s Museum of American History.

Bassist Leonard Gaskin transitioned from natural causes at a nursing home in Queens, New York on January 24, 2009. He was 88.

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Daily Dose Of Jazz…

George Morrow was born on August 15, 1925  in Pasadena, California. After leaving the military he played with Charlie Parker, Sonny Criss, Teddy Edwards, Hampton Hawes and other musicians who were in Los Anegles, California. He then spent five years from 1948 to 1953 in San Francisco, California often appearing at the Bop City jazz club and working with Dexter Gordon, Wardell Gray, Billie Holiday and Sonny Clark, among others.

During the mid~1950s he recorded five albums with Sonny Rollins and at the end of the decade two with Sonny Stitt. He had been free-lancing around San Francisco clubs when Max Roach and Clifford Brown hired him to play with them after having rejected two other bassists. He appeared on all of the studio albums made by the Clifford Brown-Max Roach Quintet.

After the band dissolved due to the deaths of Brown and Richie Powell in a car accident, Morrow continued recording with Max Roach’s band. He also worked with Anita O’Day in the 1970s before joining the Disney World house band in 1976.

Bassist George Morrow, who never led his own recording date, transitioned on May 26, 1992 in Orlando, Florida.

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Arnold Fishkind was born July 20, 1919 in Bayonne, New Jersey, and grew up in Freeport, Long Island, New York where he met and began a lifelong friendship with Chubby Jackson. At age 7 Fishkind began learning violin, and played in The Musical Aces, a local band of budding musicians. By age 14 he was playing bass.

Fishkind had his first professional gig with Bunny Berigan in 1937. Following this he played with Jack Teagarden, Van Alexander, and Les Brown in the early Forties. After serving three years in the armed forces during World War II he met and played with pianist Lennie Tristano in New York, but by the fall he left to go to Hollywood to play with Charlie Barnet. During this experience he played alongside Stan Getz.

Returning to New York City from 1947 to 1949 he played with Tristano, then at the end of the decade recorded with Lee Konitz and on Johnny Smith’s Moonlight in Vermont. He also continued to play with Barnet, and played with Benny Goodman.

By the 1950s he found much work as a session musician, for radio, television and pop musicians including Frankie Laine. His career at ABC lasted fifteen years and included appearances in the Andy Williams Show in 1961. Fishkind became well known enough during this time to be mentioned by Jack Kerouac in his novel Visions of Cody.

Rock and Roll having decimated the market for jazz musicians in New York City, Fishkind moved from New York City back to California. In California he found work with the Dean Martin and Bob Hope television shows and some substitution engagements on the Tonight and Merv Griffin television shows, as well as some recording and film work.

He toured with Les Brown and Lena Horne, while continuing to record into the 1980s, playing with Frank Scott. Ultimately he moved to Palm Desert, California, where he was able to join the celebration of his friend Chubby Jackson’s 80th birthday. In his latter years, Fishkind became an ordained minister at Family Life Church in Palm Desert.

During his career he performed swing and bebop jazz, television, jingles, and even western themed music. He worked with Ella Fitzgerald, Stan Hasselgard, Peanuts Hucko, Charlie Parker, Shorty Rogers, Butch Stone and Jerry Wald. Bassist Arnold Fishkind, sometimes credited as Arnold Fishkin and who appeared on over 100 albums, transitioned on September 6, 1999 in Palm Desert, California.

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Hank Shaw was born Henry Shalofsky was born  June 23, 1926 in London, England. At the age of 15 he played with Teddy Foster’s band during World War II. In the latter half of the decade he played around his hometown with Oscar Rabin, Frank Weir, and Tommy Sampson, then switched permanently from swing to playing bebop music in 1946 after hearing Dizzy Gillespie.

Visiting the United States in 1947 he came with close friend and fellow pioneer bebopper altoist Freddy Syer. However, unable to secure work permits they moved to Canada where they played with Oscar Peterson and Maynard Ferguson. Returning to England in 1948, Hank was one of the early Club Eleven players, along with Ronnie Scott, John Dankworth, Lennie Bush, and others. He also played with many of these musicians on the recordings of Alan Dean’s Beboppers.

After Club Eleven shuttered, Shaw played with Vic Lewis and toured Europe with Cab Kaye, then joined Jack Parnell’s ensemble in 1953 and Ronnie Scott’s nonet in 1954. He joined Jamaican alto saxophonist Joe Harriott in his celebrated quintet in 1958 but left with pianist Harry South when Harriott sought to introduce his “free-form” concept. Shaw played regularly both live and as a session musician for many British jazz musicians over the course of the next twenty or so years, working with Joe Harriott, Tony Crombie, Don Rendell, Tony Kinsey, Stan Tracey, Bill Le Sage, and others.

He led a quartet at the 100 Club in the Sixties, and played in the Bebop Preservation Society and the John Burch Quartet for over two decades each. He retired due to ill health in the late 1990s. Bebop trumpeter Hank Shaw transitioned four months past his 80th birthday on October 26, 2006 in Kent, England.

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Lemuel A. Davis was born in Tampa, Florida on June 22, 1914. He started playing alto saxophone in high school and worked in semi-pro bands before moving to New York City in the early Forties. There his career started with pianist Nat Jaffe. He went on to play with the Coleman Hawkins Septet in 1943 and with Eddie Heywood’s group.

Throughout the 1940s, he played in a variety of jazz groups. Lem composed the bebop tune Lem Me Go in 1946 and recorded it with Eddie Safranski’s All Stars along with Vido Musso, Sanford Gold and Denzil Best. Then in 1953 he appeared on Buck Clayton’s The Hucklebuck recording. He continued playing in New York City throughout the 1950s, recording four albums with Buck Clayton between 1954 and 1956. He recorded little thereafter.

Alto saxophonist Lem Davis, mostly associated with swing music, transitioned on January 16, 1970 in New York City.

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