Daily Dose Of Jazz…

Arthur Edward George Themen was born November 26, 1939 in Manchester, England, where he was involved with the traditional jazz scene in the late 1950s as a self-taught musician, having started playing clarinet as a schoolboy at Manchester Grammar School.

In 1958 he began his medical studies at the University of Cambridge. While there he started playing jazz with the Cambridge University Jazz Band bandmates including Lionel Grigson, Dave Gelly, Jonathan Lynn, and John Hart. Under pianist Grigson’s leadership they achieved near professional standard with a swinging hard-bop style that swept the board in the fiercely contested Inter-University Jazz Band Competitions.

By 1964 he was an orthopaedic consultant playing blues with Jack Bruce and Alexis Korner and was a member of Alexis Korner’s Blues Incorporated. In 1965, Themen played with the Peter Stuyvesant Jazz Orchestra in Zürich, Switzerland going on to play with Michael Garrick, Ian Carr, and Graham Collier’s Music.

The Seventies saw him playing with Stan Tracey, touring with him all over the world as well as around the UK. Art has played and toured with visiting US musicians Charlie Rouse, Nat Adderley, Red Rodney, George Coleman, and Al Haig.

In 1995 he formed a quartet with pianist John Critchinson. Themen’s style originally owed much to the influence of Dexter Gordon and Sonny Rollins, but later influences included such disparate saxophonists as Coleman Hawkins, Evan Parker and John Coltrane. He was inspired to play saxophone after he attended a gig by the Dankworth Seven, at the local Palais, at the age of 16, with a female cousin and his future was set.

Following his retirement as a consultant orthopaedic surgery consultant, saxophonist Art Themen has focused on his jazz career.

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Daily Dose Of Jazz…

John Cocuzzi was born in Camp Springs, Maryland on Andrews Air Force Base on October 26, 1964. Taking a very early interest in playing drums, immediately after graduating from high school, in 1982 he attended Montgomery Junior College in Rockville, Maryland as an applied percussion major. While there he also studied arranging with Bill Potts, who wrote for Buddy Rich and others.

Towards the end of the decade he had established himself, performing in and around the nation’s capital. During these years, in addition to playing drums, Cocuzzi also played piano and vibraphone, gradually advancing his skills on the latter instrument until it became the dominant force in his impressive arsenal.

The early 90s saw John appearing at numerous festivals across the country, as well as  Belgium and the Netherlands. Throughout his career he has mainly led his own small groups and has also played piano with the swing, blues and jump band, Big Joe And The Dynaflows, led by Big Joe Maher.

He has worked and/or recorded with Howard Alden, Joe Ascione, Louie Bellson, Bobby Gordon, Chuck Hedges, Nat King Cole, Milt Hinton, Dick Hyman, Russell Malone, Ken Peplowski, Bucky and John Pizzarelli, Houston Person, Eddie Locke, Barbara Morrison, Peter Appleyard, Russell Malone, Ed Polcer, Daryl Sherman, Warren and Allan Vaché, Johnny Varro, Bob Wilber and Snooky Young. A dynamic and swinging drummer, Cocuzzi is a fluently inventive improviser on piano. His vibraphone playing ably blends the urgent thrust he displays in his drumming with the fluid grace of his piano playing.

On radio, Cocuzzi recorded a session for NPR’s “Riverwalk: Live at The Landing” with the Jim Cullum Band. It was a tribute to Benny Goodman, The Swing Shift: Jazz on Late-Night Radio, and featured Allan Vaché on clarinet with Nicholas Payton on trumpet.

For 15 years, he was the music director for the 219 Restaurant’s Basin Street Lounge in Old Town, Alexandria, Virginia. He was also music director for the Crystal City Jazz Celebration from 2003 to 2006.

Jazz, blues and swing vibraphonist, pianist and drummer John Cocuzzi, whose influences are Lionel Hampton and Red Norvo, continues to perform

BRONZE LENS

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Daily Dose Of Jazz…

Richard Malden Heckstall-Smith was born on September 26, 1934 in the Royal Free Hospital, in Ludlow, Shropshire, England. Raised in Knighton, Radnorshire, he learned to play piano, clarinet and alto saxophone as a child. He attended a York boarding school but refused a second term there, instead enrolling in Gordonstoun, where his father had accepted a job as headmaster of the local grammar school.

Completing his education at Dartington Hall School, before co-leading the university jazz band at Sidney Sussex College, Cambridge, from 1953, by the age of 15 Dick had taken up the soprano sax while at Dartington. He was captivated by the sound of Sidney Bechet, then Lester Young and tenor saxophonist bebop jazzman Wardell Gray proved to be major influences for him.

An active member of the London jazz scene from the late 1950s, Heckstall-Smith did a six-month stint in 1957 with the Sandy Brown band. He joined Alexis Korner’s Blues Incorporated, a groundbreaking blues group in 1962, recording the album R&B from the Marquee.

The following year, he was a founding member of that band’s breakaway unit, The Graham Bond Organisation. Then in 1967, he joined guitarist-vocalist John Mayall’s blues rock band, Bluesbreakers. He went on to jazz rock with Colosseum until ‘71, then recorded a solo album and ventured into jazz fusion with several groups, which sustained most of his performing through the remainder of his career.

In 1984 he published his witty memoirs, The Safest Place in the World, with an expanded version, retitled Blowing the Blues, published in 2004.

Diagnosed with acute liver failure, tenor, soprano, and baritone saxophonist Dick Heckstall-Smith, who also played piano, clarinet and alto saxophone, transitioned on December 17, 2004 at 70 in ​​Hampstead, London, England.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Calvin Edwards was born in Kings Mountain, North Carolina on May 14, 1957. At 17, he joined the famous Gospel group Five Blind Boys of Alabama for many years. Then, he moved to Los Angeles, California to play in his brother’s band, The Jett Edwards Band. During this time, he and his brother recorded two albums together, including one song which was recorded by George Benson.

He has released four CD’s as a band leader, and performed with and/or booked various artist through Chasity Music including Tom Brown, Tuck & Patti, Michael White, Kei Akagi, Lonnie Plaxico, Benny Maupin, Hidefumi Toke, Javon Jackson, Michael O’Neil, Ron Brown, Ali Jackson, Michael Paluo, Michael Wolf, Roy Ayers, Everette Harp, Dan Siegel, and Phil Perry.

A well-known international artist, Calvin has performed for President Clinton at the G8 Summit, as well as in Asia and across the United States. He continues to record and play both jazz and blues as he explores the genres.

BRONZE LENS

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Daily Dose Of Jazz…

William Crickett Smith was born on February 8, 1881 in Emporia, Kansas, the child of Tennessee Exodusters. His professional career began in childhood, performing in Nathaniel Clark Smith’s Picaninny Band before moving into minstrel troupes, vaudeville and cabaret.

In 1913-1914, he made several early recordings with James Reese Europe’s group, the Clef Club Society Orchestra. Between 1914 and 1919, he performed in the Ford Dabney Orchestra, the resident band at Florenz Ziegfeld’s Broadway cabaret, Midnight Frolics. Between 1917-1919, they produced several dozen phonographs.

By 1919 Smith had relocated to Paris, France playing with Louis Mitchell’s Jazz Kings until 1924. The group recorded for Pathe Records. He became the leader of Mitchell’s group in 1923. He went on to tour France, Spain and Russia with his own bands from 1925 to 1933. However, during the Depression, he spent nine years in Southeast Asia, working with Herb Flemming, Leon Abbey, and Teddy Weatherford, mostly in Bombay and Batavia. In 1936, he recorded with a group called the Symphonians.

Around 1943 cornetist and trumpeter Crickett Smith, who played jazz blues and ragtime, returned to New York City and the following year transitioned on August 30, 1944.

SUITE TABU 200

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