Alejandro Santos was born on April 11, 1956 in Buenos Aires, Argentina. He is widely-recognized both in his home country of Argentina and internationally as an extraordinary flutist and multi-instrumentalist playing the piccolo, bass flute, native wood-flutes, tenor and soprano sax, piano, and synthesizers.
He has developed a career as a composer with a unique style, which fuses modern jazz with traditional Argentinean rhythms like candombe, tango, and folk music. He has collaborated on recording and performing projects with Dino Saluzzi, Gonzalo Rubalcaba, Anthony Jackson, Bob Moses, Claudio Roditi, Toquinho, Maria Creuza, Fito Paez and others. Since 2001 he has steadily worked with Al Di Meola’s World Symphony and has recorded on De Meola’s latest album “Flesh on Flesh”.
Alejandro released three solo albums with RCA and GNA/Invasion Records, one of them: 5 Carnavales 4, released in the States, received excellent reviews and reached into the top 30 jazz playlist of the Gavin Report magazine. Alejandro Santos currently performs with his quartet that includes bandoneon, bass and drums.
Quincy Delight Jones, Jr. was born on March 14, 1933 in Chicago, Illinois. When he was ten, his family moved to Bremerton, Washington, a suburb of Seattle. He first fell in love with music when he was in elementary school, and tried nearly all the instruments in his school band before settling on the trumpet. While barely in his teens attending Garfield High, Quincy befriended then-local singer-pianist Ray Charles and the two youths formed a combo, eventually landing small club and wedding gigs.
At 18, the young trumpeter won a scholarship to Berklee College of Music in Boston, Massachusetts but dropped out abruptly when he received an offer to go on the road with bandleader Lionel Hampton. The stint with Hampton led to work as a freelance arranger and settling in New York, throughout the 1950s he wrote charts for Tommy Dorsey, Gene Krupa, Sarah Vaughan, Count Basie, Duke Ellington, Dinah Washington, Cannonball Adderley and Ray Charles.
In 1964 Quincy won his first Grammy for Best Instrumental Arrangement of “I Can’t Stop Loving You”, in 1968 he won his second Grammy for Best Instrumental Performance with “Walking In Space” and that same year along with his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song for “The Eyes Of Love” and he became the first African American to be nominated twice within the same year when for Best Original Score for the 1967 film In Cold Blood.
His firsts would continue in 1971 when named musical director/conductor of the Academy Awards ceremony, being first to win the Academy’s Jean Hersholt Humanitarian Award, and He is tied at 7 with sound designer Willie D. Burton as the most Oscar-nominated African American.
His musical achievements are too numerous to list as they span the gambit from film scores such as The Pawnbroker, In The Heat of the Night, The Italian Job, MacKenna’s Gold, The Getaway and The Color Purple to his jazz works “Body Heat” and “Big Band Bossa Nova” from which Soul Bossa Nova was used in the Austin Powers movies to his crowning glories with Miles Davis last release “Live at the Monteux Jazz Festival”, his work with Michael Jackson’s “Thriller” and the charity song “We Are The World”. He continues to produce, conduct, arrange and compose.
Jason Marsalis was born on March 4, 1977 in New Orleans, Louisiana and is the youngest son of pianist Ellis Marsalis. Inheriting the virtuosity and compositional skills associated with the Marsalis family, Jason developed a distinctive, polyrhythmic drumming style. His first professional gig was with his father at the age of twelve, he studied classical percussion at Loyola University in New Orleans, and has worked as a sideman with straight-ahead combos, funk fusion bands, with Casa Samba, a Brazilian percussion ensemble and even a Celtic group.
Jason introduced percussionist Bill Summers to trumpeter Irvin Mayfield and together they co-founded the wildly successful Los Hombres Calientes. Then, at the height of that band’s popularity he left to join up with acclaimed pianist Marcus Roberts.
Most recently, Jason has been playing vibraphone, releasing his first album as a leader on vibes in 2009 titled “Music Update”. Earning 4.5 out of 5 stars in Downbeat Magazine, it showcases Jason playing the vibes with his working quartet as well as several over-dubbed drum ensembles titled the “Disciplines”.
Jason also continues to work as a sideman with among others Marcus Roberts, Ellis and Delfeayo Marsalis, John Ellis, Dr. Michael White and Shannon Powell. Along with his father and brothers, he is a recipient of the 2011 NEA Jazz Masters Award and is featured in the non-fiction film on New Orleans jazz culture, “Tradition Is A Temple”.
Wallace Bishop was born February 17, 1906 in Chicago, Illinois and started on drums as a teenager, studying under Jimmy Bertrand. His first professional gig was with Art Sims and his Creole Roof Orchestra in Milwaukee in 1926. Around this time he also played with Jelly Roll Morton, Bernie Young, Hughie Swift, Richard M. Jones and Tommy Dorsey.
Often addressed as “Bish”, from 1928 to 1930 he played with Erskine Tate followed with the Earl Hines Orchestra from 1931-1937. By the 1940s he was playing with Jimmie Noone, Coleman Hawkins, Don Redman, Phil Moore, Foots Thomas, John Kirby and Sy Oliver among others.
While touring Europe with Buck Clayton in 1949, Wallace elected to remain there, and found work both with noted European jazz musicians and with touring or expatriate Americans, including Bill Coleman, Don Byas, Ben Webster, Kid Ory, Milt Buckner, Buddy Tate and T-Bone Walker. Bishop recorded only two pieces as a bandleader in 1950, with a trio, but he continued to record regularly into the 1970s.
Wallace Bishop, a subtle and supportive jazz drummer who was one of the finest drummers of the swing era, passed away on May 2, 1986 in Hilversum, Holland.
Arturo Sandoval was born in Artemisa, Cuba on November 6, 1949 and began to play music at age 12 in the village band. After playing many instruments, he fell in love with the trumpet. In 1964, he began three years of serious classical trumpet studies at the Cuban National School of Arts. By the age of 16 he had earned a place in Cuba’s all-star national band and was totally immersed in jazz influenced by Charlie Parker, Clifford Brown and with Dizzy Gillespie as his idol and later mentor and colleague.
In 1971 he was drafted into the military. Luckily, Sandoval was still able to play with the Orquesta Cubana de Musica Moderna. In Cuba, Sandoval co-founded the band Irakere with Chucho Valdes and Paquito D’Rivera. They quickly became a worldwide sensation. Their appearance at the 1978 Newport Jazz Festival introduced them to American audiences and garnered them a recording contract with Columbia Records.
Arturo defected to the United States while touring in Spain with Dizzy in 1990, becoming a naturalized citizen in 1999 and has enjoyed a successful career. He has played with Woody Herman, Herbie Hancock, Woody Shaw, Stan Getz, Celine Dion, Tito Puente, Patti LaBelle, Frank Sinatra, Paul Anka, Gordon Goodwin and numerous others.
His life was the subject of the 2000 TV film For Love or Country: The Arturo Sandoval Story, starring Andy Garcia. He currently continues to perform, tour and record around the globe.