Daily Dose Of Jazz…

Steve Davis was born March 14, 1929 in Philadelphia, Pennsylvania. The youngest of 10 children, he became interested in music as a young teenager and was inspired by his older brother who also played the bass. He was part of a group of young Philadelphia jazz musicians that included saxophonists Benny Golson and John Coltrane. At age 16 he began playing with local big bands and dropped out of high school a year later to pursue a music career.

During the 1940s and 1950s he worked frequently playing with Philly Joe Jones and Jimmy Oliver among others. In 1960, he was briefly a part of the John Coltrane Quartet, before being replaced temporarily by Reggie Workman and permanently by Jimmy Garrison. He was the double bassist on the recordings of  My Favorite Things, Coltrane Plays The Blues and Coltrane’s Sound.

He also recorded as a sideman with Chuck and Gap Mangione on Hey Baby! In 1961 and with quartet fellow and brother-in-law McCoy Tyner on the 1963 album Nights of Ballads & Blues. Davis went on to play on several of James Moody’s groups. He worked throughout the 1960s as a freelancer in New York and as a side man appearing on albums by Kenny Dorham and others.

Moving to Rochester, New York in 1970 Steve played bass with the Gap Mangione Trio, Spider Martin Group and other local bands. He was a mentor to younger jazz musicians in Rochester and enjoyed passing on his knowledge. 1980 saw him beginning to suffer from emphysema and returned to Philadelphia.

Bassist Steve Davis, who was also known by his Muslim name Luquman Abdul Syeed, died on August 21, 1987 at the age of 58.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose OF Jazz…

Mark Kramer was born November 3, 1945 in Philadelphia, Pennsylvania. His prelimonary tutelage came from members of the Philadelphia Orchestra who mentored him on violin from the age of five. His early jazz performances in his teens and twenties included Michael and Randy Brecker, Charles Fambrough, Stanley Clarke, and Eric Gravatt.

Over the next decades his trio went on to record a series of specialty productions including the largest known body of jazz renditions of complete Broadway shows, jazz versions of principal themes from the John Williams score of Harry Potter and the Sorcerer’s Stone, and a compilation of jazz renditions of the music of The Rolling Stones.

Kramer has mainly been an arranger and leader of his own trios throughout his career. His numerous recordings/productions are often listed under The Mark Kramer Trio. Many works from the late Eighties with bassist Eddie Gómez are listed under Eddie Gómez and Mark Kramer or simply Eddie Gómez.

A far-ranging catalog of duo and trio recordings included the Art of the Heart on Art of Life Records. Pianist, composer, arranger, and producer/engineer Mark Kramer continues to pursue his creativity in music.

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Daily Dose Of Jazz…

John Daniel LaPorta was born on April 13, 1920 in Philadelphia, Pennsylvania and started playing clarinet at the age of nine. He studied at the Mastbaum School in Philadelphia, alongside classmate Buddy DeFranco. As a teenager he played in local bands with Charlie Ventura and Bill Harris, and studied classically with Joseph Gigliotti of the Philadelphia Orchestra and Leon Russianoff at the Manhattan School of Music.

1942 saw him as a member of the Bob Chester big band for two years, then spent the following two years with the Woody Herman Orchestra. Beginning in 1947, he studied with Lennie Tristano, and with Teo Macero and Charles Mingus he was a member of the Jazz Composers Workshop, trying to combine jazz with classical music. Classically, he worked with Boston Pops, Leonard Bernstein, Leopold Stokowski, and Igor Stravinsky. In jazz he worked with Kenny Clarke, Miles Davis, Dizzy Gillespie, Charlie Parker, Buddy Rich, and Lester Young.

In 1956, La Porta played the first jazz concert in Venezuela at Caracas National Theater, where a selection of the repertoire performed was released under the title South American Brothers by Fantasy Records, becoming the first jazz recording in Venezuela.

As an educator he taught at Parkway Music School, then at public schools on Long Island, followed by the Manhattan School of Music and the Berklee College of Music. With guitarist Jack Petersen, he pioneered the use of Greek modes for teaching chord-scales.

In the 1990s, he retired to Sarasota, Florida, where he performed at the Sarasota Jazz Club and as a guest with the Fred Williams Trio. His autobiography is titled Playing It by Ear. Clarinetist and composer John LaPorta transitioned from complications of a stroke on May 12, 2004 in Sarasota.


ROBYN B. NASH

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Daily Dose Of Jazz…

Anthony Tillmon Williams was born of African, Portuguese, and Chinese descent on December 12, 1945 in Chicago, Illinois and grew up in Boston, Massachusetts. He studied with drummer Alan Dawson at an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16.

At 17 Williams gained attention when he joined Miles Davis in what was later dubbed Davis’s Second Great Quintet. A vital element of the group, his playing helped redefine the role of the jazz rhythm section through the use of polyrhythms and metric modulation.

He recorded his first two albums as leader at nineteen for the Blue Note label, Life Time in 1964) and Spring in 1965.. He also recorded as a sideman for the label including, in 1964, Out to Lunch! with Eric Dolphy and Point of Departure with Andrew Hill.

By 1969, he had formed his trio, the Tony Williams Lifetime, with John McLaughlin on guitar and Larry Young on organ. Lifetime was a pioneering band of the fusion movement. Disbanding the group, in 1975 he put together a band he called The New Tony Williams Lifetime, featuring bassist Tony Newton, pianist Alan Pasqua, and English guitarist Allan Holdsworth, which recorded two albums for Columbia Records..

In mid-1976, Tony reunited with Herbie Hancock, Ron Carter, and Wayne Shorter. Freddie Hubbard replaced Miles Davis who was in the midst of a six-year hiatus. The resulting record was later released as V.S.O.P. and the group toured for several years and produced a series of live albums released under the name V.S.O.P. or V.S.O.P.: The Quintet.

1979 saw  Williams, McLaughlin and bassist Jaco Pastorius united for a one-time performance at the Havana Jazz Festival. This trio came to be known as the Trio of Doom. In 1985, returning to Blue Note he released six albums through 1993, playing his compositions almost exclusively ubtil he left Blue Note for the final time.

He lived and taught in the San Francisco Bay Area, was one of the pioneers of jazz fusion, and was inducted into the Modern Drummer Hall of Fame in 1986. On February 20, 1997 he checked into Seton Medical Center in Daly City, California, suffering from stomach pain. Three days later, while recuperating from gallbladder surgery, drummer Tony Williams passed away of a heart attack at 51 on February 23, 1997.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Philip L. Bodner was born June 13, 1917 in Waterbury, Connecticut and played in the Forties and 1950s as a sideman for studio recordings in New York City. He played on jazz sessions with Benny Goodman, with Miles Davis and Gil Evans in 1958.

Organizing The Brass Ring, a group modeled after Herb Alpert, in the mid-1960s they had popular success. Bodner also played with Oliver Nelson and J.J. Johnson during that decade. His associations in the 1970s included Oscar Peterson, Yusef Lateef, Peanuts Hucko, Wild Bill Davison, Ralph Sutton and he also played the signature piccolo part on the disco hit The Hustle by Van McCoy. Other work in the 1970s included playing with Ralph Sutton and Johnny Varro, working with Mingus Epitaph, and arranging Louie Bellson’s tribute to Duke Ellington’s Black, Brown and Beige.

The 1980s saw him working in a swing style with Marty Napoleon, Mel Lewis, George Duvivier, Maxine Sullivan, and Barbara Carroll. He released an album under his own name, Jammin’ at Phil’s Place, on Jazzmania Records in 1990, with Milt Hinton, Bobby Rosengarden, and Derek Smith as sidemen.

Multi-instrumentalist and studio musician Philip Bodner, active in jazz and popular music idioms. Best known as a reedist, he played clarinet, saxophone, oboe, English horn, piccolo, flute, conductor and arranger passed away on February 24, 2008 at age 90 in New York City.

THE WATCHFUL EYE

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