Daily Dose Of Jazz…
Mike John Brett Daniels was born April 23, 1928 in Norbiton, Kingston-upon-Thames, Surrey, London, England. He had an early interest in jazz at a very young age while studying at Aldenham School from the age of 13 in 1941 as a pupil until 1945. Taking up the trumpet at 16, his family moved to Stanmore, Middlesex, where he organized a new group called the Stanmore Stompers in 1947.
He is probably best known for his work with his own seven piece group, The Delta Jazzmen. He led this group from 1948 to 1974 and again in the 1990s. He moved to Spain briefly in the mid-1960s. He had very little recorded output during his lifetime but he recorded two albums worth of material, one of which was titled Mike on Mike from 1960.
There exists some well recorded performances by the Delta Jazzmen which featured Daniels from 1958 to 1963, along with additional input from trombone player Gordon Blundy and John Barnes on reed instruments. The rhythm section is accompanied on these works by banjo-tuba-drums.
Mike was regarded as an ensemble-orientated player who provided a solid lead combined with laid-back solos. Some of his other bands have featured talents such as Keith Nichols and John Chilton. The British Lake Label produced ‘Limited Edition’ recordings of Daniels’ work.
Trumpeter Mike Daniels, who aspired to reproduce the original styles of King Oliver, Jelly Roll Morton, Louis Armstrong, died on October 18, 2016 at the age of 88
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Daily Dose Of Jazz…
Joe Thomas was born in Muskogee, Oklahoma on December 23, 1908 and was the brother of Walter “Foots” Thomas. He first went to New York City with Jelly Roll Morton in 1929.
During the 1930s he worked with Blanche Calloway and other bands. The early Forties saw him working with jazz musician Dave Martin. He gave up playing to become a vocal coach and songwriter and later an A&R executive.
Alto saxophonist and songwriter Joe Thomas transitioned on April 15, 1997.
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Daily Dose Of Jazz…
Joseph William Yukl was born on March 5, 1909 in Los Angeles, California and learned to play violin before switching to trombone as a teenager.
Yukl relocated to New York City in 1927 where he took a position playing in radio bands for CBS, and worked with Red Nichols and The Dorsey Brothers. During 1934 he played with Joe Haymes, then with the Dorseys once again.
Through the end of the decade he played with Louis Armstrong, Ray McKinley, Bing Crosby, Ben Pollack, Frankie Trumbauer, and Ted Fio Rito. The 1940s saw Joe working as a session musician for studio recordings in Los Angeles, California and for film and television.
He played with Wingy Manone and Charlie LaVere in the 1940s. He appears in the film Rhythm Inn in 1951 and is heard playing trombone in the 1953 movie The Glenn Miller Story.
Trombonist Joe Yukl transitioned on March 16, 1981 at the age of 72 in his hometown.
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Daily Dose Of Jazz…
Robert Hanley Casey was born in Johnson County, Illinois on February 11, 1909 and learned to play banjo and guitar as a child, playing both in regional ensembles in the Midwest. He didn’t pick up the bass until he was twenty and continued as a guitarist for some time after.
The mid-1930s saw him playing in NBC radio ensembles and working with Wingy Manone. In 1939 Bob joined Muggsy Spanier’s Ragtimers band but the group soon split, after which he played with Charlie Spivak, Brad Gowans, Eddie Condon, Miff Mole, and Joe Marsala. He played extensively on radio with several of these ensembles.
Casey was also a prolific session bassist, recording with Wild Bill Davison, Bobby Hackett, Cliff Jackson, Max Kaminsky, Eddie Edwards, Bud Freeman, Pee Wee Russell, Georg Brunis, George Wettling, Ralph Sutton, Joe Sullivan, and Boyce Brown in the 1940s and 1950s.
Relocating to Florida in 1957, he played with the Dukes of Dixieland. By the 1970s he was playing only occasionally. Double bassist Bob Casey transitioned on April 9, 1986, in Marion, Illinois.
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Daily Dose Of Jazz…
William Crickett Smith was born on February 8, 1881 in Emporia, Kansas, the child of Tennessee Exodusters. His professional career began in childhood, performing in Nathaniel Clark Smith’s Picaninny Band before moving into minstrel troupes, vaudeville and cabaret.
In 1913-1914, he made several early recordings with James Reese Europe’s group, the Clef Club Society Orchestra. Between 1914 and 1919, he performed in the Ford Dabney Orchestra, the resident band at Florenz Ziegfeld’s Broadway cabaret, Midnight Frolics. Between 1917-1919, they produced several dozen phonographs.
By 1919 Smith had relocated to Paris, France playing with Louis Mitchell’s Jazz Kings until 1924. The group recorded for Pathe Records. He became the leader of Mitchell’s group in 1923. He went on to tour France, Spain and Russia with his own bands from 1925 to 1933. However, during the Depression, he spent nine years in Southeast Asia, working with Herb Flemming, Leon Abbey, and Teddy Weatherford, mostly in Bombay and Batavia. In 1936, he recorded with a group called the Symphonians.
Around 1943 cornetist and trumpeter Crickett Smith, who played jazz blues and ragtime, returned to New York City and the following year transitioned on August 30, 1944.
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