Nicky Blaine’s Cocktail Lounge: 1 N. Meridian Street, Indianapolis, Indiana / Telephone: 317-638-5588 Fax: 317-638-2977 / Contact: General Manager – Jeff Randolph.
When in Downtown Indy… Indulge Yourself In The Finer Things at Nicky Blaine’s featuring live jazz Monday through Thursday from 9:00p.m. to 1:00a.m. In addition, the lounge offers a world-class selection of wine, port, single malt scotches and vodkas. The menu features the most exquisite appetizers to compliment the great cocktail selection. You’ll dine and enjoy the jazz surrounded by luxurious appointments that include fine wood paneled walls, plush carpeting, comfortable sofas and wingback chairs.
Butch Miles was born Charles J. Thorton, Jr. on July 4, 1944 in Ironton, Ohio. He began playing snare drum at the age of 9 and went on to major in music at West Virginia State University from 1962–1966. After his matriculation he toured with the Iris Bell Trio.
Miles joined the Count Basie Orchestra in 1975 and the association lasted for four years and then returned for ten years from 1997–2007. He led his own group, Jazz Express, in the 1980s and ’90s.
Besides performing with the Count Basie Orchestra, Butch has played with Dave Brubeck, Ella Fitzgerald, Sammy Davis Jr., and Frank Sinatra among others as well as hitting the stage of the Newport and Montreux Jazz Festivals.
HE cites Buddy Rich, Gene Krupa and Jo Jones as favorite drummers and is currently a professor in the School of Music at Texas State University-San Marcos.
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John Stein, born on June 19, 1949, was raised in Kansas City, Missouri and took up the guitar at a very early. His was musically educated on the instrument at Berklee College of Music, where he now holds the position of associate professor.
Stein collaborates with Boston hitters Bill Pierce, Kenneth Weinberger, John LaPorta and Bob Freedman but has graced stages with David “Fathead” Newman, Lou Donaldson, Dr. Lonnie Smith, and Idris Muhammad.
John has published educational columns in Just Jazz Guitar Magazine, focusing on composition and arranging for jazz guitar. He has published arranging materials in a book titled Berklee Jazz Standards For Solo Guitar, as well as his compositional materials into two books. Composing Blues For Jazz Performance, and Composing Tunes For Jazz Performance.
He has also performed in Europe, conducting tours in Germany, France, Switzerland Brasil and the States. As a mainstay on the jazz circuit, guitarist John Stein continues to record, perform and tour with his compositions and performances covering a range of jazz including blues, bebop, bossa nova and swing.
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Geri Allen was born on June 12, 1957 in Pontiac, Michigan and received her early jazz education at Cass Technical High School in Detroit and the Jazz Development Workshop under the mentorship of Marcus Belgrave. In 1979 she graduated fro Howard University with a jazz studies degree, moved to New York and studied with Kenny Barron. She went on to get a degree in ethnomusicology from the University of Pittsburgh, returned to New York and joined the Brooklyn based M-Base crowd, recording several albums with Steve Coleman, beginning in 1985.
Geri’s 1984 debut album “The Printmakers” showcased the pianist’s more avant-garde tendencies, followed by “Etudes” and “Twenty-One” in 1995 in which she was the first recipient of Soul Train’s Lady of Soul Award for jazz album of the year. She has played with a luminous list of musicians not the least Ron Carter, Tony Williams, Charlie Haden, Anthony Cox, Betty Carter, Ornette Coleman, Jack DeJohnette, Mary Stallings and Charles Lloyd.
Geri Allen currently teaches as Associate Professor of Jazz Piano & Improvisation Studies at the University of Michigan as well as recording and touring with Charles Lloyd; and in 2007 participated in the documentary film titled “Live Music, Community & Social Conscience” that looks at how music connects us to our humanity, and to each other regardless of borders, politics, culture economics, or religion. She was the 2008 recipient of a Guggenheim Fellowship.
Allen has received many awards such as the “African-American Classical Music Award”, “A Salute to African-American Women: Phenomenal Woman”, nominations in 2011 for the NAACP Image Award for Best Jazz Album, “Geri Allen & Timeline Live” and for both The 10th Annual Independent Music Awards for “Live Performance Album” and for “Best Jazz Pianist”, by the Jazz Journalists Association.
As an educator Geri has taught Jazz & Contemporary Improvisation at the School Of Music Theatre & Dance, at the University Of Michigan and was a curator in New York City at the STONE. Since 2013 she’s been teaching at her alma mater, the University of Pittsburgh, as an Associate Professor of Music and as the Director of the Jazz Studies Program. She continues to perform, tour and record.
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Talmage Holt Farlow was born on June 7, 1921 in Greensboro, North Carolina. He didn’t take up the guitar until he was twenty-one but within a year was playing professionally, although he had a reluctance to perform publicly. But, by 1948 he had joined Marjorie Hyams’ band, moved to Red Norvo’s group from ’49 to ’53 and after only six months with Artie Shaw’s Gramercy Five in 1953, Farlow put together his own group, which for a time included pianist Eddie Costa.
Farlow’s extremely large hands led to his nickname “Octopus” spreading over the fret board as if they were tentacles. In 1956 Down Beat magazine critics named him as the very best jazz guitarist in the world. Where other similar players of his day combined rhythmic chords with linear melodies, Tal preferred placing single notes together in clusters, varying between harmonically richened tones based on a startling new technique.
A supreme technician, renowned for his articulation, and smooth relaxed phrasing even at the most daunting tempos, Tal retired from full-time performing in 1958, returning to a career as a sign painter, playing only the occasional date.
He only made one record as a leader during 1960–1975, but emerged a bit more often during 1976–1984, recording for Concord fairly regularly before largely disappearing again. He was profiled in the documentary film, Talmage Farlow, and can be heard leading groups for Blue Note, Verve and Prestige. Guitarist Tal Farlow died of cancer in New York City on July 25, 1998 at the age of 77.
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