Victor Stanley Feldman was born on April 7, 1934 in Edgware, London, England and caused a sensation as a musical prodigy when he was discovered at aged seven. His family members were all musical and his father founded the Feldman Swing Club in 1942 to showcase his talented sons. His first professional appearance was playing drums at No. 1 Rhythm Club as a member of the Feldman Trio with brothers Robert on clarinet and Monty on piano accordion.
At eight years old the drummer was featured in the films King Arthur Was A Gentleman and Theatre Royal, in 1944 he was featured as “Kid Krupa” at a Glenn Miller AAAF band concert when he was 10, and went on to play vibraphone for Ralph Sharon Sextet and the Roy Fox band. Victor eventually made piano his instrument of choice and became best known.
Feldman recorded with Ronnie Scott’s orchestra and quintet from 1954 to 1955, and then in 1955 came to the U.S. He first worked with Woody Herman, then with Buddy Defranco. He recorded some thirty albums as a leader and recorded with Benny Goodman, George Shearing, Milt Jackson, Blue Mitchell, Lalo Schifrin, John Klemmer Sam Jones, Cannonball Adderley and others, as well as, Miles Davis on Seven Steps To Heaven, having composed the title track. He was a part of the 5-LP recording of Shelly Manne Black Hawk sessions in 1959.
Feldman settled in Los Angeles permanently and specialized in the lucrative session work for the film and recording industry. He also branched out to work with a variety of musicians outside of jazz, working with artists such as Frank Zappa, Steely Dan, Joni Mitchell, Tom Waits and Joe Walsh through the Seventies and Eighties.
Vibraphonist, drummer, percussionist, pianist and composer Victor Feldman died on May 12, 1987 at his home in Woodland Hills, California at age 53, following a heart attack. In 2009, he was inducted into the Musicians Hall of Fame and Museum in Nashville, Tennessee.
Flip Phillips was born Joseph Edward Filipelli on March 26, 1915 in Brooklyn, New York. In the mid-1940s, he was one of the anchors of the Woody Herman band, and also played with the Woodchoppers, a small spin-off group that Herman led. After this period he went out on his own and joined Jazz at the Philharmonic. His deep, strong and articulate playing with a very full sound contrasted him to his successors such as Stan Getz in the subsequent Herman bands.
Phillips recorded extensively for Clef Records, now Verve, in the 1940s and 1950s, including a 1949 album of small-group tracks under his leadership, with Buddy Morrow, Tommy Turk, Kai Winding, Sonny Criss, Ray Brown and Shelly Manne. He accompanied Billie Holiday on her 1952 Billie Holiday Sings album. He became a frequent player at the Odessa Jazz Party in Odessa, Texas from 1971 to 1991.
Tenor saxophonist and clarinet player Flip Phillips, best known for his work with Jazz At The Philharmonic from 1946 to 1957, passed away in Fort Lauderdale, Florida on August 17, 2001 at the age of 86.
Harold Ashby was born on March 21, 1925 in Kansas City, Missouri. He began playing alto and clarinet as a teenager but gave up music while he was in the US Navy from 1943 to 1945. On return to his native Kansas City in 1946, he was soon playing again and backed the singer Walter Brown, making his first recording with Brown in 1949. He spent most of the Fifties in Chicago playing in blues bands before moving to New York in 1957 to work in the bands of Milt Larkin and Mercer Ellington.
He then found the fringes of Duke Ellington’s band and accepted as a friend and colleague by Ellington’s sidemen, he recorded with Webster (1958), Hodges (1960), Gonsalves (1961) and Lawrence Brown in 1965. Once he joined the band permanently he became a regular in all the small groups that came from the band to record. He was given more prominent roles as the band played across Europe and the Far East and won many fans across the world.
After Ellington’s death, Ashby worked with Sy Oliver in 1976 and made brief tours with Benny Goodman in 1977 and 1982. He toured there with the Ellington Alumni in 1978 and returned the following year with the Kansas City pianist Jay McShann Making another European tour paired him with the pianist Junior Mance, and he was also one of the stars of the 1985 Nice Festival.
He recorded often under his own name in the late Eighties and early Nineties, but illness curtailed his activities and he confined his work to the New York area. Ashby made an exception for one of his last appearances at the 2001 Duke Ellington Conference in Ottawa when Ashby played one of Ellington’s compositions written to feature him, “Chinoiserie”. Happily he was able to regain his top form, but it was his final appearance before an audience of any size. Tenor saxophonist Harold Ashby passed away in New York City on June 13, 2003.
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Nat King Cole was born Nathaniel Adams Coles on March 17, 1919 in Montgomery, Alabama, one of four brothers and a half sister. His brothers Ike and Freddy would follow in his footsteps and pursue careers in music. When he was four years old his family moved to Chicago, Illinois where his father became a Baptist minister and where the young lad learned to play the organ from his mother. His first performance was at age four and he began formal lessons at 12, eventually learning jazz, gospel and Western classical. He went to DuSable High School and studied in the music program under Walter Dyeth.
Sneaking out of the house and to hang around outside the clubs, he listening to artists such as Louis Armstrong, Jimmy Noone and Earl Hines, the latter who inspired him. Cole began his performing career in the mid-1930s while still a teenager, adopting the name Nat Cole. His older brother, Eddie, a bass player, joined Cole’s band playing clubs and made their first recording in 1936 under Eddie’s name. They also were regular performers at clubs. He got his nickname, “King”, presumably reinforced by the nursery rhyme “Old King Cole”.
Nat went on to be the pianist in the national tour of Shuffle Along revue about theatre legend Eubie Blake. When it closed in Long Beach, he decided to stay in California. He formed Cole and two other musicians formed the “King Cole Swingsters” that eventual became the King Cole Trio. Their first radio broadcast on NBC’s Blue Network in 1938 led to their Swing Soiree, the Old Gold, Chesterfield Supper Club, Kraft Music Hall and The Orson Welles Almanac.
Cole frequently sang in between instrumental numbers. Noticing that people started to request more vocal numbers, he obliged. There was a customer who requested a certain song one night, but it was a song that Cole did not know, so instead he sang “Sweet Lorraine”. The King Cole Trio signed with the fledgling Capitol Records, known as the “House That Nat Built” in 1943. Revenues from Cole’s record sales fueled much of the label’s success during this period including the construction of the circular building.
Nat would perform in the first Jazz At The Philharmonic, have his revolutionary lineup of piano, guitar, and bass was emulated by many musicians, among them Art Tatum, Oscar Peterson, Ahmad Jamal, Charles Brown and Ray Charles. He played with Lester Young, Red Callender and Lionel Hampton.
Cole’s first mainstream vocal hit was his 1943 recording of one of his compositions, “Straighten Up And Fly Right”, selling over 500,000 copies.
In 1946, the King Cole Trio Time program was on the air, recorded with a string orchestra and his pop stature came with his recording of “The Christmas Song” followed by a string of hits such as Nature Boy, Route 66, Mona Lisa, Too Young and Unforgettable. While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never completely abandoned his jazz roots and in 1956 he recorded an all-jazz album After Midnight. He had one of his last major hits in 1963, two years before his death, with “Those Lazy-Hazy-Crazy Days of Summer”, which reached #6 on the Pop chart.
He would go on to have a variety show on NBC without national sponsorship despite appearances of Ella Fitzgerald, Harry Belafonte, Frankie Laine, Peggy Lee and Eartha Kitt. He would record Cole Espanol in Havana, Cuba, retool his final Nelson Riddle arranged album Wild Is Love into an Off-Broadway show titled “I’m With You”. Cole performed in many short films, sitcoms, and television shows such as St, Louis Blues, The Blue Gardenia, the Nat King Cole Story and on of his final appearances in Cat Ballou.
Cole was inducted into the Alabama Music Hall of Fame, the Alabama Jazz Hall Of Fame, the Down Beat Hall of Fame, the Hit Parade Hall of Fame, the Rock and Roll Hall of Fame, the Latin Songwriters Hall of Fame, a Grammy Lifetime Achievement Award, and has an official U.S. postage stamp in his honor.
Pianist, vocalist, composer and bandleader Nat King Cole, whose baritone voice performed in big band and jazz trio settings passed away on February 15, 1965 of lung cancer. He maintains worldwide popularity.
Roy Haynes was born in Boston, Massachusetts on March 13, 1925, and was keenly interested in jazz ever since he can remember. Primarily self-taught, he began to work locally in 1942 with musicians like guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown. In the summer of 1945 he got a call to join bandleader Luis Russell to play for the dancers at New York’s Savoy Ballroom. When not traveling with Russell, the young drummer spent much time on Manhattan’s 52nd Street and uptown in Minton’s, the incubator of bebop.
From 1947 to 1949 Haynes was Lester Young’s drummer, worked with Bud Powell and Miles Davis in ’49, became Charlie Parker’s drummer of choice from 1949 to 1953, toured the world with Sarah Vaughan from 1954 to 1959, did numerous extended gigs with Thelonious Monk in 1959-60. Through the Sixties he performed and recorded with Eric Dolphy, Stan Getz, John Coltrane, has collaborated with Chick Corea since 1968, and with Pat Metheny during the ’90s. He’s been an active bandleader from the late ’50s to the present, featuring on his recordings Phineas Newborn, Booker Ervin, Roland Kirk, George Adams, Hannibal Marvin Peterson, Ralph Moore and Donald Harrison to name a few.
A perpetual top three drummer in the Downbeat Readers Poll Awards, he won the Best Drummer honors in 1996 (and many years since), and in that year received the prestigious French Chevalier des l’Ordres Artes et des Lettres and in 2002 his album “Birds Od A Feather” was nominated for a Grammy. Roy Haynes, percussionist, composer and bandleader nicknamed Snap Crackle, continues to compose, performer, record and tour.