Sonny Payne was born on May 4, 1926 in New York City. His father was Wild Bill Davis’ drummer Chris Columbus. After early study with Vic Berton, in 1944 he started playing professionally around New York with the Dud and Paul Bascomb band, Hot Lips Page, Earl Bostic, Tiny Grimes and Lucille Dixon through the decade.
From 1950 to 1953, Payne played with Erskine Hawkins’ big band and led his own band for two years, but in late 1954 he made his most significant move, joining Count Basie’s band for more than ten years of constant touring and recording. He recorded Counting Five In Sweden with Joe Newman in 1958 on the Metronome label..
Leaving Basie in 1965, he again led his own trio and toured with Illinois Jacquet in 1976. He went Frank Sinatra’s personal drummer for all of the singer’s appearances with the Count Basie Orchestra in 1965 and 1966, and he later rejoined Basie as the regular drummer from 1973–1974. Most of the rest of his career, however, was spent in the Harry James band, which he joined in 1966, and with whom he was working when he passed away of pneumonia at the age of 52 on January 29, 1979 in Los Angeles, California. Harry James paid all of his medical bills and subsequent funeral costs.
More Posts: drums
Sid Weiss was born April 30, 1914 in Schenectady, New York and learned clarinet, violin, and tuba when young. He switched to bass in his teens. He moved to New York City around 1931 and worked the following decade with Louis Prima, Bunny Berigan, Wingy Manone, Artie Shaw, Tommy Dorsey, Charlie Barnet and Adrian Rollini.
He was with Benny Goodman from 1941–1945, then played in the second half of the 1940s and the early 1950s with Muggsy Spanier, Pee Wee Russell, Cozy Cole, Bud Freeman, Duke Ellington and Eddie Condon. He quit full-time performing in the mid-1950s and in 1968 was an executive of the musicians’ union in Los Angeles, California. Bassist Sid Weiss passed away on March 30, 1994.
More Posts: bass
Duke Ellington was born Edward Kennedy Ellington on April 29, 1899 in Washington, D.C. to parents who were pianists with his mother primarily playing parlor songs and his father preferring operatic arias. At the age of seven, he began taking piano lessons from Marietta Clinkscales. Surrounded by dignified women who reinforced his manners and taught him to live elegantly, his childhood friends noticed that his casual, offhand manner, easy grace and dapper dress and began calling him “Duke”.
Though Ellington took piano lessons, he was more interested in baseball. Ellington went to Armstrong Technical High School in Washington, D.C. and his first job was selling peanuts at the Washington Senators baseball games. Sneaking into Frank Holiday’s Poolroom at the age of fourteen and hearing the poolroom pianists play ignited Duke’s love for the instrument, and he began to take his piano studies seriously. But in the summer of 1914, while working as a soda jerk at the Poodle Dog Cafe he wrote his first composition, Soda Fountain Rag, created by ear, as he had not yet learned to read and write music.
He took private lessons in harmony from Dunbar High School music teacher Henry Lee Grant and with guidance of pianist and bandleader Oliver “Doc” Perry, he learned to read sheet music, project a professional style, and improve his technique. He was equally inspired by his encounters with James P. Johnson, Lukey Roberts, Will Marion Cook, Fats Waller and Sidney Bechet.
Playing gigs in cafés and clubs around D.C. and working as a freelance sign-painter, in 1917 Ellington began assembling groups to play for dances beginning with The Duke Serenaders. His group ventured to Harlem joining Wilber Sweatman’s orchestra, becoming a part of the Renaissance. Striking out on their own they hit roadblocks and though Willie “The Lion” Smith introduced them to the scene and gave them some money, they ultimately returned to D.C. discouraged.
A 1923 gig in Atlantic City, New Jersey led to the prestigious Exclusive Club in Harlem, followed by the Hollywood Club and a four-year engagement, giving Ellington a solid artistic base. He would go on to lead The Washingtonians, record eight records, contribute four songs to the 1925 all-Black revue Chocolate Kiddies starring Lottie Gee and Adelaide Hall, and struck an agreement of 45% interest in his future with agent-publisher Irving Mills. He would record on nearly every label at the time giving him popular recognition.
In 1927 he began his engagement at the Cotton Club receiving national attention from weekly radio broadcasts from the club gave Ellington national exposure. He gained worldwide recognition with Adelaide Hall on Creole Love Call and Black and Tan composed by Bubber Miley. He would go on to play for Florenz Ziegfeld, compose music for film scores, hire Ivie Anderson and create hits It Don’t Mean A Thing If It Ain’t Got That Swing, Mood Indigo, Sophisticated Lady, Solitude and In A Sentimental Mood.
By the 1930s as the Depression worsened, Duke was still able to produce music and continue a high profile with his radio broadcasts. He had hits like Caravan and I Let a Song Go Out of My Heart. His short film Symphony In Black introduced Billie Holiday on A Rhapsody of Negro Life, winning an Academy Award for Best Musical Short Subject.
In 1939 he began his association with Billy Strayhorn and the stage turned up again with more great music collaborations, such as Take The “A” Train. Among the musicians in Duke’s orchestra at one time or another were Ben Webster, Cootie Williams, Ray Nance, Johnny Hodges, Jimmy Blanton, Herb Jeffries, Al Hibbler, Mary Lou Williams, Sonny Greer, Clark Terry, Louie Bellson, and many others to numerous to mention here.
Ellington’s appearance at the Newport Jazz Festival on July 7, 1956 returned him to wider prominence and introduced him to a new generation of fans with Paul Gonsalves’ 27-chorus marathon solo, culminating in an album release.
Over the next two decades Duke continued to tour, compose and record, have statues erected, schools , streets, parks, buildings and bridges named for him, and a coin and a stamp honoring him. He has an annual competition, The Essentially Ellington High School Jazz Competition and Festival at Jazz At Lincoln Center, has a star on the Hollywood Walk of Stars, was awarded a special Pulitzer Prize, received a Presidential Medal of Freedom, a Grammy Lifetime Achievement Award, Legion Of Honor from France, won 12 Grammy Awards, and has nine songs inducted into the Grammy Hall of Fame among too many to list.
Pianist, bandleader and composer Duke Ellington, who composed to the very last days of his life and never came off the road, passed away on May 24, 1974 of complications from lung cancer and pneumonia, a few weeks after his 75th birthday.
More Posts: piano
Dave Tough, born April 26, 1907 in Oak Park, Illinois was sometimes Davie or Davey Tough. His decision to become a drummer was not supported by his family or community, so he ventured from his upper-middle class world to the evolving jazz scene of Chicago’s Southside, breaking both cultural and musical boundaries.
Dave worked Bud Freeman, Woody Herman, Eddie Condon, Red Nichols, Red Norvo, Tommy Dorsey, Bunny Berigan and Benny Goodman. Appearing as the poet-drummer character Dick Rough in the Autobiographical Novel of Kenneth Rexroth, he played at Chicago’s legendary Green Mask,
In the later 1920s, Tough floated between Nice and Paris doing freelance work, touring and recording throughout Europe mostly on the Tri-Ergon label in the early Thirties. During this overseas period he worked loosely with George Carhart and while in Paris he had extensive sessions with Mezz Mezzrow.
Though without official record,he spent portions of 1942-44 in the Navy playing behind Shaw’s Naval Band. He only led one album, a small-sided release by the Jamboree label. Although he had varied successes, one being with the Artie Shaw band, Dave also had difficulties with alcoholism and illness that caused him to lose a number of prominent jobs.
Although he was not known as a bebop drummer, he was a fan and admired the drumming of Max Roach. He was not a flashy, crowd-pleasing drummer like Gene Krupa or Buddy Rich, he was widely admired by other musicians for his taste and subtle rhythmic drive. Dixieland and swing drummer Dave Tough, described as the most important of the drummers of the Chicago circle in the 1930s and 1940s, passed away from a cerebral trauma after falling down on a Newark, New Jersey street on December 9, 1948 at age 41. He was inducted into the Big Band and Jazz Hall of Fame in 2000.
More Posts: drums
Earl Bostic was born in Tulsa, Oklahoma on April 25, 1912. He turned professional at the age of 18 when he joined Terence Holder’s Twelve Clouds of Joy. He then performed on the riverboats of New Orleans with Frank Marable before graduating from Xavier University.
He worked with territory bands as well as with Arnett Cobb, Hot Lips Page, Rex Stewart, Don Byas, Charlie Christian, Thelonious Monk, Edgar Hayes, Cab Calloway and others His first recording session was with Lionel Hampton in 1939 along with Charlie Christian, Clyde Hart and Big Sid Catlett. In 1938, and again in 1944, Earl led the house band at Smalls Paradise and while there he doubled on guitar and trumpet. During the early 1940s, he was a well-respected regular at the famous jam sessions held at Minton’s Playhouse.
Forming his own band in 1945, Bostic made his first recordings as a leader on the Majestic label. In the late Forties turned to rhythm and blues and had his biggest hits with Temptation, Sleep, You Go To My Head, Cherokee and his signature hit Flamingo. At various times his band included Keter Betts, Jaki Byard, Benny Carter, John Coltrane, Teddy Edwards, Benny Golson, Blue Mitchell, Tony Scott, Cliff Smalls, Sir Charles Thompson, Stanley Turrentine, Tommy Turrentine and others who rose to prominence in jazz.
He would go on to record Jazz As I Feel It with Shelly Manne, Joe Pass and Richard “Groove” Holmes. He wrote arrangements for Paul Whiteman, Louis Prima, Lionel Hampton, Gene Krupa, Artie Shaw, Hot Lips Page, Jack Teagarden, Ina Rey Hutton and Alvino Rey. His songwriting hits include Let Me Off Uptown that was performed by Anita O’Day and Roy Eldridge, and Brooklyn Boogie, which featured Louis Prima and members of the Booklyn Dodgers.
During the early 1950s Earl lived in Addisleigh Park in St. Albans, Queens before moving to Los Angeles, California where he opened his club, the Flying Fox. Suffering a heart attack he concentrated on writing arrangements. Alto saxophonist Earl Bostic, whose recording career encompassed small group swing-based jazz, big band jazz, jump blues, organ-based combos and a string of commercial successes, passed away October 28, 1965 from a heart attack while performing with his band in Rochester, New York. He was inducted into the Oklahoma Jazz Hal of Fame in 1993.
More Posts: saxophone