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CLARE FISCHER

Daily Dose OF Jazz…

Clare Fischer was born October 22, 1928 in Durand, Michigan and started general music study in grade school with violin and piano as his first instruments. By age 7 he was picking out four-part harmony on the piano and by 12 was composing classical music and creating instrumental arrangements for dance bands.

In high school he added cello, clarinet and saxophone to his arsenal of instruments and studied music theory, harmony and orchestration privately. He started his own band at 15, writing all the arrangements, went on to college studying music composition and theory as a piano major. After graduation and a stint in the Army as the arranger for the U.S. Military Academy Band at West Point, N.Y., he returned to Michigan State and received his Masters in 1955.

He went on to arrange for the vocal quartet Hi-Lo’s that would later become a major influence on Herbie Hancock, would record under his own name in 1962 for Pacific Jazz, play with Bud Shank, Joe Pass and Cal Tjader among others, arrange for Sergio Mendes and Willy Ruff, began playing organ and composed his most famous compositions, Pensativa and Morning.

By the mid-‘70s Fischer was pioneering the electric keyboard, reconnected with Tjader started his group Salsa Picante, won a Grammy for his album 2+2 and Free Fall, forayed into R&B doing orchestral sweeteners, worked with Rufus with Chaka Khan, The Jacksons, Earl Klugh, The Debarges, Shot-gun and Atlantic Starr and pop artists such as Paul McCartney, Prince, Celine Dion and Robert Palmer, picking up numerous gold records.

From the Eighties on Clare has been commissioned to score symphonic work using Duke Ellington and Billy Strayhorn themes, working with Branford Marsalis, the Netherlands Metropole Orchestra, arranged for Spike Lee’s Girl 6, has conducted clinics and master classes at numerous universities, and continued to record in small group and orchestral settings until his death in Los Angeles, California on January 26, 2012 at age 82..

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ERNIE FIELDS

Daily Dose Of Jazz…

Ernie Fields was born Ernest Lawrence Fields on August 28, 1904 in Nacogdoches, Texas, though raised in Taft, Oklahoma. He attended Tuskegee Institute before moving to Tulsa. From the late 1920s, he led the Royal Entertainers, and eventually began touring more widely from Kansas City, Kansas to Dallas, Texas, and recording. Fields’ band became the first African-American band to play at Tulsa’s landmark Cain’s Ballroom.

A 1939 invite to New York by John Hammond to record for Vocalion. He began touring nationally, never became a star but continued to work steadily, recording for smaller labels, and gradually transforming his sound through a smaller band and a repertoire shift from big band and swing to R&B. During WWII he entertained troops both at home and abroad.

Continuing to straddle these styles into the 1950s, Ernie played swing standards such as “Tuxedo Junction” and “Begin The Beguine” in a rocking R&B style. In the late 1950s he moved to Los Angeles, California and joined the Rendezvous Records and ran the house band In 1959 this band had an international hit with an R&B version of Glenn Miller’s “In The Mood” that reached #4 on the Billboard chart, selling over a million copies. He would go on to record instrumentals under a variety of names including B. Bumble and the Stingers, The Marketts and The Routers.

After Rendezvous Records folded in late 1963, trombonist, pianist, arranger and bandleader Ernie Fields retired and returned to Tulsa. He died on May 11, 1997, at the age of 92.

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LUCKY MILLINDER

Daily Dose Of Jazz…

Lucky Millinder was born Lucius Venable Millinder on August 8, 1910 in Anniston, Alabama but was raised in Chicago, Illinois. While a teenager in the 1920s he worked in clubs, ballrooms, and theatres in Chicago as a master of ceremonies and dancer. He first fronted a band in 1931 for an RKO theater tour, and in 1932 took over leadership of Doc Crawford’s orchestra in Harlem, New York City, as well as freelancing elsewhere.

The Thirties saw Lucky touring Europe with his own orchestra and playing residencies in Monte Carlo and Paris, returning to New York to lead the Mills Blue Rhythm Band, discovering Rosetta Tharpe, teaming with Bill Doggett’s group, established a residency at the Savoy Ballroom and signed a contract with Decca Records, in which Dizzy Gillespie sat in the trumpet seat.

Millinder would record “Trouble In Mind” in 1941 with Rosetta Tharpe, as well as his #1 hit “When The Lights Go On Again (All Over The World)” followed by “Apollo Jump” and “Sweet Slumber”. But by the mid-1940s the band was drifting towards what would be known as rhythm and blues and was comprised of saxophonist Bull “Moose” Jackson, Tab Smith, Eddie “Lockjaw” Davis and pianist Sir Charles Thompson and singer Wynonie Harris. Their recording of “Who Threw The Whiskey In The Well” became the group’s biggest hit in 1945, staying at #1 on the charts for 8 weeks. Vocalist Ruth Brown replaced Wynonie for a short period until her solo career took flight.

Throughout the decade the band continued to remain popular and toured all the large R&B auditoriums, changed labels a few times until their last big hit was “I’m Waiting Just for You” with Annisteen Allen in 1951. A year later Lucky was working as a radio deejay, continued to tour and took over the leadership of the Apollo Theater band for a while. Retiring from performing he recorded his final sessions in 1960 and became active in music publishing, and in public relations for a whiskey distillery.

Swing and rhythm and blues bandleader Lucky Millinder, never learned to read or write music, nor play an instrument and rarely sang, it is said it was his showmanship and musical taste made his bands successful. He passed away from a liver ailment in New York City on September 28, 1966. Twenty years later he would posthumously be inducted into the Alabama Jazz Hall of Fame.

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KENDRICK SCOTT

Daily Dose Of Jazz…

Kendrick Scott was born July 8, 1980 in Houston. His initial encounter with the drums was in church, where his family was involved in the music ministry. Attending Houston’s High School for the Performing and Visual Arts, garnering several awards, most notably the IAJE Clifford Brown/Stan Getz Fellowship.

Upon graduation from high school in 1998, Kendrick matriculated through Berklee College of Music under scholarship. Since graduating in 2002,Scott has performed with the Jazz Crusaders, Pat Metheny, Joe Lovano, Kenny Garrett, Dianne Reeves, Lizz Wright and Terence Blanchard among others. He also was a member of the Berklee-Monterey Quartet from 1999 to 2007.

Scott’s debut recording with his group Oracle recorded The Source in 2006, including pianists Aaron Parks and Robert Glasper, guitarist Lionel Loueke, vocalist Gretchen Parlato and others. He also performed with the Terence Blanchard Quintet on the twice Grammy nominated album A Tale of God’s Will (A Requiem for Katrina) in 2007, celebrated the Monterey Jazz Festival’s 50th anniversary and embarked on a 22-state tour with the 50th Anniversary MJF All-Star Band features the leaders of the past, present and future with Blanchard, James Moody, Benny Green, Derrick Hodge and Nnenna Freelon. In 2010 he released his sophomore leader project “Reverence” and in 2013 “Conviction”. He continues to perform, record and tour.

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G. AULD BIG

Daily Dose Of Jazz…

George Auld was born John Altwerger on May 19, 1919 in Toronto, Canada but lived in the U.S. from the late 1920s. He was most noteworthy for his tenor saxophone work Bunny Berigan, Artie Shaw, Benny Goodman, Erroll Garner, Dizzy Gillespie, Al Porcino, Billy Eckstine, Tiny Kahn, Frank Rosolino and many others.

Primarily a swing saxophonist, he did many big band stints in his career, and led several big bands, including Georgie Auld and His Orchestra and Georgie Auld and His Hollywood All Stars. Auld also played some rock´n roll working for Alan Freed in 1959.

George can be heard playing sax on the 1968 Ella Fitzgerald album “30 by Ella” and in 1977 he played a bandleader in “New York, New York” starring Liza Minelli and Robert DeNiro and also acted as a technical consultant for the film.  The tenor saxophonist, clarinetist and bandleader George Auld died in Palm Springs, California at the age of 71 on January 8, 1990.

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