Daily Dose Of Jazz…

Albert Burbank was born March 25, 1902 in New Orleans, Louisiana and was taught clarinet by Lorenzo Tio, one of that city’s most famous clarinet players. Staying in the New Orleans area throughout the 1920s, he played wherever his services were needed. During the 1930s, he worked with Kid Milton’s band but was drafted into the US Navy during World War II.

Upon demobilization, he worked internationally with the bands of Paul Barbarin and Kid Ory. Returning to New Orleans he played with several of the well-known jazz and brass bands in the city. He was regularly seen at Preservation Hall and toured Australia with a band made up of Preservation Hall musicians.

In 1975 Albertsuffered a stroke but continued playing until his death on August 15, 1976. Many of his recordings of broadcast performances with Kid Ory’s band at San Francisco’s Hangover Club, have been issued on the Danish Storyville label, and some with trombonist Bill Matthews appear on Southland.

Burbank would go on to record with Wooden Joe Nicholas, Herb Morand, Kid Clayton, Paul Barbarin, Percy Humphrey, and Jimmy Archey.

Clarinetist Albert Burbank died on August 15, 1976 in his hometown.

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Benny de Weille was born on March 6, 1915 in Lübeck, Germany. He studied clarinet under Hans Helmke and was heavily influenced by Benny Goodman, whom he often emulated in his own ensembles.

Benny made recordings with Teddy Stauffer, Hans Rehmstedt, and Willy Berking in the 1930s and 1940s. In 1940 he led his own Bar Trio. Following World War II he worked at Radio Frankfurt and conducted the Nordwestdeutscher Rundfunk Orchestra.

Clarinetist and bandleader Benny de Weille, whose last recordings were in a Dixieland style in 1951,  died on December 17, 1977 in Westerland, Germany.

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Booker Pittman was born on March 3, 1909 in Fairmount Heights, Maryland, was the son of Portia Pittman and a grandson of Booker T. Washington. He became an accomplished jazz clarinetist and played with greats like Louis Armstrong and Count Basie in the US and Europe in the 1920s and 1930s.

Leaving the States for the first time in 1933, he went with Lucky Millinder’s orchestra to France and stayed there for four years. During that period, he met a Brazilian musician named Romeo Silva, who took him on a tour of Brazil along with other musicians. They sailed to Bahia aboard the Siqueira Campos.

In 1937, Booker moved to Brazil, where he was known by the nickname “Buca“, and continued his musical career there, playing at the Urca Casino. He lived in Copacabana and befriended Jorge Guinle and Pixinguinha. He also played in Argentina and other countries.

He performed and recorded with his singer/actress stepdaughter Eliana Pittman. On October 19, 1969 clarinetist and saxophonist Booker Pittman, sometimes spelled Pitman, transitioned in his home in the São Paulo quarter of Vila Nova Conceição of laryngeal cancer at the age of 60. On behest of his wife Ofélia he was transferred to Rio de Janeiro and there laid to rest at the Cemitério São João Batista in the quarter of Botafogo.

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Bert Niosi was born on February 10, 1909 in London, Ontario, Canada into a family of musicians, having two brothers who became musicians. As a teenager he briefly played clarinet with Guy Lombardo in Cleveland, Ohio.

Proficient on several instruments he played clarinet, flute, saxophone, trombone, and trumpet and formed a dance band in 1931. This began a long association with the Palais Royale dance hall in Toronto, Canada which lasted until 1950.

His orchestra, and a smaller group made up of some of its members, was broadcast frequently on CBC Radio. Bert played alto saxophone and clarinet in the small band. He was also a member of CBC radio’s The Happy Gang musical series from 1952 to 1959.

Alto saxophone, clarinetist and bandleader Bert Niosi, known as Canada’s King of Swing, died in Toronto, Canada on August 3, 1987.

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Joseph Gabriel Esther Maneri was born on February 9, 1927 in Brooklyn, New York. His formal schooling only went through the eighth grade, dropping out because of an undiagnosed attention deficit disorder. He went on to receive a rigorous classical music education from Josef Schmid, who taught courses in Arnold Schoenberg’s harmony, counterpoint and composition. As a composer he was mostly self-taught and his compositions were featured at Carnegie Recital Hall in 1961, including his Divertimento for piano, drums, and double bass.

His early work was with Gunther Schuller and his 20th Century Innovations Ensemble performances of Third Stream music at Carnegie Hall. Schuller arranged a record deal for Maneri with Atlantic Records, but the 1963 recording was not released. Twenty-five years later the Atlantic recording session tapes were released by the Avant label under the title Paniot’s Nine. During the 1990s Joe released 14 additional albums on the ECM, Hat Hut, Leo labels, often in collaboration with his free-style violinist son Mat.

Maneri went on to teach harmony, 16th Century counterpoint and composition at the Brooklyn Conservatory while continuing to compose. In 1963, he was commissioned by Erich Leinsdorf of the Boston Symphony Orchestra to write a piano concerto that premiered in 1985 by the American Composers Orchestra and pianist Rebecca la Brecque at Alice Tully Hall. He founded the Boston Microtonal Society, dedicated to microtonal music and tuning.

Saxophonist, clarinetist and composer Joe Maneri invented a keyboard that had 588 notes: 72 pitches per octave and co-authored a theory book titled Preliminary Studies in the Virtual Pitch Continuum, died on August 24, 2009 at the age of 82 of heart failure.

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