Daily Dose Of Jazz…
Dave Mosick was born on April 12, 1967 and raised on Long Island, New York. He got into rock music very young, and went on to play in bands all through high school and college. While attending American University he was deeply inspired by a jazz history class taught by the great jazz historian Rusty Hassan, and was bitten by the bug.
Eventually Mosick settled into the Washington D.C. jazz scene where he studied with guitarists Paul Bollenback and Paul Wingo. He also studied ear training with Asher Zlotnik.
2002 saw Dave releasing his debut album Amalgamation to widespread critical acclaim. The next year he was the featured jazz guitar clinician at The Washington Jazz Academy. His unique concepts in Jazz Improvisation have been published in Just Jazz Guitar Magazine.
Guitarist Dave Mosick maintains a busy performance schedule as both a leader and sideman, as well as being an in demand jazz educator, regularly hosting clinics and giving private lessons.
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Daily Dose Of Jazz…
Morris Acevedo was born April 8, 1966 in Texas and started playing guitar in 6th grade. During his high school years he mostly played progressive Rock and Jazz Fusion in high school. After graduating he became a music major at North Texas State University and studied Jazz Performance and Music Education but a move to Boston, Massachusetts set his course to transfer to Berklee College of Music, earning a degree in Jazz Composition and Arranging. After earning his bachelor degree, he played full time in professional bands in Boston, and studied improvisation in New York City with Lee Konitz, Richie Bierach and Jerry Bergonzi before relocating to California in the San Francisco Bay Area.
In addition to his regular jazz and fusion group performances, he became smitten with teaching guitar and improvisation he taught for years in the Bay area. He currently holds the position of music director at Cardinal Newman High School. He has also held positions as the Jazz Guitar and Improvisation at the University of California at Berkeley’s Young Musician’s Program and guitar at his Berklee alma mater during summers.
He has performd with Joshua Redman, Jim Black, Ken Vandermark, the Either Orchestra, the Charlie Kolhase Quintet, organ Trio Be-3, Matt Wilson, Richie Cole’s Alto Madness Orchestra, Dam East, Scott Amendola, among others.
Guitarist and composer of new jazz and electronic ambient music Morris Acevedo, who has twice received a Certificate of Appreciation for Outstanding Service to Jazz, continues to perform, compose and educate.
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Daily Dose Of Jazz…
Roy Palmer was born on April 2, 1887 in New Orleans, Louisiana. He began his career in 1906 in New Orleans as a guitarist with the Rozelle Orchestra. He played trumpet and then trombone with Richard M. Jones, Freddie Keppard, Willie Hightower, Tuxedo Brass Band, and Onward Brass Band.
In 1917 he left New Orleans and moved to Chicago, Illinois where he worked with King Oliver, Lawrence Duhe, and Doc Cook. Palmer recorded with Johnny Dodds, Jelly Roll Morton, Ida Cox, the Alabama Rascals, and the State Street Ramblers.
In the 1930s, he was a factory worker and music teacher. Trombonist Roy Palmer died on December 22, 1963 in Chicago.
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Daily Dose Of Jazz…
Michael Josef Longo was born in Cincinnati, Ohio on March 19, 1937 to parents who had a musical background. His father played bass, his mother played organ at church, and his music training began at a young age. Around four years old he heard Count Basie and Sugar Chile Mike, and the latter led him to begin researching boogie woogie bass lines. His parents took him for formal lessons at the Cincinnati Conservatory of Music at four. He moved to Fort Lauderdale, Florida soon after and by the age of 12, he won a local talent contest.
He received a scholarship from the Ft. Lauderdale Symphony Orchestra in 1955, a Downbeat Hall of Fame Scholarship in 1959 His career began in his father’s band, then Cannonball Adderley helped him get gigs of his own. Their working relationship pre-dated Adderley’s emergence as a band leader, having approached the white teenager to be the pianist at his black church in a town that was largely segregated. This led to recordings with Cannonball in the mid-1950s but he was too young to go to clubs with him. Longo played at Porky’s which was later portrayed in the movie of the same name. He would go on to receive his Bachelor of Music degree from Western Kentucky University.
He was a fan of Oscar Peterson from a young age and he studied with the pianist from 1961 to 1962. He received a National Endowment for the Arts Grant in 1972. During the 1960s he began to lead the Mike Longo Trio, which would remain active for the next 42 years. He would go on to play with Roy Eldridge, Paul Chambers and Dizzy Gillespie, who first heard him playing with Red Allen at the Metropole. He would become musical director for the Dizzy Gillespie Quintet and later the pianist for the Dizzy Gillespie All-Star Band. From 1966 until 1993 his music career would be linked to Gillespie who he was with on the night he died and later delivered a eulogy at his funeral.
Longo also taught a master class to upcoming jazz musicians, and his big band, the New York State of the Art Jazz Ensemble, would play and provide upcoming musicians a chance to learn on stage. A big part of his mission was to re-establish the apprenticeship relationship in teaching jazz.
He recorded two dozen albums as a leader, four with Dizzy and one with LeeKonitz. In 2002 he was inducted into Western Kentucky University’s Wall of Fame in 2002.
Pianist, composer, educator and author Mike Longo died in Manhattan from complications of Covid~19, three days after his 83 birthday on March 22, 2020.
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Daily Dose Of Jazz…
Jayna Nelson was born in Lincoln, Nebraska on March 16, 1958. She began to study piano as soon as she could reach the keyboard. At age 9 she began to study the flute as well and by age 17 had won both the Baldwin Junior Keyboard award and the l Music Teachers’ National Association Competition.
Graduated from the University of Toronto in Flute Performance, for the next two years, she served on the faculty at University of Toronto teaching chamber music. There she also premiered a work by Mario Davidovsky, and was principal flutist with the Union College Orchestra, the Wesleyan College Orchestra, Opera Omaha Orchestra and Symphony Canada. In 1983 she attended the Banff Centre Jazz program headed by Dave Holland and studied and performed with Anthony Braxton, Don Thompson, Dave Liebman and John Abercrombie.
A move to New York City in 1989 saw her continuing to work in the classical and jazz genres as a performer, producer, composer, arranger and educator. She designed and implemented integrated arts curriculum for New York area schools and summer camps. She has lectured and given seminars, maintained a private teaching studio for over 20 years and has been a flute technician and consultant for Anthony Braxton, Dave Liebman, Joe Giardullo, Jeanne Baxtresser, Joannie Maddon, Carlos Malta, Hermeto Pascoal, and James Moody.
Nelson has recorded and performed with a host of musicians including Karl Berger, Hilliard Green, Howard Johnson, Silvana Malta, Francois Moutin, Hermeto Pascoal, Sirius String Quartet, Petula Clark, Ingrid Jensen, Marty Morrell, Dave Valentine, and numerous others.
Flutist Jayna Nelson continues to perform, tour, compose, record and educate.
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