Clare Fischer was born October 22, 1928 in Durand, Michigan and started general music study in grade school with violin and piano as his first instruments. By age 7 he was picking out four-part harmony on the piano and by 12 was composing classical music and creating instrumental arrangements for dance bands.
In high school he added cello, clarinet and saxophone to his arsenal of instruments and studied music theory, harmony and orchestration privately. He started his own band at 15, writing all the arrangements, went on to college studying music composition and theory as a piano major. After graduation and a stint in the Army as the arranger for the U.S. Military Academy Band at West Point, N.Y., he returned to Michigan State and received his Masters in 1955.
He went on to arrange for the vocal quartet Hi-Lo’s that would later become a major influence on Herbie Hancock, would record under his own name in 1962 for Pacific Jazz, play with Bud Shank, Joe Pass and Cal Tjader among others, arrange for Sergio Mendes and Willy Ruff, began playing organ and composed his most famous compositions, Pensativa and Morning.
By the mid-‘70s Fischer was pioneering the electric keyboard, reconnected with Tjader started his group Salsa Picante, won a Grammy for his album 2+2 and Free Fall, forayed into R&B doing orchestral sweeteners, worked with Rufus with Chaka Khan, The Jacksons, Earl Klugh, The Debarges, Shot-gun and Atlantic Starr and pop artists such as Paul McCartney, Prince, Celine Dion and Robert Palmer, picking up numerous gold records.
From the Eighties on Clare has been commissioned to score symphonic work using Duke Ellington and Billy Strayhorn themes, working with Branford Marsalis, the Netherlands Metropole Orchestra, arranged for Spike Lee’s Girl 6, has conducted clinics and master classes at numerous universities, and continued to record in small group and orchestral settings until his death in Los Angeles, California on January 26, 2012 at age 82..
Eddie Harris was born on October 20, 1934 in Chicago, Illinois to a Cuban father and New Orleans mother. He studied music at DuSable High School, then Roosevelt University becoming proficient on piano, vibraphone and tenor saxophone and playing professionally with Gene Ammons.
After graduating and a stint in the 7th Army Band playing alongside Leo Wright, Don Ellis and Cedar Walton, he worked in New York City prior to his Chicago return. He signed with Vee Jay Records and released his debut “Exodus To Jazz” and his jazz arrangement of the theme to Exodus was so heavily played on radio, it became the first jazz record ever to be certified gold.
Throughout his career he recorded for Columbia and Atlantic Records, ventured into electric piano and Varitone saxophone mixing jazz with funk on albums like “The Electrifying Eddie Harris” and crossing into rhythm and blues markets. By 1969 he would perform with Les McCann at Montreux with an unrehearsed band that produced the seminal work Swiss Movement that became one of the best selling jazz albums ever.
In the early to mid ‘70s Harris experimented with altering instruments like his reed trumpet with a sax mouthpiece, saxobone with a trombone mouthpiece and guitorgan, a guitar/organ combination. He also forayed into singing blues, played with jazz-rock, and comic R&B consisting of mostly stand-up comedy all of which ultimately declined his popularity.
He would work with Horace Silver in the ‘80s, record regularly well into the 1990s, tour and perform in Europe and return to hard bop. His move to Los Angeles in the mid-1970s allowed him the opportunity to provide much of the music for The Bill Cosby Show.
Eddie Harris, tenor saxophonist and multi-instrumentalist and composer of “Freedom Jazz Dance” popularized by Miles Davis in the Sixties and also the tune “Listen Here”, passed away from bone cancer and kidney disease at the age of 62 on November 5, 1996.
Melvin Rhyne was born on October 12, 1936 in Indianapolis, Indiana and started playing the piano shortly thereafter. By the time he turned 19 he was playing piano with then-unknown tenor saxophonist Rahsaan Roland Kirk but quickly switched to the Hammond B3 organ. His skills as a pianist fluidly translated to the organ fluently and he soon became a sideman for B.B. King and T-Bone Walker.
Melvin’s big break came in 1959 when he joined fellow Indianapolis jazz guitarist Wes Montgomery’s newly formed trio. Playing with Montgomery for five years, he recorded four sessions with the trio: Guitar on the Go, Round Midnight, Boss Guitar, and Portrait of Wes.
After the Montgomery years, Rhyne moved to Wisconsin and largely kept to himself for the next two decades. However, in 1991 Rhyne returned to the jazz scene in full force, playing on Herb Ellis’ album Roll Call, with Brian Lynch on At the Main Event, and his own comeback The Legend. Rhyne continued to be prolific in the years to come, releasing eight more solo albums for the Criss Cross jazz label.
In 2008 Rhyne teamed up with Rob Dixon forming the Dixon-Rhyne Project, a boundary-pushing jazz quartet and released Reinvention for Owl Studios in 2008. Melvin continues to perform live and record with his trio consisting of drummer Kenny Washington and guitarist Peter Bernstein. On March 5, 2013 hard bop organist, bandleader and composer Melvin Rhyne passed away in his hometown of Indianapolis at age 76.
George Wein was born on October 3, 1925 in Boston, Massachusetts. As a youth he was a jazz pianist and while studying at Boston University led a small group, playing professionally around the Boston area. In 1950 he opened a jazz club and record label called Storyville.
In 1954 Newport residents Louis and Elaine Lorillard invited him to organize a festival in their hometown of Newport, Rhode Island, with funding to be provided by them; the subsequent festival was the first outdoor jazz festival in the United States, becoming an annual tradition. Wein went on to start a number of festivals in other cities, including the New Orleans Jazz & Heritage Festival, the Playboy Jazz Festival in Los Angeles and the Newport Folk Festival. In the 60s he set up Festival Productions, a company dedicated to promoting large-scale jazz events.
Pioneering the idea of corporate sponsorship, his “Schlitz Salute to Jazz” and “Kool Jazz Festival” were the first jazz events to feature title sponsors. His JVC Jazz Festivals are worldwide hosting New York, Los Angeles, Chicago, Paris, Warsaw and Tokyo.
Wein has received a wide array of honors for his work with jazz concerts being honored at the White House by both Presidents Carter and Clinton. He has also received the Patron of the Arts from the Studio Museum in Harlem, France’s Legion d’Honneur and appointed Commandeur de L’Ordre des Arts et Lettres and named a Jazz Master by the National Endowment for the Arts to name a few.
He has written his autobiography, Myself Among Others: A Life in Music, received honorary degrees from the Berklee College of Music and the Rhode Island College of Music, is a Lifetime Honorary Trustee of Carnegie Hall and sits as a distinguished member of the Board of Directors Advisory committee of The Jazz Foundation of America.
Wally Rose was born on October 2, 1913 in Oakland, California. A mainstay of the jazz scene in San Francisco during the 1940s and 1950s, he was the pianist in Lu Watter’s group, and the Yerba Buena Jazz Band, for its entire existence from 1939 to 1950. During this period he recorded for the Jazz Man imprint in 1941-42, did several albums for Good Time Jazz and also recorded for Columbia Records.
Following this tenure, through the 1950s Rose played with Bob Scobey and Turk Murphy then did mainly solo work for the rest of his career. He did an album in 1982, which was his first release as a leader in 24 years.
Wally Rose, jazz and ragtime pianist passed away on January 12, 1997 in Walnut Creek, California.
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