VIJAY IYER

Composer-pianist Vijay Iyer has carved out a unique path as an influential, shape-shifting presence in 21st-century music. His deeply interactive, powerfully expressive musical language is indebted to the composer-pianist lineage from Duke Ellington and Thelonious Monk to Alice Coltrane and Geri Allen, the creative music movement of the 60s and 70s, and rhythmic traditions of South Asia and West Africa. As MinnPost recently observed, “twining composition and improvisation is rightfully his most celebrated métier.” He has released twenty-six widely praised albums; received three Grammy nominations, numerous national and international prizes, and a MacArthur Fellowship; composed for orchestras, soloists, and chamber ensembles; and collaborated with poets, filmmakers, choreographers, and music-makers from across the planet.

Iyer’s artistry finds perhaps its purest expression in his most celebrated group, the Vijay Iyer Trio, praised by NPR as “truly astonishing” and by The New York Times as “one of the best bands in jazz.” Iyer’s ever-evolving trio conception, developed over the last 30 years, finds inspiration in the trio music of Ahmad Jamal, the Ellington/Mingus/Roach summit Money Jungle, Andrew Hill’s Smokestack, McCoy Tyner’s 1970s ensembles, the rhythm-section alchemies of James Brown, Fela Kuti, and the Meters, South Asian rhythmic forms, and the expressive nuance of chamber music. The results, over the span of his trio’s five pivotal recordings and hundreds of performances, have not only defied the old categories, but inaugurated entirely new ones.

The Trio: Piano: Vijay Iyer | Bass: Harish Raghavan | Drums: Jeremy Dutton

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JACKY TERRASSON

Jacky Terrasson, the most widely traveled of all jazz pianists, is the “piano player of happiness,” according to Telerama magazine in France. He is an exhilarating musician, one of those who play their public straight to euphoria. Born in Berlin, of an American mother and a French father, he grew up in Paris, France. He moved to America to study at Berklee College of Music, and in 1993, after winning the prestigious Thelonious Monk Award, he began touring with Betty Carter. He then decided to move to New York, where he still lives today.

One year later, Jacky was introduced in the New York Times Magazine as one of the 30 under 30 and signed with the Blue Note label. He made three initial trio recordings for Blue Note (Jacky Terrasson, Reach, and Alive). He then devoted himself to several collaborations: “Rendezvous”, with Cassandra Wilson, and “What it is”, with Michael Brecker and Mino Cinelu. Beginning in 2001, he recorded “A Paris” for Blue Note; a very personal interpretation of classics of French song “Smile,” (winning him Best Jazz Album of the Year); and finally a solo album, “Mirror.”

This Franco-American national has never stopped dazzling us, either by his prestigious collaborations with greats such as Dee Dee Bridgewater and Dianne Reeves, or with his minimalist and energetic music hammered out with drummer Leon Parker and bassist Ugonna Okegwo, in a trio that was considered one of the best jazz trios of the 90s. And this intuition, this instinct, this openness, leads him to the discovery of the great burgeoning talents of his many groups.

Terrasson has been compared to Bud Powell for his carefully controlled velocity on the piano keys and to Ahmad Jamal for his sense of phrasing. Jacky also possesses a deep knowledge of the great French composers savants, such as Ravel, Fauré and Debussy. Through his fingers, as he mingles and melts the colors and the inventions of the great pianists of yesterday and today, Jacky creates his own style, all in subtleties, freshness, facility and ease, with the desire to rewrite and reinvent, again, every day and forever.

In 2019, Jacky released “53,” a trio album (his favorite format), on Blue Note.

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The Jazz Voyager

Fortunately for this Jazz Voyager the next stop on the global road trip is an hour and a half up the interstate to the Big Apple. The destination is Carnegie Hall  where I’ll be sitting in the Weill Recital Hall. So many times have I strolled past this iconic venue on 57th Street to partake in lunch or dinner at the Russian Tea Room with friends. I have also on many occasions been in the audience for many concerts and tonight will be no exception to the fabulous performances offered.

Tonight this Jazz Voyager will be in attendance for the award-winning composer and pianist Lisa Hilton. She brings with her trumpeter Igmar Thomas, bassist Luques Curtis, and drummer Rudy Royston to round out her quartet. The music is slated to be  uplifting and new from the group’s latest release, Coincidental Moment.

The hall is located at 881 7th Avenue, New York City 10019. For those who want more info go to https://notoriousjazz.com/event/lisa-hilton.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Richard Hyman was born in New York City on March 8, 1927 and grew up in suburban Mount Vernon, New York. His older brother, Arthur, owned a jazz record collection and introduced him to the music of Bix Beiderbecke and Art Tatum. Trained classically by his uncle, concert pianist Anton Rovinsky, who taught him touch and a certain amount of repertoire while he pursued Chopin on his own.

Enlisting in the U.S. Army in 1945, Dick was transferred to the U.S. Navy band department. After leaving the Navy he attended Columbia University where he won a piano competition with the prize being 12 free lessons with swing-era pianist Teddy Wilson. It was during this period Hyman fell in love with jazz.

During the 1950s Relax Records released his first two solo piano versions of All the Things You Are and You Couldn’t Be Cuter. Hyman recorded two honky-tonk piano albums under the pseudonym Knuckles O’Toole and recorded more as Willie the Rock Knox and Slugger Ryan.

In the 1950s and early 1960s Dick worked as a studio musician and performed with Tony Bennett, Perry Como, Guy Mitchell, LaVern Baker, Ruth Brown, Mitch Miller and many more. He played with Charlie Parker for Parker’s only film appearance and had a stint as music director for Arthur Godfrey’s television show from 1959 to 1961.

As a composer, arranger, conductor, and pianist he worked on eleven Woody Allen films as well as other films like Moonstruck and Scott Joplin. Hyman composed and performed scores for ballet and dance companies. In the 1960s, Hyman recorded several pop albums on Enoch Light’s Command Records       using the Lowrey organ and then the Moog synthesizer.

Between 1970    and 2014 he recorded 112 albums as a leader, sixty-two as a sideman, and arranged four albums for Count Basie, Trigger Alpert and Flip Phillips. He has been a guest performer at jazz festivals and concert venues around the world. In 1995 pianist and composer Dick Hyman moved his wife Julia permanently to Venice, Florida.

CALIFORNIA JAZZ FOUNDATION

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EKEP NKWELLE BAND

A rising master of her craft, vocalist Ekep Nkwelle entrances audiences with her strong lyrical presence and an uncanny connection to phrasing that’s at once grounded and ethereal. High-level musicality informs her storytelling. To Dizzy’s Club she brings her tight ensemble of acclaimed artists. Expect an evening of imaginative arrangements and compelling treatment of standard tunes. 

Ekep Nkwelle, vocals
Luther Allison, piano
Russell Hall, bass
Nazir Ebo, drums
Kofi Hunter, percussion

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