Daily Dose Of Jazz…
Kobi Yakob Arad was born on October 2, 1981 and raised in Haifa, Israel. He earned his bachelor’s degree at Tel Aviv University and became the first musician to earn a doctorate in contemporary improvisation and third stream from the New England Conservatory of Music.
While living in Israel, Kobi participated as a keyboardist in a trio with Asaf Sirkis and Gabriel Mayer in the 1990s. He collaborated with Stevie Wonder and his manager Stephanie Andrews at the Berklee Performance Center in 2005.
Between 2009 and 2015 Arad released Sparks of Understanding, The Experience Project, Webern Re-Visioned, and Superflow which is a collaboration with Roy Ayers, featuring bassist Jonathan Levy.
He went on to record a tribute album Ellington Upside Down with the Kobi Arad Band. The album’s mashup of “Take The ‘A’ Train” and “It Ain’t Mean a Thing” was nominated for Best Jazz Instrumental at the 17th Independent Music Awards in 2019. His album Segments went on to win Best Jazz Instrumental in the album category at the same event.
In 2021 he won the Independent Music Artist award in Best Jazz for his performance of Thelonious Monk’s Bemsha Swing at the Hollywood Music in Media Awards. Pianist, vocalist, composer, and music producer Kobi Arad, who has collaborated with Stevie Wonder, Cindy and Carlos Santana, and Jack DeJohnette, continues to perform and record.
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Daily Dose Of Jazz…
Stanley Frank Dance was born in Braintree, Essex, England on September 15, 1910. As a youth, he claimed he was “fortunate” to have been sent to boarding-school at Framlingham College, where he first encountered American recordings of bands fronted by Jelly Roll Morton and Benny Moten, among others. While working in the family business he continued to pursue his interest in music and soon learned of Louis Armstrong, Fats Waller and Duke Ellington through the music newspaper Melody Maker.
Focusing on the music of black bands he started writing opinion pieces about the jazz scene for Hugues Panassié’s French-language magazine Jazz Hot in 1935, modeling his articles on those written by John Hammond. A 1937 three week visit to New York City’s jazz scene had Stanley at the Savoy Ballroom and similar venues in the evenings, listening in on recording sessions during the day and an introduction to Canadian writer Helen Oakley.
Joining the RAF he was assigned to the Royal Observer Corps in East Anglia, and for a period of nine years his opportunity to listen to Black American bands was curtailed. He missed the start of Bebop, which developed during the war and a recording-musicians’ strike in the US, but he found Oakley when the American OSS assigned her to London late in the war.
Dance and Oakley married in 1947, resided in England until 1959 then moved to Connecticut. He wrote a monthly jazz column for Jazz Journal, he coined the term mainstream to describe those in between revivalist Dixieland and modern bebop. In 1958, Decca’s Felsted Records commissioned him to produce a series of New York recordings of Coleman Hawkins, Cozy Cole/Earl Hines, Billy Strayhorn/Johnny Hodges, Buddy Tate, and several others, which were released under the collective title Mainstream Jazz.
Leaving England for Connecticut with a commission from EMI’s English Columbia label to make proprietary jazz recordings, Stanley used his and Helen’s contacts with the Ellington players to produce seven albums that were quite successful in Europe. He also assembled two albums for RCA as well as writing liner notes and shared a 1963 Grammy with Leonard Feather for his liner notes to The Ellington Era, Vol. 1.
He went on to publish five books on jazz, write articles for several magazines, helped Duke Ellington write his autobiography and is credited with helping to revive the careers of several musicians including Helen Humes and Earl Hines. By 1979 the Dances moved to Southern California where he consulted with Ken Burns during the development of his documentary television series Jazz, served as book editor for Jazz Times and donated their journals, photographs, and recordings to the Yale Music Library’s Special Collections.
Over his career, his priority was advocating for the music of black ensembles performing sophisticated arrangements, based on Swing-era dance music. Jazz writer, business manager, record producer, and historian Stanley Dance who was personally close to Duke Ellington which put him in a position to author official biographies, transitioned from pneumonia at 88 on February 23, 1999 in Vista, California.
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Three Wishes
While the Baroness was in conversation with Teo Macero he was asked by her what three wishes he would make if given. He told her:
- “Peace of mind.”
- “To change the status of jazz. That is, to get rid of the stigma attached to jazz music. You know. A jazz musician is regarded as some kind of freak! This is something that has bugged me for a long, long time. Like, someone will come up to me and say, “Oh, so you’re a jazz musician?” And when I say< “Yes. A jazz musician and a composer,” they will look at me altogether differently. It would be marvelous if jazz musicians could be given a status equal to that or great figures of contemporary music.”
- “To have no problems with people recording. No problems in the studio.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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DEMETRIUS NABORS
Pianist, composer, producer and arranger Demetrius “Krayon” Nabors is well known and in demand in the Detroit area and on the national contemporary jazz scene. He is a two-time Detroit Music Award Winner in the Outstanding Gospel/Christian Musician category.
His considerable talents caught the attention of numerous high-profile national artists, including R&B singer KEM, flutist Althea Rene, guitarist Tim Bowman and trumpeter Willie Bradley.Demetrius’ productions for these artists have garnered Billboard chart successes: #1 for KEM’s single “Nobody” (2014), #2 for Willie Bradley’s “It’s On Now” (2020) and #5 for Althea Rene’s “Barbara Mae” (2019). In addition, “Nobody” was nominated for the Best Traditional R&B Performance at the 57th Grammy Awards in 2014. Demetrius’ discography includes four critically acclaimed releases, “The Journey Within Part I” (2011), “Christmas with Krayon” (2012), “The Journey Within Part II” (2014) and “Perseverance” (2021). His latest, “Evolution” is set to be released in September of 2022 and was inspired by his graduate studies at the University of Michigan.
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Daily Dose OF Jazz…
Mark Kramer was born November 3, 1945 in Philadelphia, Pennsylvania. His prelimonary tutelage came from members of the Philadelphia Orchestra who mentored him on violin from the age of five. His early jazz performances in his teens and twenties included Michael and Randy Brecker, Charles Fambrough, Stanley Clarke, and Eric Gravatt.
Over the next decades his trio went on to record a series of specialty productions including the largest known body of jazz renditions of complete Broadway shows, jazz versions of principal themes from the John Williams score of Harry Potter and the Sorcerer’s Stone, and a compilation of jazz renditions of the music of The Rolling Stones.
Kramer has mainly been an arranger and leader of his own trios throughout his career. His numerous recordings/productions are often listed under The Mark Kramer Trio. Many works from the late Eighties with bassist Eddie Gómez are listed under Eddie Gómez and Mark Kramer or simply Eddie Gómez.
A far-ranging catalog of duo and trio recordings included the Art of the Heart on Art of Life Records. Pianist, composer, arranger, and producer/engineer Mark Kramer continues to pursue his creativity in music.
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