Daily Dose Of Jazz…
Albert Warner was born on December 31, 1890, in the Tremé neighborhood of New Orleans, Louisiana. Though his father was a string bass player, he didn’t seriously pick up the trombone until he was twenty-two years old. Taking lessons from one of his half-brothers, Ulysses Jackson, as well as Arthur Stevens and Honoré Dutrey. His main influences in his youth came from hearing Freddie Keppard, Vic Gaspard, and Baptiste Delisle.
His first professional jobs were playing for dance bands, including those led by “Big Eye” Louis Nelson, Kid Rena, Wooden Joe Nicholas, Buddy Petit, and Chris Kelly. In 1932 Warner joined the Eureka Brass Band and remained a regular member of this group until his death in 1966. His musical interplay with Charles Sonny Henry in the Eureka band during the late 1940s and 1950s is remembered by many for its intricacy and beauty.
The early Forties saw Albert playing and recording with Bunk Johnson and George Lewis. He would record often throughout the 1950s and in the Sixties he could be found playing frequently at Preservation Hall, accompanying the Preservation Hall band on a number of tours with Kid Sheik and the Eureka Brass Band. He went on one Memphis tour with Billie and DeDe Pierce in 1965.
Warner left behind a number of sessions recorded and released by Commodore, Pax, Folkways, Atlantic, and American. The album Bunk Johnson 1942/1945, Eureka Brass Band and The Eureka Brass Band in Rehearsal, a number of recordings with Charlie Love, Peter Bocage with His Creole Serenaders and the Love-Jiles Ragtime Orchestra, released by American. He also appeared on other American label albums recorded by Punch Miller, John Casimir, Kid Sheik and appeared on Atlantic’s Jazz at Preservation Hall series.
Trombonist Albert Warner, who performed in the traditional and brass band genres, transitioned on September 10, 1966 in New Orleans.
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Daily Dose Of Jazz…
Marshall Richard Brown was born on December 21, 1920 in Framingham, Massachusetts and graduated from New York University with a degree in music. He was a band teacher in New York City schools, and one of his school bands performed at the Newport Jazz Festival in the 1950s.
With George Wein, he went to Europe to look for musicians for the International Youth Band. In the late 1950s he started the Newport Youth Band and his students included Eddie Gomez, Duško Gojković, George Gruntz, Albert Mangelsdorff, Jimmy Owens, and Gabor Szabo.
He worked with Ruby Braff, Bobby Hackett, Lee Konitz, and Pee Wee Russell. Valve trombonist and teacher Marshall Brown transitioned on December 13, 1983 in New York City. He was 67.
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DELFEAYO MARSALIS & THE UPTOWN JAZZ ORCHESTRA
On packing a full jazz orchestra into a tiny historic jazz club: “Whatever you have to do,” the trombonist says philosophically. But when the band plays the swing and bebop hits from the 1930s through the 1960s, the music is just as tight. From Mardi Gras music to modern jazz, this band does it all. An intimate experience like no other!
More Posts: adventure,club,genius,jazz,music,preserving,travel,trombone
DELFEAYO MARSALIS & THE UPTOWN JAZZ ORCHESTRA
On packing a full jazz orchestra into a tiny historic jazz club: “Whatever you have to do,” the trombonist says philosophically. But when the band plays the swing and bebop hits from the 1930s through the 1960s, the music is just as tight. From Mardi Gras music to modern jazz, this band does it all. An intimate experience like no other!
More Posts: adventure,club,genius,jazz,music,preserving,travel,trombone
DELFEAYO MARSALIS & THE UPTOWN JAZZ ORCHESTRA
On packing a full jazz orchestra into a tiny historic jazz club: “Whatever you have to do,” the trombonist says philosophically. But when the band plays the swing and bebop hits from the 1930s through the 1960s, the music is just as tight. From Mardi Gras music to modern jazz, this band does it all. An intimate experience like no other!
More Posts: adventure,club,genius,jazz,music,preserving,travel,trombone