Daily Dose Of Jazz…

Born August 26, 1943, Dorival Tostes Caymmi, the son of famous Brazilian musicians Dorival Caymmi and Stella Maris. He began playing piano at age eight, studied music theory at the Conservatorio Lorenzo Fernandez and in 1959 made his professional debut accompanying his sister, Nana.

In 1960 Dori became a member of Groupo dos Sete, writing music for plays aired on Brazilian television. He co-directed and played viola in the play Opinião, an important transitional work between the styles of bossa nova and MPB and directed the play Arena Conta Zumbi. For a time he produced Edu Lobo, Eumir Deodato and Nara Leao, co-wrote the prize winning song “Saveiros” with Nelson Matta, a collaboration that lasted many years and produced some of Brazil’s biggest hits.

Caymmi played and toured with Paul Winter, arranged and directed albums by Caetano Veloso, Gal Costa and Gilberto Gil, and was involved with the tropicalia movement of the late 1960s, but did not record in this style himself due to his distaste for Euro-American pop music. He wrote scores for numerous films and television shows in the 1970s and 1980s, moved to Los Angeles, California in 1989 and has since played or recorded with Dionne Warwick, Toots Thielemans, Marilyn Scott, Oscar Castro-Neves, Eliane Elias, Richard Silveira and Edu Lobo; was a collaborator celebrating Tom Jobim at Carnegie Hall and arranged the music for Spike Lee’s film, Clockers.

Dori Caymmi has been nominated for Latin Grammys several times and is a two-time Grammy Award winner for Best Latin Song and Best Latin Samba Recording. The Brazilian singer, guitarist, songwriter, arranger, and producer has an extensive discography dating back to 1964 and he continues to perform and record.

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Hollywood On 52nd Street

You’d Be So Nice To Come Home To is a popular song that became a jazz standard. Written by Cole Porter it premiered in the 1943 film Something To Shout About, nominated for two Oscars and introduced by Janet Blair and Don Ameche.

The Story: The movie takes place behind the scenes of a fictional vaudeville play and centers on a recently divorced woman. She decides to use her alimony settlement to produce her own show. Unfortunately her chief backer insists on starring in it but she is saved when a talented man puts everything at risk to replace the talentless chief backer.

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Daily Dose Of Jazz…

Frank Rosolino was born on August 20, 1926 in Detroit, Michigan. He studied the guitar with his father from the age of 9 and took up the trombone at age 14 while he was enrolled at Miller High School where he played with Milt Jackson in the school’s stage band and small group. Having never graduated, he joined the 86th Division Army Band during World War II.

Perhaps most influential of all was the street education Frank received after returning to Detroit following his period in the Army during which he sat in at the Mirror Ballroom or the Bluebird where other to-be-renowned musicians also congregated, the Jones brothers – Hank, Thad and Elvin, Tommy Flanagan, Kenny Burrell, Paul Chambers and later at the 3 Deuces on 52nd Street in New York City with Charlie Parker.

During this period Rosolino was also performing with the big bands of Bob Chester, Glen Gray, Tony Pastor, Herbie Fields, Gene Krupa and Stan Kenton. Leaving the Kenton outfit he settled in Los Angeles where he performed with Howard Rumsey’s Lighthouse All-Stars from 1954–1960 in Hermosa Beach.

Throughout the 1960s and 1970s, between nightclub engagements, Rosolino was active in many Los Angeles recording studios where he performed with such notables as Frank Sinatra, Sarah Vaughan, Tony Bennett, Peggy Lee, Mel Torme, Michel Legrand and Quincy Jones among others.

 He can also be seen performing in “Sweet Smell of Success” in 1957 with Burt Lancaster and Tony Curtis, and in 1958 with Shelly Manne’s group in the film “I Want To Live!” starring Susan Heyward and also. He was also a regular on The Steve Allen Show, The Tonight Show and The Merv Griffin Show.  A talented vocalist, renowned for his wild form of scat-singing, Frank recorded one vocal album, “Turn Me Loose!” featuring both his singing and trombone playing. He can also be seen performing in the half hour syndicated program Jazz Scene USA, hosted by Oscar Brown, Jr.

It was during the 1970s that he performed and toured with Quincy Jones and the Grammy Award winning group Suoersax. He recorded some two-dozen sessions as a sideman and a dozen as a leader. Trombonist and vocalist Frank Rosolino committed suicide on November 26, 1978 after shooting his two sons.

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Hollywood On 52nd Street

Everything I Have Is Yours easily entered the jazz catalogue and was written by Burton Lane and the lyrics by Harold Adamson, published in 1933 and was first sung by Art Jarrett in the 1933 film Dancing Lady. The musical film starred Joan Crawford, Clark Gable in the lead roles and featured Franchot Tone, Fred Astaire, Robert Benchley and the Three Stooges.

The Story: Janie Barlow is a young dancer who is reduced to stripping in a burlesque show. Arrested for indecent exposure, she’s bailed out by millionaire playboy Tod Newton, who was attracted to her while slumming at the theatre with his society pals. When she tries to get a part in a Broadway musical, Tod intercedes with director Patch Gallagher to get her the job: he’ll put his money into the show, if Janie is given a part in the chorus. Even though he needs the money, Patch is resistant, until he sees Janie dance and realizes her talent.

When, after hard work and perseverance, Janie is elevated to the star’s part, replacing Vivian Warner. Tod is afraid he’ll lose any chance of gaining her affection if she becomes a star, so he closes the show, and Janie, out of work, goes away with him. Patch starts rehearsals up again using his own money, and when Janie returns and finds out the Tod has deceived her and manipulated things behind the scenes, she dumps him and joins up with her new sweetheart, Patch, to put on the show, which is a smash hit.

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Daily Dose Of Jazz…

Hezekiah Leroy Gordon Smith was born August 14, 1909 in Portsmouth, Ohio and was better known in the jazz circles as violinist Stuff Smith. He studied violin with his father, cites Louis Armstrong as his primary influence and inspiration to play jazz, and like Armstrong, was a vocalist as well as instrumentalist.

In the 1920s, Smith played in Texas as a member of Alphonse Trent’s band. After moving to New York he had a regular gig with his sextet at the Onyx Club starting in 1935, performed with Coleman Hawkins as well as with younger musicians such as Charlie Parker, Dizzy Gillespie and later Sun Ra.

After signing with Vocalion in 1936, Stuff had a big hit with “I’se A Muggin’” and was billed as Stuff Smith and his Onyx Club Boys. He recorded for Decca in 1937 and Varsity in 1939-1940. He is well known for the song “If You’re A Viper” and is featured in several numbers on the Nat King Cole Trio album, After Midnight.

Part of Smith’s performance at what is considered the first outdoor jazz festival, the 1938 Carnival of Swing on Randall’s Island turned up unexpectedly on audio engineer William Savory’s discs, which were self-recorded off the radio at the time, then long-sequestered.

Smith was critical of the bebop movement, although his own style represented a transition between swing and bebop. He is credited as being the first violinist to use electric amplification techniques on a violin. He contributed to the 1938 tune “It’s Wonderful” often performed by Louis Armstrong and Ella Fitzgerald throughout their careers.

He moved to Copenhagen in 1965, performed actively in Europe, record with Oscar Peterson, Niels-Henning Orsted Pederson, Kenny Drew, Alex Riel, Stephane Grappelli and Jean Luc Ponty among others until his passing away in Munich on September 25, 1967.

Stuff Smith, one of the jazz industry’s preeminent violinists of the swing era is one of the 57 jazz musicians photographed in the 1958 portrait “A Great Day In Harlem”.

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