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DTSTART;TZID=America/New_York:20231109T190000
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DTSTAMP:20260421T030629
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SUMMARY:STANLEY JORDAN
DESCRIPTION:In a career that took flight in 1985 with commercial and critical acclaim\, guitar virtuoso Stanley Jordan has consistently displayed a chameleonic musical persona of openness\, imagination\, versatility and maverick daring. Be it bold reinventions of classical masterpieces or soulful explorations through pop-rock hits\, to blazing straight ahead jazz forays and ultramodern improvisational works-solo or with a group-Jordan can always be counted on to take listeners on breathless journeys into the unexpected. \nKey to Jordan’s fast-track acclaim was his mastery of a special technique on the guitar’s fretboard. Instead of conventional strumming and picking\, Jordan’s innovative “touch technique” is an advanced form of two-handed tapping. While a handful of other players were using similar techniques\, Stanley’s fluid\, multi-layered textures and sheer virtuosity raised the bar for excellence. But his technique\, though impressive\, is always a means to a musical end. His music is imbued with a warmth and sensitivity that has captured the imagination of listeners worldwide. A classically trained pianist before playing guitar\, Jordan wanted greater freedom in voicing chords on his guitar\, so he applied piano principles to do so. Jordan’s touch technique allows the guitarist to play melody and chords simultaneously with an unprecedented level of independence. It also allows Jordan to play simultaneously on two different guitars\, or even on guitar and piano. He says that “I think of it as a single instrument\, but one with a wide range of tonal colors-that’s why I do it.” \nTo date Jordan has performed in over 60 countries on 6 continents. He has performed at many festivals\, including the Kool Jazz Festival\, the Concord Jazz Festival\, and the Montreaux International Jazz Festival. During the 1980s he collaborated with a diverse array of artists\, including performances with Art Blakey and Richie Cole and recordings with Stanley Clarke and Kenny Rogers. The track with Rogers\, “Morning Desire”\, became America’s #1 country song in 1986. Later Jordan became a frequent guest with Les Paul during Paul’s legendary Monday nights at Iridium in New York. Today Jordan performs frequently as a soloist and with his band\, as well as collaborating with other guitarists such as Kevin Eubanks\, Sharon Isbin and Muriel Anderson. He’s also a frequent guest with jam bands such as the Dave Matthews Band\, the String Cheese Incident\, Phil Lesh\, Moe and Umphrey’s McGee.
URL:https://notoriousjazz.com/event/stanley-jordan-3
LOCATION:Blues Alley\, 1073 Wisconsin Avenue NW\, Washington\, DC\, 20007\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/png:https://notoriousjazz.com/wp-content/uploads/2023/11/STANLEY-JORDAN.png
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DTSTART;TZID=America/New_York:20231110T190000
DTEND;TZID=America/New_York:20231111T230000
DTSTAMP:20260421T030629
CREATED:20231105T163340Z
LAST-MODIFIED:20231105T163340Z
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SUMMARY:JOEY ALEXANDER
DESCRIPTION:Joey Alexander\, is an Indonesian jazz pianist. He became the first Indonesian musician to chart on Billboard 200 when his album My Favorite Things debuted at number 174 and then peaked at 59. His first album\, My Favorite Things\, was released in 2015 when he was 11 years old. \nWidely regarded as a wunderkind\, Alexander taught himself to play jazz at the age of six by listening to his father’s classic jazz albums. He won the Grand Prix at the 2013 Master-Jam Fest when he was nine. \nIn 2014\, Wynton Marsalis invited him to play at Jazz at Lincoln Center. Alexander played at the Montreal and Newport Jazz Festivals in 2015 and has performed for Herbie Hancock\, Bill Clinton\, Wendy Kiess\, and Barack Obama.
URL:https://notoriousjazz.com/event/joey-alexander-2
LOCATION:Jazz Forum Arts\, 1 Dixon Lane\, Tarrytown\, NY\, 10591\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/png:https://notoriousjazz.com/wp-content/uploads/2023/11/JOEY-ALEXANDER.png
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DTSTART;TZID=America/New_York:20231111T130000
DTEND;TZID=America/New_York:20231111T170000
DTSTAMP:20260421T030629
CREATED:20231029T193602Z
LAST-MODIFIED:20231029T194601Z
UID:37654-1699707600-1699722000@notoriousjazz.com
SUMMARY:FRAN VIELMA JAZZ ORCHESTRA
DESCRIPTION:Fran Vielma Jazz Orchestra features an outstanding cast of musicians from the Mid-Atlantic and East Coast regions performing his own writing\, as well as works by contemporary Pan-American jazz arrangers and composers.\n\nAbout the leader: “a percussion colourist of great distinction… leans heavily on his aptitude for\, and particular genius for counterpoint and most of important of all – his understanding of instrumental timbre…” –Raul Da Gama\, Latin Jazz Network 2018.\n\nHailing from Venezuelan Andes\, Fran Vielma is a critically acclaimed and award-winning multi-percussionist\, composer\, and educator. His continuous research on the rhythms of America\, and beyond\, is integrated with his attraction to concert music and the freedom of jazz.\n\nVielma recently premiered his suite “Common Grounds” at SFJAZZ commissioned by the prestigious Chamber Music America – New Jazz Works and has been a DC Commission on the Arts and Humanities Fellow since 2019. Additionally\, has been a Jazz Road Tours Grantee by South Arts.\n\nDJ Don Vik ~ 12:00pm
URL:https://notoriousjazz.com/event/fran-vielma-jazz-orchestra
LOCATION:Brightwood Park Community\, 713 Kennedy Street\, Washington\, DC\, 20011\, United States
CATEGORIES:Park
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DTSTART;TZID=America/New_York:20231111T170000
DTEND;TZID=America/New_York:20231112T230000
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CREATED:20231029T200711Z
LAST-MODIFIED:20231029T201123Z
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SUMMARY:TRIBUTE TO PHAROAH SANDERS
DESCRIPTION:Gary Bartz [Saxophone]\nJean Carn [Vocals]\nNorman Connors [Vocals & Drums]\nEddie Baccus Jr. [Saxophone] \nThe Starship Orchestra \nKnown for his overblowing\, harmonic\, and multi-phonic techniques on the saxophone\, as well as his use of “sheets of sound”\, American jazz musician Pharaoh Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane’s groups in the mid-1960s\, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane\, among many others. Fellow saxophonist Ornette Coleman once described him as “probably the best tenor player in the world”. Most of Sanders’ best-selling work was made in the late 1960s and early 1970s for Impulse Records\, including the 30-minute wave-on-wave of free jazz “The Creator Has a Master Plan” from the album Karma. \nA native of Baltimore\, Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre\, he has broken the mold with more than 40 solo albums and over 200 as a guest artist. \nDrummer and producer Norman Connors’ work has become a main staple of jazz-fusion\, with tracks including “Mother Of The Future” from album “Slew Foot” (1974)\, “Captain Connors” from album “This Is Your Life” (1977)\, “You Are My Starship” (1976) album\, et al. He has lead jazz recordings with Carlos Garnett\, Gary Bartz\, Dee Dee Bridgewater\, and Herbie Hancock. \nJean Carn began her recording career with her then-husband\, pianist Doug Carn\, founder of Black Jazz Records and had an astounding five octave voice range. She sang background for artists including the likes of Earth\, Wind & Fire and Norman Connors\, but in 1977\, she debuted solo\, playing a crucial role in the golden era of Philly soul. \nStreaming: $10.00 + fees \nShowtimes ~ Saturday: 7:00 & 9:30pm | Sunday: 5:00 & 7:30pm
URL:https://notoriousjazz.com/event/tribute-to-pharoah-sanders
LOCATION:Keystone Korner Baltimore\, 1350 Lancaster Street\, Baltimore\, MD\, 21231\, United States
CATEGORIES:Club
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