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DTSTART;TZID=America/New_York:20231117T183000
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DTSTAMP:20260421T030241
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LAST-MODIFIED:20231112T224326Z
UID:37867-1700245800-1700348400@notoriousjazz.com
SUMMARY:JOE ALTERMAN
DESCRIPTION:Atlanta native Joe Alterman expresses a certain upbeat naivete\, with a broad smile and bright eyes that make you feel welcome. One would not guess that this is a man hailed by greats; Ramsey Lewis describes his music as “happy music with tasty meat on the bones\,” Les McCann states “Joe’s on a ‘blow your mind’ level\,” and Ahmad Jamal calls him “a very special artist.” Journalist Nat Hentoff championed three of Alterman’s albums\, as well as his writing (Joe wrote liner notes to three Wynton Marsalis/JLCO albums)\, calling one of Joe’s columns “one of the very best pieces on the essence of jazz\, the spirit of jazz\, that I’ve ever read\, and I’m not exaggerating.” \nHe began at NYU with a BA and Masters in Jazz Piano from NYU and has since performed at many world renowned venues including the Kennedy Center\, Lincoln Center\, Birdland and Blue Note alongside Houston Person\, Les McCann\, Dick Gregory\, Ramsey Lewis\, and his own trio\, among others. Downbeat describes his sound as “rooted in the blues\, and with a touch reminiscent of the great pianists of the 1950s—Red Garland\, Ahmad Jamal\, Bill Evans.” It is clear Joe hits all of the necessary points for Jazz critics and fans alike. \nBut there is more to the story\, of course. The 21st century has brought another transition for this thing called jazz; in one moment we see the push and pull between tradition and progression\, and in another we see Pop and Hip-Hop musicians emulating and sampling. In Joe Alterman we find none of this struggle; the music just sounds good. Our conscious faculties are instantly disabled as we tap our feet\, feeling the intent and joy of his playing. An old classic is new when you feel good in the moment. Or\, as Hentoff wrote about Alterman in the Wall Street Journal\, “Alterman’s continually evolving presence on the jazz scene surely makes people smile and\, if the room is right\, dance. There’ll be no need for any last rites of jazz.”
URL:https://notoriousjazz.com/event/joe-alterman-2
LOCATION:The Jazz Corner\, 1000 William Hilton Parkway\, Hilton Head Island\, SC\, 29928\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/jpeg:https://notoriousjazz.com/wp-content/uploads/2023/11/JOE-ALTERMAN.jpeg
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DTSTART;TZID=America/Los_Angeles:20231118T183000
DTEND;TZID=America/Los_Angeles:20231118T220000
DTSTAMP:20260421T030241
CREATED:20231022T184507Z
LAST-MODIFIED:20231022T184507Z
UID:37527-1700332200-1700344800@notoriousjazz.com
SUMMARY:ANAT COHEN & MARCELLO GONÇALVES
DESCRIPTION:The perennial winner of “Clarinetist of the Year” titles from DownBeat\, JazzTimes\, and the Jazz Journalists Association\, Fresh Air’s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.” \n\n\n\n\n\n\n\n\nAcclaimed clarinetist Anat Cohen and 7-string guitarist Marcello Gonçalves team together in a series of intimate\, lyrical duets. Breathtaking melodies\, Brazilian grooves\, and elements of jazz highlight the intricate talents of both Cohen and Gonçalves. In their second duo album\, Reconvexo\, Brazilian 7-string guitar player Gonçalves and New York-based clarinetist Cohen turn their attention to music from the Música Popular Brasileira (MPB) songbook. Against the backdrop of a country and world turning inward\, the duo set out to record an album inspired by the beauty of Brazil and the spirit of its people. The result is at once intimate and virtuosic\, mournful and hopeful\, soaked with the feeling expressed uniquely in the Portuguese language as saudade – bittersweet\, at once deeply happy and sad\, and full of emotion.
URL:https://notoriousjazz.com/event/anat-cohen-marcello-goncalves
LOCATION:The 222\, 222 Healdsburg Avenue\, Healdsburg\, CA\, 95448\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://notoriousjazz.com/wp-content/uploads/2023/10/ANAT-COHEN-MARCELLO-GONCALVES.png
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