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DTSTART;TZID=America/New_York:20241025T181500
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DTSTAMP:20260419T235334
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SUMMARY:BOB JAMES
DESCRIPTION:The career of Bob James is long\, varied and continues to evolve at every turn. From his first days in Marshall\, Missouri\, the music of Bob James has captivated audiences throughout the world. \nDiscovered by Quincy Jones at the Notre Dame Jazz Festival in 1963\, James recorded his first solo album\, Bold Conceptions\, that year for Mercury Records. 58 albums and innumerable awards would follow through five decades. He honed his skills working with Creed Taylor\, working on albums for artists like Hank Crawford\, Grover Washington\, Jr\, among others.  While with CTI\, James found great popular success overseeing significant hits for Paul Simon\, Neil Diamond\, Maynard Ferguson\, and Kenny Loggins. \nIn 1974\, James finally recorded his own album\, One\, which launched a lifelong career of recording and performing live. After three more albums\, James began his own label\, Tappan Zee Records.   This allowed James to spend more time in the studio\, focusing on his own creative works.  It was during this time that he recorded his own gold seller\, Touchdown\, which included his composition\, “Angela”\, the instrumental theme from the sitcom Taxi\, and possibly James’ best know work.  Bob composed all the original music used in that television series for its entire run. One On One\, the first in three collaborations with Earl Klugh\, was awarded a Grammy in 1980 for Best Pop Instrumental Performance\, and has sold over a million copies. During this time\, James set the standard for the smooth jazz sound in the late 1970s. \nCover: $56 ~ $80
URL:https://notoriousjazz.com/event/bob-james-2
LOCATION:Middle C Jazz\, 300 South Brevard Street\, Charlotte\, NC\, 28202\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/jpeg:https://notoriousjazz.com/wp-content/uploads/2024/10/BOB-JAMES.jpg
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DTSTART;TZID=America/Los_Angeles:20241025T200000
DTEND;TZID=America/Los_Angeles:20241026T233000
DTSTAMP:20260419T235334
CREATED:20241020T190140Z
LAST-MODIFIED:20241020T190140Z
UID:43029-1729886400-1729985400@notoriousjazz.com
SUMMARY:BILLY CHILDS
DESCRIPTION:Six Time Grammy Winner and seventeen time nominee Billy Childs has emerged as one of the foremost American composers of his era\, perhaps the most distinctly American composer since Aaron Copland – for like Copland\, he has successfully married the musical products of his heritage with the Western neoclassical traditions of the twentieth century in a powerful symbiosis of style\, range\, and dynamism. \nHe has received orchestral and chamber commissions from\, among others: Esa-Pekka Salonen and the Los Angeles Philharmonic\, the Detroit Symphony Orchestra under the baton of Leonard Slatkin\, the Los Angeles Master Chorale\, the National Symphony\, the Minnesota Orchestra\, the Orpheus Orchestra\, the St. Paul Chamber Orchestra\, the Kronos Quartet\, the Dorian Wind Quintet\, the Lincoln Center Jazz Orchestra\, the Isidore Quartet\, the American Brass Quintet\, the Ying Quartet\, the Lyris Quartet\, Anne Akiko Meyers\, Rachel Barton Pine\, and Inna Faliks. His works have been performed at Carnegie Hall\, Kennedy Center\, and Disney Concert Hall. \nJimmy Johnson ~ Bass\nJustin Brown ~ Drums\nAndrew Renfroe ~ Guitar\nBilly Childs ~ Rhodes \n$40.00 1st Set Inside Seating (+$4.25 fee)\n$35.00 2nd Set Inside Seating (+$4.25 fee)\n$20.00 Patio Seating (+$4.25 fee) | Live video concert and you are NOT inside the club
URL:https://notoriousjazz.com/event/billy-childs
LOCATION:The Baked Potato\, 3787 Cahuenga Boulevard\, Studio City\, CA\, 91604\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/jpeg:https://notoriousjazz.com/wp-content/uploads/2024/10/BILLY-CHILDS.jpeg
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DTSTART;TZID=America/New_York:20241026T190000
DTEND;TZID=America/New_York:20241026T230000
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CREATED:20241020T210213Z
LAST-MODIFIED:20241020T210213Z
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SUMMARY:JOHNNY O'NEAL TRIO
DESCRIPTION:After more than 45 years as a professional pianist\, vocalist and entertainer\, Johnny O’Neal has earned the title of “master” with fellow musicians and audiences around the world. Highlights of his awe-inspiring career include stints with Ray Brown\, Milt Jackson and Art Blakey’s Jazz Messengers\, as well as a Carnegie Hall debut in 1985 on solo piano opening for Oscar Peterson and induction into the Alabama Jazz Hall of Fame in 1998. While playing with Blakey\, he accompanied some of the great jazz divas\, including Sarah Vaughan and Carmen McRae. O’Neal has also been tapped for appearances by Dizzy Gillespie\, Joe Pass\, Nancy Wilson\, Anita O’Day\, Lionel Hampton\, Kenny Burrell\, Sonny Stitt\, Benny Golson\, Eddie “Lockjaw” Davis and Clark Terry\, among others. \nPerformances in Canada\, Europe\, Australia\, Japan\, China\, Israel and South Africa have gained him an international following\, and he is beloved by audiences around the U.S. Yet\, he remains a fixture on the New York jazz scene\, regularly playing in local clubs or stopping by a jam session to check out the young talent. A stint in his band has become a coveted apprenticeship among young players\, comparable to that of Betty Carter or Art Blakey. He is the tie that binds the classic jazz traditions to the evolution of the form\, making him legendary in his own right. \nThe Detroit native considers himself a piano player first\, but was encouraged to sing in his sets more by Joe Williams. He recalls Williams advising him\, “If you’ve got it\, flaunt it!” Astonishingly\, he is largely self-taught. His playing evokes the influences imbued in him by his idols Oscar Peterson and Art Tatum\, with a nod to bebop master Barry Harris (who first heard O’Neal play as a teenager in Detroit). He has reshaped these elements into his own very swinging and melodic approach. \nIn live performances\, he is apt to catch his audience off-guard with his blues shouting\, soulfully rendered yet unpretentious vocalizations or seemingly effortless scatting. No two sets are ever alike. O’Neal explains\, “I’m a tune guy. I know 1\,500 songs. My father was a pianist and singer who emphasized that learning lyrics creates dynamics and a better interpretation of melody. I rehearse so that the bassist\, drummer and I can get familiar with each other’s styles—not to set the songs we’ll play.” \nCover: $25.00 ($3.50 fee)
URL:https://notoriousjazz.com/event/johnny-oneal-trio-2
LOCATION:Minton’s Playhouse\, 206 West 118th Street\, New York City\, NY\, 10026\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/jpeg:https://notoriousjazz.com/wp-content/uploads/2024/10/JOHNNY-ONEAL.jpg
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