Daily Dose Of Jazz…
Edwin A. Finckel was born on December 23, 1917 in Washington, D.C. to musical parents and was the youngest of six children. Left to his own devices his artistic talents won him a scholarship at the Corcoran School of Art. Finding access to a piano within a year he had taught himself to play, albeit without the ability to read music. He took to jazz although he also showed skill as a tennis player while still a teenager.
Well regarded for his ability to improvise music he went on to arrange others and later composed over 200 of his own melodies. He appeared professionally as a teenager and he went on to introduce string instruments into his arrangement for big bands. His best known song may be Where Is The One, which was recorded by Frank Sinatra..
In the Forties he wrote songs for film, was chosen as a representative of a musical, then went into teaching in the music department at Far Brook School in New Jersey for 39 years. There he gave private lessons, conducted the choir and orchestra, and wrote much of the music that the children sing. He continued to perform jazz and in his forties he also wrote classical music.
Pianist, composer and arranger Edwin Finckel, who ran a summer camp with his wife for 17 years while performing jazz and composing classical music, died on 7 May 7, 2001 at 83 in Madison, Wisconsin.
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Requisites
Wheelin’ & Dealin’ ~ Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins and Arthur Taylor | By Eddie Carter
This morning’s album from the library is an excellent 1957 jam session by Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins and Arthur Taylor. Wheelin’ & Dealin’ (Prestige PRLP 7131) is an outstanding album featuring an impressive team of musicians. The ensemble consists of John Coltrane and Paul Quinichette on tenor saxophones, Frank Wess on flute (tracks: A1, B1, B2) and tenor saxophone (track: A2), Mal Waldron on piano, Doug Watkins on bass, and Arthur Taylor on drums. The copy of this album that I own is the 2025 Worldwide Stereo audiophile reissue (Craft Recordings CR00862).
The album opens with Things Ain’t What They Used To Be by Mercer Ellington and Ted Parsons. Frank’s flute sets a welcoming tone for the sextet’s laid-back melody before moving into a relaxing first solo. Paul soars with graceful ease, then John follows him effortlessly with a mellow reading, then the saxophones revisit the sequence. Mal responds with a breezy interpretation, and Doug takes a quick walk, leading to the closing chorus. Wheelin’ by Mal Waldron takes off with the ensemble’s spirited theme. Coltrane leads the way with an energetic statement. Quinichette lets loose next, then Wess wails on the tenor saxophone. Waldron delivers a lengthy, vigorous performance. Taylor adds a brief footnote that leads to the ensemble reprising the theme and a rousing finish.
Side Two opens with Robbins’ Nest by Illinois Jacquet, Bob Russell, and Sir Charles Thompson, a tribute to DJ Fred Robbins. Frank, returning on flute, gently guides the ensemble through the melody, then enters like a cool breeze for the first solo. Paul then offers some down-home cooking; John makes every note count in a relaxed interpretation. Mal then keeps the mood easygoing, and Doug takes a brief walk before the closing ensemble. Mal Waldron’s Dealin’ starts with the sextet’s collective melody; Waldron leads with an inviting opening solo. Wess, on flute, produces a warm, fluid sound. Quinichette steps in for a few relaxing choruses, then Coltrane flows with fresh, creative ideas. Wess makes a short return on tenor sax, and Waldron has the last word before the group reunites to close the set.
The dynamic combination of Coltrane and Quinichette on tenor saxophones infuses the sextet with vibrant energy, establishing an engaging lead voice for the group. Coltrane, poised on the threshold of stardom, plays with deep emotion and a sense of adventurousness, while Quinichette’s silky, relaxed approach pays homage to Lester Young’s signature sound. Frank Wess further elevates the ensemble’s texture, seamlessly alternating between flute and tenor sax; his flute contributions, in particular, bring a light, breezy quality to the arrangements. Supporting them, the rhythm section of Waldron, Watkins, and Taylor lays down a consistent, swinging foundation, artfully mixing delicacy with spirited drive to enhance each soloist’s performance throughout the album.
Bob Weinstock supervised the first session, and Rudy Van Gelder was at the recording console. Kevin Gray did an excellent job mastering this audiophile reissue from the original tapes at Cohearant Audio. The sound quality truly shines, offering a spacious soundstage and vibrant clarity that makes you feel like the musicians are right in front of you. The record is pressed on 180-gram Virgin Vinyl and is silent until the music begins. If you’re craving a fantastic Hard-Bop album, I highly recommend checking out Wheelin’ & Dealin’ by Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins, and Arthur Taylor on your next record-shopping trip. It’s an outstanding album by the talented group that later became The Prestige All-Stars, and I believe it will become a beloved favorite in the libraries of both new and seasoned jazz fans for many years to come!
Things Ain’t What They Used To Be – Source: JazzStandards.com © 2025 by Edward Thomas Carter
Wheelin’ & Dealin’: 1957 | Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins, Arthur Taylor
For the serious collector of jazz… #Jazz #Classic #Collectible #Music #Notorious
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Daily Dose Of Jazz…
Ralph Dollimore was born on December 20, 1930 in Ealing, London, England. During the 1950s he worked with Kenny Graham, Terry Brown Sextet, Jimmy Walker Quintet, Ted Heath, Eric Winstone, Harry Bence, Vic Ash, Geraldo. He was Petula Clark’s pianist in variety shows around the United Kingdom in 1959.
During the Sixties he accinoanied singer Matt Monro, led his own trio, and once again joined Ted Heath. The 1970s and 1980s saw Ralph as a pianist in Monte Carlo hotel. Returning to Britain he formed his own small group.
Pianist, arranger and composer Ralph Dollimore died on August 25, 1988 in London, England.
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Daily Dose Of Jazz…
Róbert Rátonyi was born December 13, 1953 in Budapest, Hungary. At the age of six he started to learn solfeggio before turning to the piano. He later became a student of Klára Géczy Fazekas, however, following his art studies and the grammar school graduation, he attended the Bartók Béla Music Conservatory, specializing in jazz.
His style of playing is influenced by Bill Evans, Ahmad Jamal, Bob James, Kenny Barron, Andy Laverne and Herbie Hancock. Beginning in 1975 he has played together with all leading Hungarian jazz musicians in concerts and festivals at home and abroad.
Besides jazz, he is one of the most frequently engaged studio musicians. He has written and composed music for numerous films, theatre, shows and advertisements. He is also a consummate accompanist for many vocalists.
Pianist, arranger, and composer Róbert Rátonyi, known for his work in jazz and studio music, while also teaching jazz piano and electronic instruments, has been awarded the Artisjus Award and continues to perform and record.
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Daily Dose Of Jazz…
Beegie Adair was born Bobbe Gorin Long on December 11, 1937 in Cave City, Kentucky. She began playing the piano at the age of five and graduated from Caverna High School in 1954. She went on to earn a Bachelor of Science degree in music education at Western Kentucky University in 1958.
Relocating to Nashville, Tennessee, in 1961 she worked as a children’s music teacher for three years. There she played in Printer’s Alley and became a member of a jazz band led by Hank Garland. Beegie would go on to accompany Dinah Shore, Peggy Lee, Ray Stevens, Steve Allen, Chet Atkins, Cass Elliot, Vince Gill and Dolly Parton. At various times she played for the Noon Show on WSM-TV, The Johnny Cash Show and other programs.
Partnering with Denis Solee in 1982 they established the Adair–Solee Quartet, which evolved into the sextet Be-Bop Co-Op. She released her debut solo album as a leader in 1988 with Escape to New York, then formed the Beegie Adair Trio, which sold more than 1.5 million albums.
Throughout her 60-year career Beegie appeared on more than 100 recordings. Of these, 35 were recorded by her trio which included bassist Roger Spencer and percussionist Chris Brown. She released a six-CD centennial collection, The Great American Songbook Collection.
Adair was an adjunct professor of jazz studies at Vanderbilt University’s Blair School of Music. She was a faculty and board member of the Nashville Jazz Workshop, where she often performed. She was named a Steinway Artist and was inducted into Western Kentucky University’s Hall of Fame, Cave City’s Hall of Fame and was the inaugural recipient of Nashville Jazz Workshop’s Heritage Award.
Pianist and bandleader Beegie Adair, whose career spanned more than 60 years, died at her home in Franklin, Tennessee on January 23, 2022, at the age of 84.
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