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SUMMARY:JAZZMEIA HORN QUARTET
DESCRIPTION:“The next big carrier of straight-ahead jazz’s vocal tradition.” – The New York Times\n\nJazzmeia Horn\, making an important Smoke debut\, leads a stellar quartet with pianist Victor Gould\, bassist Jason Clotter\, and drummer Michael Reed. An award-winning vocalist (2013 Sarah Vaughan International Jazz Vocal Competition and the 2015 Thelonious Monk Institute International Jazz Competition)\, Horn is “without a doubt among the jazz world’s most exciting young vocalists…her sound is explosive and bright and rich\, catnip for audiences looking for boldness that’s still traditional\,” reports Billboard. Downbeat adds\, “Jazzmeia Horn harbors both astounding technique and an acute artistic vision…[she] has a thrilling presence with a musical sensibility that strikes a deft balance between mid-century jazz and contemporary neo-soul.” \nJazzmeia Horn – vocals \nVictor Gould – piano \nJason Clotter – bass \nMichael Reed – drums \n***Friday & Saturday Showtimes: 7:00pm | 9:00pm | 10:30pm
URL:https://notoriousjazz.com/event/jazzmeia-horn-quartet
LOCATION:Smoke Jazz & Supper Club\, 2751 Broadway\, New York City\, NY\, 10025\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/jpeg:https://notoriousjazz.com/wp-content/uploads/2023/09/JAZZMEIA-HORN.jpeg
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SUMMARY:VANESSA RUBIN  QUARTET
DESCRIPTION:New York City vocalist extraordinaire and 2020 NAACP Image Awards nominee makes a one-night-only return. \nVanessa’s journey to becoming a jazz singer could be said to have begun at an early age. She was characterized by her mother as always being “a very vocal child\,” and knew Vanessa would\, “do something with that big ol’ mouth of hers.” Coming from parents who valued academia\, discipline and hard work\, that “something” was meant to be law school. Attaining a BA from the The Ohio State School of Journalism in 1979 was not a disappointment. However\, her decision to pursue a career jazz singing did come as a surprise. Vanessa’s fascination with language coupled with her passion for music\, especially jazz\, pointed her on a collision course toward jazz performance. \nHer “a-ha” moment came during a college beauty pageant at which Vanessa was accompanied by a very young\, and even then\, a very capable Bobby Floyd of Columbus\, Ohio. Her first performance of a jazz evergreen\, the Billie Holiday original “God Bless The Child\,” garnered both rousing applause and the winning talent award. Most importantly though\, it awakened what Vanessa describes as “her calling.” “I fell in love with the moment\, the music\, the audience and the effect it had on them and me\,” Rubin remembers. \nVanessa’s first gigs began around 1980 in small clubs around Cleveland such as Tucker’s Place\, Bob’s Toast of the Town\, Lancer’s Steak House\, Club Isabella\, The Native Son and The Teal Lounge. Some early band mates included Wynn Bibbs\, Skip Gibson\, saxophonist and arranger Willie Smith\, Neal Creque\, Matthew “Chink” Stevenson and\, later\, the uniquely soulful organ quartet of The Blackshaw Brothers with Cecil Rucker on vibes. “We worked 8 days a week all over Cleveland catching the tail end of what was left over from the good old days\,” Rubin recalls. After two years\, Rubin was anxious to set her sights on New York where she earnestly and humbly soaked up the tutelage of many veterans like Pharaoh Sanders\, Frank Foster and Barry Harris.
URL:https://notoriousjazz.com/event/vanessa-rubin-5
LOCATION:Blu Jazz+\, 47 E Market Street\, Akron\, OH\, 44308\, United States
CATEGORIES:Club
ATTACH;FMTTYPE=image/png:https://notoriousjazz.com/wp-content/uploads/2023/09/VANESSA-RUBIN.png
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