Daily Dose OF Jazz…
Claudia Acuña was born July 31, 1971 in Santiago, Chile and raised in Concepcion. She was inspired as a child to perform a variety of music, including folk, pop and opera by Victor Jara and Violetta Parra. Her attention turned to American popular music and jazz at the age of 15 when she first heard Erroll Garner, Sarah Vaughan and Frank Sinatra. Upon returning to her birthplace in 1991, she quickly gained prominence on the local jazz scene through live performances and radio broadcasts with visiting artists.
By 1995, Acuña had decided to move to New York City and she began performing at jam sessions and clubs including the Zinc Bar, Smalls and with her own band at the Jazz Gallery. During this period she met pianist/composer Jason Lindner, who remains her musical director. She released her debut album, Wind from the South in 1999 for Verve Records followed by Rhythm of Life in 2001 and Luna in 2004.
In 2009 she moved to the Marsalis Music label and recorded her first session En Este Momento. Claudia has been featured on various recordings with Peck Almond, George Benson, Joey Calderazzo, Avishai Cohen, Mark Elf, Tom Harrell, Antonio Hart, Arturo O’Farrill and Guillermo Klein. She has been the co-curator of a Chilean music festival, the spokesperson for World Vision Chile, her cover of the Antonio Carlos Jobim tune “Suddenly” was featured on the soundtrack for the movie Bossa Nova.
Venturing outside the jazz medium the vocalist garnered substantial exposure by recording a single with House producers MKL and Soy Sos of 3 Generations Walking titled Slavery Days. Vocalist Claudia Acuña continues to perform, tour and record for her Cambridge, Massachusetts based record label, Marsalis Music.
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Daily Dose Of Jazz…
Scott Wendholt was born on July 21, 1965 in Denver, Colorado. He first picked up the trumpet in the third grade and began improvising in the fifth. Linda Walker and Ed Barnes, were two teachers he was inspired by, the latter ran a citywide elementary school group that played some Blues and a reasonable facsimile of jazz and provided at least some tools for jazz improvisation.
His major influences at the time were Al Hirt, Chuck Mangione, and Spyro Gyra until the ninth grade, when Greg Gisbert, a classmate and trumpeter, hipped him to Art Blakey’s “Straight Ahead,” featuring Wynton Marsalis and he started taking trumpet lessons in high school. Scott went on to study At Indiana University in David Baker’s Jazz Studies Program earning his bachelor degree.
A move to Cincinnati was fortuitous for the young trumpeter getting on the scene, landing him at the King’s Island amusement park with a Rock-and-Roll band. From there he went to work with the Blue Wisp Big Band, and working sideman gigs. It was a good training ground to be a leader, for learning appropriate tunes for small group gigs and learning how to hang out.
In 1991 Scott put together a quartet to play at Augie’s, a Harlem bar near Columbia University and the group lasted three and a half years. Then 1992, saw Vincent Herring hiring him for his first real legitimate sideman gig. Then a year later in 1993 Scott recorded his debut album The Scheme of Things on the Criss Cross Jazz label. He would go on to work inside the big band culture in New York City with the likes of Toshiko Akiyoshi, Bob Mintzer, the Maria Schneider Orchestra, the Carnegie Hall Big Band and the Vanguard Jazz Orchestra.
Wendholt has worked with Gisbert, Javon Jackson, John Gunther, Ralph Bowen, Chris Botti, Don Braden, Rim Ries, Roberta Piket, Bobby McFerrin, Dwayne Burno, Mike Abbott, Al DiMeola, Lounge Lizards, Sophie B. Hawkins, Peter Abbott, Brad Leali, John Fedchock, Woody Herman, Ira Coleman, Billy Drummond, Eric Alexander, Anthony Wonsey, Bob Mintzer, Bill Cunliffe, Phil DeGreg, Vincent Herring, Jim McNeely, Mingus Big Band, Buddy Rich and the list goes on and on.
Not one to reside in a single musical genre, the Mile High City trumpeter and flugelhorn player Scott Wendholt continues to perform, record and compose.
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Daily Dose Of Jazz…
Carol Morgan was born on July 11, 1968. Originally from Texas, she decided to matriculate through and graduated from The Julliard School, subsequently making her home in New York City. A definitive voice unto herself, the influences of Woody Shaw, Freddie Hubbard, Miles Davis and Louis Armstrong can be heard in her playing. She has released five CDs as a leader working in trio, quartet and quintet setings with her latest in 2013 titled Retroactive.
She has worked with Chris Gekker, Mark Gould, Ingrid Jensen, Dennis Dotson Mike Stern, Chris Cortez, Danielle Reich, Harvie S, Rich DeRosa, Joel Frahm, Martin Wind and Matt Wilson among others. She has been a side-woman on recording dates with the DIVA Jazz Orchestra, Hawk-Richard Jazz Orchestra, the Manhattan Chamber Orchestra, and NPR’s The Engine Of Our Ingenuity.
As a composer Carol has been commissioned to create works for the Diverse Works, the Michele Brangwen Dance Ensemble, the Archdiocese of Houston/Galveston and the St. Thomas Presbyterian Church in Houston. She has authored The Practicing Improviser, a highly regarded method for jazz improvisation.
She is a member of the DIVA Jazz Orchestra, a variety of ensembles under the name of Stiggall & Associates and the group Gingerbread led by Brad Linde. Trumpeter, composer, educator and author Carol Morgan continues to record and perform across the United States and in Europe.
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Daily Dose Of Jazz…
Elias Haslanger was born on July 9, 1969 in Austin, Texas. Growing up during the 1980s he listened to the Marsalis Brothers, Mark Whitfield and Roy Hargrove among others. In sixth grade he picked up the saxophone, and by the time he was in high school, he was playing gigs around his hometown and San Antonio.
After graduating from high school he attended the University of Texas at Austin studying with Harvey Pittel, then moved to New York to matriculate the Manhattan School of Music. From there his education took him back to study at Southwest Texas State University (TSU), during which time he received the Downbeat Student Music Award for College Outstanding Tenor Saxophone Performance.
His 1994 debut album Standards is a collection of straight-ahead bop and swing tunes featuring the top Austin area musicians. His second project titled For The Moment followed by his 1998 release of Kicks Are For Kids that brought the Marsalis patriarch in to collaborate. That same year Elias put on his educators cap and began teaching theory and composition at TSU.
A move to Brooklyn, New York in 2000 got the attention of Maynard Ferguson and in short order Haslanger was sitting in the same chair that Wayne Shorter once occupied. This experience help shaped him as a bandleader and performer.
In 2004 he returned to Austin, started his own label Cherrywood Records, released it debut release Dream Story. He has performed with Harry Connick Jr., Frank Foster, Clark Terry, Steve Turre, Al Grey, Lew Soloff, Marvin “Smitty” Smith, Ron Westray, Jesse Davis, J. J. Johnson, Peter Martin, Russell Gunn, among other jazz luminaries. He has also played with Chirstopher Cross, The Temptations, The Four Tops, Alejandro Escovedo, Asleep At The Wheel, Sheryl Crow and countless others in pop and soul genres.
Tenor, alto, and soprano saxophone player Elias Haslanger continues to perform, record and tour around the world with annual invites to play the North Sea and Montreux Jazz Festivals.
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Daily Dose OF Jazz
Ken Watters was born July 6, 1964 in Huntsville, Alabama. He attended the University of North Texas and became a part of the Lab Band program. He studied trumpet with internationally renowned teacher Leonard Candelaria prior to studying in New York City with Lew Soloff and Wynton Marsalis.
Ken is a member of several noted performing groups, including Tabou Combo, Natalie Cole Band, the Magic City Jazz Orchestra, Ray Reach and Friends and the W.C. Handy Jazz All-Stars. He recorded his debut release with his Haitian-Caribbean jazz septet RIYEL and has recorded a total of six projects as a leader.
He has recorded and released three CDs titled “Brothers” with his trombonist brother Harry. His latest musical project is an ongoing venture co-led alongside vocalist Ingrid Felts, called the Watters-Felts Project. The jazz-oriented sextet included pianist Keith Taylor, bassist Abe Becker, percussionist Darrell Tibbs and drummer Marcus Pope.
Trumpeter Ken Watters is also an educator currently sitting as an adjunct professor at University of Alabama in Huntsville, where he directs the UAH Jazz Ensemble I. He continues to perform, record and tour.
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