Daily Dose Of Jazz…
Tommy Smith was born April 27, 1967 in Edinburgh, Scotland and grew up in Wester Hailes. Encouraged to lean the tenor saxophone from age 12, by sixteen he had a scholarship to Berklee College of Music. While at Berklee he formed his first group ”Forward Motion” with Laszlo Gardony, Ian Froman and Tene Gewelt and joined Gary Burton’s group.
During his tenure with Burton at age eighteen he toured and recorded “Whiz Kids”, worked in jazz groups and big bands, and has recorded and toured with world-renowned jazz musicians including Joe Lovano, David Liebman, Benny Golson, Joe Locke, Chick Corea, Tommy Flanagan, John Scofield, Joanne Brackeen, Jack DeJohnette and Kenny Wheeler to name a few.
He has recorded twenty-three albums as a leader Hep, GFM, Linn, Blue Note and his own record label Spartacus and since the late-1980s and the musical director and driving force behind the Scottish National Jazz Orchestra and his own Youth Jazz Orchestra.
He has composed for and performed with classical orchestras and ensembles including the Orchestra of St. John’s Square, the Scottish Ensemble, the Edinburgh Youth Orchestra, BBC Symphony Orchestra and the Scottish National Jazz Orchestra. His work in jazz education has him presenting master classes all over the world, teaching at Broughton High School, Napier University and created the curriculum for the National Jazz institute and is Artistic Director of a new conservatoire-level course in jazz at the Royal Scottish Academy of Music and Drama. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Joe Henderson was born on April 24, 1937 in Lima, Ohio and was encouraged by his parents to study music. Growing up he studied drums, piano, saxophone and composition, and listened to Lester Young, Stan Getz, Dexter Gordon, Charlie Parker, Flip Phillips, Lee Konitz and Jazz at the Philharmonic recordings. While in high school he wrote several scores for the school band and rock groups.
Active on the Detroit jazz scene by eighteen, Henderson was playing jam sessions with visiting New York stars in the mid-50s. He attended Wayne State University studying sax, flute and bass, Joe played with fellow classmates Yusef Lateef, Barry Harris and Donald Byrd.
A two-year Army stint saw him touring worldwide entertaining troops and while in Paris met Kenny Drew and Kenny Clarke. After discharge he moved to New York, and soon joined Horace Silver’s band, providing the seminal solo on Song For My Father. Leaving Silver he freelanced and in 1966 co-led a big band with Dorham, whose arrangements went unrecorded until 1996 on the Joe Henderson Big Band.
Henderson appeared on nearly three-dozen albums as a leader and over 50 as a sideman during his career. He would join but never record with Miles Davis, move to Milestone Records, co-lead the Jazz Communicators with Freddie Hubbard, became more politically and socially conscious with his music, played with Blood, Sweat & Tears briefly and started teaching.
He would play with Echoes Of An Era, the Griffith Park Band, Chick Corea, but remained a leader experiencing a resurgence in 1986, record for An Evening with Joe Henderson for Red Records, get signed with Verve and enjoy critical success and popularity after releasing Lush Life: The Music of Billy Strayhorn.
On June 30, 2001, saxophonist Joe Henderson passed away of heart failure after a long battle with emphysema.
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Daily Dose Of Jazz…
George Dixon was born on April 8, 1909 in New Orleans, Louisiana but grew up throughout the South traveling with his father as he ministered. He began playing trumpet as a child, then while living in Natchez, Mississippi at age thirteen he began playing the violin. He would go on to study the instrument at Arkansas State College, where he picked up the alto saxophone.
Dixon’s move to Chicago in 1926 would have him playing with Sammy Stewart from 1928, including a tour of New York City in 1930. His longest and most important residency was with Earl Hines and for nearly twelve years he would play trumpet, saxophone and arrange for the band.
During World War II George led a Navy band in Memphis, Tennessee, then returned to Chicago playing with Floyd Campbell, Ted Eggleston and others. During the Forties into the next decade he led his own band at the Circle Inn. Never recording as a leader, from about the mid-1950s trumpeter and multi-instrumentalist George Dixon stopped playing full-time, though he continued to play occasionally up until his death on August 1, 1994.
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Requisites
Yardbird Suite ~ Frank Morgan Quartet | By Eddie Carter
A few evenings ago, I spent the time listening to a few saxophonist albums, and one in particular inspired thismorning’s discussion. I first heard Yardbird Suite (Contemporary Records C-14045) by the Frank Morgan Quartet on WNOP 740 AM, Cincinnati, Ohio’s then jazz station, when I lived there, and I forgot what an entertaining record it was. Recorded and released in 1988, it was my introduction to alto saxophonist Frank Morgan and was his seventh as a leader. On this homage to both bebop and Charlie Parker, Morgan is joined by an outstanding supporting cast: Mulgrew Miller on piano; Ron Carter on bass; and Al Foster on drums. The copy I own is the original U.S. Stereo Release.
The album opener is the title tune, Yardbird Suite by Charlie Parker. Mulgrew’s happy introduction sets the stage for the quartet’s lively melody. Frank opens with a splendid study of soulful improvisation, then Mulgrew relishes every moment of the following statement. Ron takes a short walk through the third reading, and Frank and Al share a brief conversation ahead of the group’s reprise and dead stop. The group maintains its swinging momentum with Night In Tunisia by Dizzy Gillespie and Frank Paparelli. Morgan takes the lead with a spirited solo, then Miller responds with a sizzling interpretation propelled by Carter and Foster into the theme’s restatement and soft summation.
Billie’s Bounce by Charlie Parker is taken at a medium pace and affords everyone solo space. The trio introduces the song, segueing into Frank's melody. Mulgrew leads the way with a vibrant performance. Frank soars joyously into the second solo, then Ron walks with spirit and vitality next. Frank and Al engage in a short exchange of ideas before the foursome’s closing chorus takes it out. Side Two opens with Star Eyes by Gene de Paul and Don Raye. The trio’s warmth and charm in their introduction lead to Morgan’s relaxed, mellow melody. He continues building the opening solo smoothly. Miller develops the following reading with finesse before the song concludes on an uplifting note.
The beat moves upward for Scrapple From The Apple by Charlie Parker, with the rhythm section’s introduction to Frank’s spirited theme. He then launches into the opening solo aggressively. Mulgrew takes over and hits an ideal groove in the following reading, then both soloists share a scintillating dialogue of musical ideas before the theme returns and the song ends. Skylark by Hoagy Carmichael and Johnny Mercer is one of the few songs Parker didn’t record during his lifetime. The quartet pays homage to the standard, beginning with the trio’s tender introduction to Morgan’s gorgeous melody. As the song’s only soloist, he creates an elegantly thoughtful interpretation ahead of the theme’s gentle reprise and close.
Orrin Keepnews produced Yardbird Suite, and Danny Kopelson was behind the recording console for this session. George Horn mastered the album, and it was recorded to and mastered from digital tape, using the Mitsubishi X-80 digital tape recorder. The album’s sound quality is superb, placing the musicians in the sweet spot of your listening room with a tremendous soundstage across the highs, midrange, and low end. If you’re in the mood for bop and are a fan of the alto saxophone, I invite you to check out Yardbird Suite by the Frank Morgan Quartet on your next record store visit. It’s an enjoyable album of great music by one of the jazz saxophonists, in my opinion, deserving of greater recognition!
~ Skylark, Star Eyes – Source: JazzStandards.com
© 2026 by Edward Thomas Carter
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GRACE KELLY
You loved her before, so we’re bringing her back. Grace Kelly is an unequivocal musical prodigy, singer-saxophonist-songwriter-composer, and band leader. She has rocked the jazz world with her joyous sold-out concerts, acclaimed albums and a resume that includes performing at the Hollywood Bowl and as part of the house band for “The Late Show with Stephen Colbert” – all before reaching her mid-twenties.
Kelly has performed and recorded with renowned artists including Lin Manuel- Miranda, Dave Brubeck, Phil Woods, Huey Lewis, Harry Connick Jr., Gloria Estefan, Questlove, and Wynton Marsalis. It will be an evening of joy-filled jazz!
Tickets: $76.70
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