LANGSTON HUGHES & HIS QUARTET
Experience an unforgettable evening of modern jazz with saxophonist Langston Hughes IIand his Quartet. Rooted in gospel and shaped by the rich traditions of jazz, Langston’s music is a soulful, high-energy journey through sound, storytelling, and spirit. With a style that is both deeply expressive and rhythmically driven, the quartet delivers performances filled with passion, beauty, and joy.
Hughes is an accomplished saxophonist, woodwind doubler, composer, and educator, rapidly emerging as one of the most exciting young voices in jazz today. Originally from the Washington, D.C. area, Langston began his musical journey in the Prince George’s County public school system before studying at Howard University under the mentorship of Charlie Young III and Cyrus Chestnut. He recently earned his Master’s degree in Jazz Studies from The Juilliard School. Langston has toured with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, performs with Cyrus Chestnut, Rufus Reid, and is a member of Ulysses Owens Jr.’s Generation Y Band.
Langston is also an in-demand woodwind performer on and off Broadway, with recent credits including A Wonderful World: The Louis Armstrong Musical and Just in Time: The Bobby Darin Story. A former Strathmore Artist in Residence and a graduate of the Kennedy Center’s Betty Carter’s Jazz Ahead, he is also a dedicated educator, teaching privately and through FAME, committed to uplifting the next generation of artists.
Langston Hughes II ~ saxophone
Robert Papachica ~ guitar
William Hill III ~ piano
Eytan Schillinger-Hyman ~ bass
Quincy Phillips ~ drums
Tickets: $35.00 ~ $40.00 +fee
Streaming: $15.00 +fee
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BRAXTON COOK
Maryland’s own Braxton Cook is an Emmy Award-winning, two time Grammy Award winning, NAACP Image Award-nominated artist, known for his world-class skills as an alto saxophonist, vocalist, songwriter, producer and composer. With a blend of jazz, soul, and alt-R&B, he has carved out a unique, melodic sound that has made him one of the most exciting voices of his generation. A Juilliard-trained, genre-jumping artist whose music feels both contemporary and timeless, Braxton studied saxophone under the renowned Paul Carr. During this time, Braxton was selected as a semi-finalist in the Thelonious Monk International Jazz Saxophone Competition.
He has performed on major stages around the world, from Coachella to international jazz festivals, and collaborated with artists like Rihanna, Solange, Christian McBride Big Band, Tom Misch, Christian Scott, Marquis Hill, and Jon Batiste, performing on his soundtrack for Pixar’s Oscar-winning film, Soul. His albums garner critical acclaim from outlets like Billboard, BET, NPR Music, FORBES, and The Washington Post, cementing Braxton as both a “jazz marvel” and a cultural influencer shaping modern music. His newest album, Not Everyone Can Go, drops August 29th. Musically, the album conjures images of bright evening sunshine, when the temperature begins to cool.
Braxton Cook ~ saxophone & vocals
Mike King ~ keyboards
Paul Reinhold~ bass
Curtis Nowosad ~ drums
Tickets: $35.00 ~ $40.00 +fee
Streaming: $15.00 +fee
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Requisites
Nights At The Keystone ~ Dexter Gordon | By Eddie Carter
Dexter Gordon’s return to the United States generated significant excitement among his fans. After his triumphant return to the Village Vanguard and his 1976 performance, which produced the album Homecoming, he began touring regularly. This morning’s album from the library features the tenor saxophonist and his quartet at one of San Francisco’s notable jazz clubs. Nights At The Keystone (Blue Note BABB-85112) is a two-record set documenting his performances over several nights in 1978 and 1979 at the Keystone Korner. George Cables on piano, Rufus Reid on bass, and Eddie Gladden on drums round out the group. The copy I own is the 1985 U.S. stereo release.
The album opens with the quartet’s tender rendition of Sophisticated Lady by Duke Ellington. Dexter introduces the song with a dreamy melody, which he sustains with remarkable sensitivity in his opening statement. George’s subsequent solo evokes a bygone era of innocence and joy. Dexter returns to add a few final gentle thoughts before the closing ensemble and audience’s applause. Gordon speaks to the audience and introduces It’s You or No One by Jule Styne and Sammy Cahn. The quartet launches into a spirited theme, then Gordon takes charge on the first solo, soaring into the stratosphere. Cables tackles the following solo at a brisk pace, then Gordon trades lively choruses with Gladden, paving the way for a swift return to the theme and a spirited finish.
The rhythm section opens Dexter Gordon’s Antabus with an energetic introduction. The quartet then is off to the races with a brisk melody. Dexter ignites the opening interpretation with fiery tenor saxophone lines. George continues cooking with agility in the following statement, then Dex takes the reins again briefly before the quartet takes the song out. Easy Living by Ralph Rainger and Leo Robin comes from the 1937 film of the same name and slows the ensemble down for the pianist’s introduction, segueing to the quartet’s gentle theme. Dexter’s opening statement is sure to melt all the tension in your body away with delicacy and tender warmth. Cables responds with a deceptively elegant approach that picks up the pace to midtempo ahead of Gordon’s return for the theme’ restatement and ending.
The tempo moves upward again to begin side three with the quartet’s lively version of Tangerine by Johnny Mercer and Victor Schertzinger. The rhythm section provides a lush foundation for Dexter’s melody to flow comfortably at an easy beat. Dexter takes the spotlight first with a down-home, soulful flavor that swings from the first note to the finale. George has the next spot and makes his presence felt preceding the closing chorus. More Than You Know by Vincent Youmans, Edward Eliscu, and Billy Rose begins with the group’s elegantly graceful introduction and melody. Gordon again shows off his sentimental side with a hauntingly tender lead solo. Cables steps up next for a short, serene statement that builds as it unfolds. Gordon has the final say ahead of the group’s gorgeous finale.
Side Four concludes the album with Come Rain or Come Shine, by Harold Arlen and Johnny Mercer, giving everyone a lengthy solo. The quartet’s medium tempo sets the song’s introduction and opening chorus in motion. Dexter is up first with a neatly paced stroll, then George delivers a splendid performance. Rufus walks with a soulful groove next, and Dexter and Eddie engage in a brief exchange before the quartet’s return and finale. Todd Barkan produced Nights at the Keystone, and Rich McKean managed the recording console. Malcolm Addey was the mixing engineer, and Rudy Van Gelder mastered the album.
The sound quality of this live album is exceptional, truly capturing the ambiance of Keystone Korner and offering an impressive soundstage that highlights The Dexter Gordon Quartet at their finest. If you’re searching for a top-notch live performance by one of jazz’s legendary tenor saxophonists, Nights at the Keystone by Dexter Gordon is well worth checking out during your next visit to the record store. It spotlights the tenor saxophonist in peak form, blending technical brilliance, improvisational flair, and deep musical chemistry throughout the set!
~ Homecoming (Columbia PG 34650) – Source: Discogs.com ~ Come Rain or Come Shine, Easy Living, More Than You Know, Tangerine – Source: JazzStandards.com © 2026 by Edward Thomas Carter
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Daily Dose Of Jazz…
Maceo Parker was born February 14, 1943 in Kinston, North Carolina and was exposed to music early in life within his family and learned to play the saxophone. He and his brother Melvin, who played drums, joined James Brown in 1964 a relationship that lasted for six year before he left with Melvin and a few other Brown band members to form Maceo & All The King’s Men in 1970.
By ’74 he was back with Brown, charted a party single with Maceo & The Macks, joined Parliament-Funkadelic in the late 70s into the 89s, and then returned once again to James Brown for four years late in the decade. In the 1990s, Parker began his successful solo career releasing ten albums and performing 100 to 150 dates a year.
He has guest appeared on a variety of group’s albums and concerts and turning to jazz recorded “Roots & Grooves” with the WDR Big Band to critical acclaim as a tribute to Ray Charles. The album won a Jammie for best Jazz Album in 2009.
In October 2011 soul jazz saxophonist Maceo Parker was inducted into the North Carolina Music Hall of Fame. He continues touring throughout the world, headlining the major Jazz Festivals in Europe where his following is at its strongest.
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Daily Dose Of Jazz…
Steve Wilson was born February 9, 1961 in Hampton, Virginia. As a teenager, Wilson played in various R&B and funk bands and after a year of playing with Stephanie Mills he attended Virginia Commonwealth University. By 1987 he moved to New York, where he established himself as a sideman performing with American Jazz Orchestra, the Mingus Big Band and the Smithsonian Jazz Orchestra among others.
Wilson toured Europe in 1988 with Lionel Hampton and was a member of “Out Of The Blue”, an ensemble featuring young Blue Note musicians. An accomplished flautist and alto and soprano saxophonist, he also plays the clarinet and piccolo and has played and recorded with the Dave Holland Quintet, the Chick Corea Origin Sextet, with Japanese composer Yoko Kanno, has been a member of the Seatbelt’s New York Musicians, the Blue Note 7 and has performed as a soloist for Queen Elizabeth II and Prince Philip.
In 1997 he formed the Steve Wilson Quartet and has performed together for over a decade and produced two CDs. He also heads a larger ensemble, Generations, which performs jazz classic and original compositions.
He has held teaching positions in several schools and Universities, as well as holding jazz clinics, notably at the Manhattan School of Music, SUNY at Purchase, Columbia University, has been artist-in-residence at Hamilton College, Old Dominion and University of North Carolina and continues to maintain a busy career as a session musician both in studio and on tour.