Requisites
Sphere On Tour ~ Sphere | By Eddie Carter
This morning’s album from the library is a 1985 live recording by the bop quartet Sphere. Sphere on Tour (Red Record VPA 191) was the first of two live dates in their small discography and one of two records they recorded for the Italian label. Sphere took the pianist’s middle name and was originally formed to honor Thelonious Monk’s legacy after his death. The quartet quickly broadened its focus by recording albums that also featured its own original compositions. The group consists of two former members of Monk’s group, tenor saxophonist Charlie Rouse and drummer Ben Riley, and is anchored by pianist Kenny Barron and bassist Buster Williams. The copy I own is the 1986 Italian stereo release.
Dual Force by Buster Williams opens the set with the foursome’s lively melody setting the tone. Kenny gets things started with a spirited lead solo, then Charlie wails enthusiastically in a lengthy performance. Buster takes a short, scintillating statement leading to the theme’s restatement and an upbeat finish. Beautiful Friendship by Donald Kahn and Stanley Styne slows the pace when the rhythm section’s pretty introduction moves to an upbeat theme when Charlie enters. Kenny is up first to give a charming solo, then Charlie cooks at an easy groove next. Buster evokes a sense of intimacy in a short statement, and Ben has the last word before the theme returns and the song ends softly.
Scratch by Kenny Barron begins with the foursome’s offbeat introduction and melody. Charlie’s opening statement pushes his solo to the outer limits of musical boundaries. Kenny follows with a bit of quirky fun, then Buster takes an interesting walk, preceding the quirky theme reprise and abrupt stop. Tayamisha by Buster Williams starts Side Two at midtempo with the bassist’s introduction to the opening ensemble. Charlie leads the way with a smoothly flowing interpretation. Kenny comes in next for a delightful display of evident pleasure, then Buster takes us home in a short walk of consummate ease ahead of the quartet’s theme restatement and ending.
Up next is Spiral by Kenny Barron. Kenny brings the song to life, segueing into the quartet’s melody. Charlie sets the tone in the first solo with warmth, deep conviction and melodic beauty. Kenny follows with an exquisite, elegant statement, then Buster communicates his heart before the foursome regroups for the theme’s return. To conclude the album, the quartet dresses up one of Thelonious Monk’s most popular tunes, Well, You Needn’t, mistakenly listed as “Will, You Needn’t,” with a spirited introduction by Riley and the rhythm section, ahead of the ensemble melody. Charlie is off to the races with an intense drive. Kenny builds upon his solo with a steady attack, then Buster takes a short, swift walk leading back to the ending theme, band introductions and a pleasant goodnight to the audience.
Sphere on Tour was produced by Red Records co-founders Alberto Alberti and Sergio Veschi. Gianni Grassilli was the recording engineer, and the album’s sound quality is superb, with a soundstage that transports the listener to the audience as the musicians perform. The original group, consisting of Rouse, Barron, Williams, and Riley, recorded six albums from 1982 to 1988. They disbanded briefly after Rouse’s death, then made one final album with Gary Bartz in 1997. If you’re in the mood for live bop from a fabulous quartet who effortlessly blend innovation and tradition, I invite you to check out Sphere on Tour on your next record shopping trip. It’s a terrific introduction to their music collectively and might become a welcome addition to your jazz library!
~ A Beautiful Friendship, Well, You Needn’t – Source: Wikipedia.org
© 2026 by Edward Thomas Carter
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Daily Dose Of Jazz…
Charles Ables was born on July 23, 1943 in Mississippi and started out on his musical career playing the guitar. He worked with Ray Charles prior to switching to bass to become a member of the Shirley Horn Trio in the early Eighties. He would tour the world and record with her on Steeplechase and then Verve record labels over the next three decades
Ables is heard on guitar as well as bass on several of these, including You Won’t Forget Me, which featured guest contributions from both Miles Davis and Wynton Marsalis, Light Out of Darkness, Horn’s tribute to Ray Charles, I Thought About You, Close Enough For Love, Here’s To Life and the Grammy-winning I Remember Miles.
As well as accompanying Shirley Horn, Charles is heard with the trio on Carmen McRae’s last album in 1990, Sarah – Dedicated to You, in which Horn is featured in her often forgotten role as a pianist. He recorded in similar circumstances with Toot Thielemans on his album For My Lady, with Joe Williams and as a leader.
Bassist and guitarist Charles Ables passed away on October 8, 2001 in Washington, D. C.
Requisites
Something in Common ~ Houston Person and Ron Carter | By Eddie Carter
After a challenging day and an exhausting week, I was looking for something gentle to help me unwind and restore my energy. This morning’s discussion, submitted for your approval, came after I listened to a few duet releases in my library and features two of my favorite musicians, Houston Person and Ron Carter. Something in Common (Muse Records MR 5376) is a digital recording pairing the tenor saxophonist and bassist in a thoroughly enjoyable program of cool jazz, one of my go-to albums for soothing my senses. The copy I own is the 1990 U.S. stereo release.
The opener, Blue Seven by Sonny Rollins, gets things off to a good start with Houston’s big-toned, warm, relaxed melody and Ron walking beside him with a perfect bass rhythm. Houston catches sunlight in the opening solo, using a subtle tone that builds into a textbook performance. Ron walks comfortably at an easy pace into the theme’s reprise and climax. I Thought About You by Jimmy Van Heusen and Johnny Mercer begins with the duo handling the melody as if sharing a personal secret with the listener. Ron is the featured soloist here, expressing his feelings with tenderness and sentimentality through the duo’s restatement of the theme and compassionate finale.
Mack The Knife by Kurt Weill, Marc Blitzstein, and Bertolt Brecht is a jazz classic from the twenties, and the duo puts a lively, fresh take on the opening chorus. Houston captures the spirit of this timeless tune with a wonderfully inventive first performance. Ron thoughtfully makes every note shine in a charming solo, leading smoothly into Houston’s beautifully crafted postscript that guides us into the closing chorus. Clifford Brown’s Joy Spring begins with the duo’s relaxed, easygoing theme, inviting Ron to stroll confidently through the opening statement. Houston responds with a warm, laid-back interpretation before the melody makes its lovely return.
Good Morning Heartache by Ervin Drake, Dan Fisher, and Irene Higginbotham is one of the album’s definitive highlights. Houston treats the melancholy theme as a story, shaping each verse of the song’s only solo, with Ron supporting him effortlessly until the tender reprise and ending. The beat moves upward for Anthropology by Charlie Parker, and the melody unfolds with relaxed assurance from two masters with nothing left to prove. Houston’s opening solo flows seamlessly through every phrase. Ron puts an indelible stamp on the closing statement, and the theme’s restatement concludes perfectly.
Once In A While by Michael Edwards and Bud Green closes the album on a warm, gentle note, opening with Houston and Ron’s beautiful, dreamy melody. Ron takes a walk through the song’s only interpretation as it builds toward the duo’s tender reprise and climax. Houston Person and Ron Carter produced Something in Common with Rudy Van Gelder handling the recording console. The album has a beautiful soundstage and is a joy to listen to from start to finish. If you’re in the mood for a terrific album that’s especially enjoyable any time of day or night, I invite you to check out Something in Common by Houston Person and Ron Carter on your next record-shopping trip. It’s a terrific album by two jazz masters, and a title I’m sure you won’t be able to listen to just once!
~ I Thought About You, Mack The Knife, Once In a While – Source: JazzStandards.com
~ Anthropology, Good Morning Heartache, Joy Spring – Source: Wikipedia.org
© 2026 by Edward Thomas Carter
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NAT REEVES SEXTET
Nat Reeves brings his sextet to The Side Door, the same all-star group from his new album Now in Time. For over 40 years, Nat Reeves has been one of the most respected bassists in jazz. Early in his career he performed with Jackie McLean, Benny Golson, Donald Byrd, Art Taylor, Mulgrew Miller, Kenny Kirkland, and Kenny Drew. He became a longtime member of Kenny Garrett’s group beginning in 1994, and has worked and recorded with Pharoah Sanders, George Coleman, Harold Mabern, George Cables, and Joe Farnsworth, among many others. He has released three albums as a leader, State of Emergency, Blue Ridge, and now Now in Time, released April 17, 2026 on Cellar Live.
Now in Time brings together an extraordinary lineup spanning multiple generations of jazz, twelve tracks running just over an hour that move comfortably between Reeves’ own original compositions and a thoughtful selection of standards, including “On Green Dolphin Street,” “Alice in Wonderland,” and a tribute to Marvin Gaye with “The Creator Has a Master Plan.” Throughout the record, Reeves’ bass acts as a quiet narrator, steering the music’s direction with the kind of unhurried confidence that comes from four decades on the bandstand. Critics have praised the album as a recording that rewards close, attentive listening, one that resists the pace of casual consumption and instead invites listeners to settle into a long evening built on the trust and shared musical language of these six players.
T
his is a rare chance to hear the album’s celebrated lineup perform the music live, in an intimate setting.
The Band:
Nat Reeves – Bass
Eric Alexander – Tenor Saxophone
Steve Davis – Trombone
Eddie Henderson – Trumpet
Caelan Cardello – Piano
Jeff “Tain” Watts – Drums
Cover: $38.57
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BENITO GONZALEZ TRIO
Two-time Grammy nominee Benito Gonzalez is joined by legends Buster Williams and Lenny White.
Born in Maracaibo, Venezuela, Benito Gonzalez grew up immersed in traditional Venezuelan folk music before discovering jazz through the playing of Herbie Hancock, McCoy Tyner, Chick Corea, and Keith Jarrett, an early inspiration that shaped his powerful, Afro-Latin-infused approach to the piano. Gonzalez made his way to the United States by a serendipitous route, an American cultural ambassador caught one of his trio gigs and later invited him to Washington, D.C.
He went on to play with Jackie McLean in 2003, then spent nearly seven years touring with Kenny Garrett’s quartet, earning two Grammy nominations for the recordings Seeds from the Underground and Pushing the World Away. In 2019 he joined NEA Jazz Master and Coltrane protégé Pharoah Sanders as pianist and musical director. A 2005 winner of the Great American Jazz Piano Competition and a Steinway artist since 2020, Gonzalez has shared the stage with Dave Liebman, Roy Hargrove, Christian McBride, Nicholas Payton, Al Foster, and many others.
Joining him are two of the most legendary rhythm section players in jazz history. Bassist Buster Williams has anchored some of the most important recordings and bands of the past six decades, from Herbie Hancock and Miles Davis to McCoy Tyner and Ron Carter, and remains one of the most revered bassists in the music. Drummer Lenny White, a member of the original lineup of Return to Forever and a Grammy-winning legend in his own right, brings a depth of groove and history matched by few. Together, this trio represents three generations of jazz mastery converging in one room.
The Band:
Benito Gonzalez – Piano
Buster Williams – Bass
Lenny White – Drums
Cover: $38.57
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