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Larry Young was born on October 7, 1940 in Newark, New Jersey. He played the organ with various R&B bands in the 1950s before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. He began recording as a leader for Prestige from 1960, making a number of soul-jazz discs, Testifying, Young Blues and Groove Street.

Larry moved to Blue Note in 1964, his music began to show the marked influence of John Coltrane and during this period, he produced his most enduring work. He recorded many times as part of a trio with guitarist Grant Green and drummer Elvin Jones. Into Somethin’ with saxophonist Sam Rivers became Young’s Blue Note debut, though 1965’s Unity remains his best-known album featuring Joe Henderson and a young Woody Shaw.

 Young’s subsequent Blue Note albums like Contrasts, Of Love and Peace, Heaven On Earth and Mother Ship drew on elements of the ’60s avant-garde, and utilized local Newark musicians. He then became a part of some of the earliest fusion experiments: first in “Lifetime”, then “Emergency!” with Tony Williams and John McLaughlin, and also on Miles Davis’s Bitches Brew. Branching out, Larry was also known to rock fans for a jam he recorded with Jimi Hendrix on the album Nine to the Universe.

Organist Larry Young, also known as Khalid Yasin (Abdul Aziz), who pioneered a modal approach and whose characteristic sound involved management of the stops on the Hammond organ, producing overtone series that caused an ethereal, drifting effect; a sound that is simultaneously lead and background, passed away on March 30, 1978 in New York City.

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