Daily Dose Of Jazz…
Mayuto Correa was born March 9, 1943 in São Gonçalo, Rio de Janeiro, Brazil and began playing in local bands from the age of twelve when he became a member of the big band Rapazes da Alvorada. At age 16 he formed the ensemble Samba Show with musicians from Niterói and made several recordings for the CBS label with them.
In the 1960s Correa was the artistic director of Pontifical Catholic University of Rio de Janeiro where he wrote and directed several plays. During this time, he also made several recordings in Brazil and worked as the musical director for the shows of Maria Bethânia, Elza Soares, and Eliana Pittman as well as playing in Roberto Carlos’s ensemble RC-7 and performing in Chacrinha’s television shows.
Leaving Brazil for Mexico in 1969 he worked with the Brazilian bossa nova group Tamba 4 before moving to the United States. Establishing himself as a musician in Los Angeles, California in the early 1970s, Mayuto became a vital session player in hundreds of major and minor albums taped in the city by 1977.
Some of the artists he recorded with are Howard Roberts, Charles Lloyd, Nat Adderley, Cannonball Adderley, Cal Tjader, Miriam Makeba, Gábor Szabó, Gato Barbieri, Kenny Burrell, Moacir Santos, Donald Byrd, Henry Mancini, Jon Lucien, Freddie Hubbard, and Richard “Groove” Holmes, among numerous others.
During that period he toured with many of the artists and became the record producer for the Argentine group Arco Iris. He returned to Brazil in 1972 when he toured with Carlos Santana and again in 1979 when he appeared on the Rede Globo television show Sexta Super.
Among his compositions is the soundtrack for the 1979 documentary Homeboys depicting Chicano youth gang culture in East Los Angeles, California. In the later years of his career, Correa performed with his bands Mayuto & Genuises 2000, Mayuto & The Dream Team Big Band, and Mayuto & Samba Pack.
Mayuto Correa continues to perform, record and tour.
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Daily Dose Of Jazz…
Celia Malheiros was born on October 2, 1960 in Rio de Janeiro, Brazil and from early childhood she was immersed inthe world of Candomblé, an Afro-Brazilian religion. She was introduced to the schools of samba, bossa nova, choro, baião, frevo and indigenous music, as well as Tropicália and political revolutionary movements.
By 18 she was completely supporting herself through music she composed, playing at festivals, theatrical productions, nightclubs, radio and TV shows. She scored films, taught music and led bands to perform her music.
Moving to the U.S. she settled in San Francisco, California where she performed and competed in street carnaval, winning numerous awards. Malheiros spent thirteen years as the music director, arranger and performer with the Brazilian All Star Big Band with Elza Soares, Emilinha Borba and Walter Wanderley. She went on to tour the U.S. opening for the likes of Tony Benett, the Modern Jazz Quartet, Santana and Ray Charles.
Touring internationally as a solo artist and leading her band tRIO, she has accepted commissions by the Wheaton College Choir and the Akat Dance Company. Celia lectures, holds clinics and master classes around the world. She has been a composer in residence at the OMI International Music Program in New York City and artist in residence twice at Massachusetts’ Wheaton College.
Ever vigilant about bringing awareness to the plight of the Amazon’s indigenous and forest, her latest album is also a one woman show. She has more than 50 musicians on each of her albums. Vocalist Celia Malheiros is writing her memoirs.
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