Daily Dose Of Jazz…
Ali Haurand was born Alfred Josef Antonius Haurand on November 15, 1943 in Viersen, Germany. After an apprenticeship as a confectioner and a business manager, he studied from 1966 to 1973 at the Folkwang School and the Rhineland Music Academy. He initially played with his own trio and from 1967 in the trio and quintet of pianist George Maycock. In 1968 he also toured with Philly Joe Jones, Jacques Pelzer, René Thomas and Jan Huydts.
He performed with Ben Webster, Don Byas, John Handy, Bobby Jones and Wilton Gaynair. This was followed by his own groups, Third Eye, the European Jazz Quintet with Leszek Zadlo, Gerd Dudek, Alan Skidmore and Pierre Courbois. Together with Alan Skidmore and Tony Oxley, they formed the trio SOH. Haurand played with his long-time companions, the saxophonist Gerd Dudek and the pianist Rob van den Broeck, in the formation The Trio.
Since 1982, the European Jazz Ensemble, which he formed out of the European Jazz Quintet with varying lineups that included Allan Botschinsky, Stan Sulzmann, Joachim Kühn and Daniel Humair. In the 2000s, he took part in several jazz and poetry projects.
For decades he was a presenter and consultant to the WDR television jazz editorial team, and for twelve years he was artistic director of the Düsseldorf Jazz Rally. From 1987 he was the founder, director and organizer of the Viersen Jazz Festival until 2014. For over 20 years he organized the jazz concerts in the Süchtelner Weberhaus.
Double bassist and bandleader Ali Haurand, who was also a television presenter, music producer and festival manager, died on May 28, 2018.
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Daily Dose Of Jazz…
Jacques Butler was born on April 29, 1909 in Washington, D.C. but didn’t pick up the trumpet until his late teens. He began playing professionally with Cliff Jackson and Horace Henderson in New York City, then joined Marion Hardy’s Alabamians in 1931 for a year.
Leading his own ensemble in New York and touring from 1934-1935, Jacques also made recordings with Willie Bryant before relocating to Europe in 1936, where the two performed together until 1939. During that period he played with Frank “Big Boy” Goudie as well as with his own bands. He would tour Scandinavia before WWII and in 1940 he became well known in the Norwegian jazz community, and while visiting Oslo he recorded one 78 rpm. Returning to New York City that same year he played and recorded with Mercer Ellington, Art Hodes, Mezz Mezzrow, and Bingie Madison.
After a brief stay in Toronto he moved back to Europe in 1950, remaining there until 1968 as a regular at the La Cigale club in Paris, France. He appeared in the 1961 Paul Newman/Sidney Poitier film Paris Blues. In the 1970s he came home to the States and was seen working often in New York City, as a sideman with Clyde Bernhardt among others, and in the studio.
Trumpeter and vocalist Jacques Butler, who was sometimes listed as Jack, died in 2003. The date of his death is unknown.
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Daily Dose Of Jazz…
Eldon Payne was born in Morristown, Tennessee on April 25, 1957. He graduated cum laude from the University of Tennessee in Knoxville with a B.S. in Business Administration in 1979. Then he moved to Tampa, Florida in the spring of 1980.
Retiring from Delta Air Lines with twenty five years of service in 2008, Eldon performed during that period with the University of Tennessee Campus Band, Tampa Bay Buccaneer Band, Shades of Blue, Boulevard Jazz Orchestra, The Mostly Pops Orchestra, Helios Jazz Orchestra, Cigar City Big Band, Swing Sound Orchestra, Frankie D. New York Orchestra, Clearwater Community Jazz Band, Sun City Center Big Band, George Carroll Big Band, Gulf Bay Big Band, Ten O’clock Big Band, Frank Parsons Band, Ed Geimer Big Band, Encore IV Big Band, and The Sarasota Jazz Project.
Over the course of his career Payne has performed at several Florida clubs and festivals as well as backing the likes of Margo Rey, Denise Moore, Kathy Kosins, Michael Lynche, Bryan Hughes, Lorri Hafer, Chuck Wansley, Whitney James, Alexis Cole and the late Kevin Mahagony.
Trombonist Eldon Payne, who never recorded as a leader, continues to perform and record as a sideman and studio musician.
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Daily Dose Of Jazz…
Tony Fruscella was born February 4, 1927 in Orangeburg, New York and grew up in Greenwich Village, Manhattan, New York. He played in an Army band early in his career. He worked as a sideman in the 1950s for Charlie Barnet, Lester Young, Gerry Mulligan, and Stan Getz.
He played with Don Joseph later in the 1950s, but by the early 1960s his problems with drug abuse and alcoholism prevented him from performing. Fruscella released one album, I’ll Be Seeing You in 1955, as a leader during his lifetime. It was recorded with Allen Eager and Danny Bank for Atlantic Records.
He married singer Morgana King, however it ended in divorce after nine years. Trumpeter Tony Fruscella died on August 14, 1969 at 42 years old.
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Daily Dose Of Jazz…
Claude Ranger was born in Montréal, Canada on February 3, 1941 and studied drums briefly with several teachers and arranging with Frank Mella. Beginning his career with Montréal show bands, he was a leading figure among the city’s jazz musicians by the mid-1960s.
A sideman to Lee Gagnon, Pierre Leduc, and Ron Proby among others, Claude led the bands heard on the CBC’s Jazz en Liberté. He was a member of Aquarius Rising with Brian Barley, Michel Donato and Daniel Lessard from 1969 to 1971. Moving to Toronto, Canada he lived there for fifteen years beginning in 1972. It was here that Claude was a member of the Moe Koffman Quintet and accompanied Canadian and U.S. musicians when they came through the city, such as, Lenny Breau, George Coleman, Larry Coryell, Sonny Greenwich, James Moody, Doug Riley, Don Thompson, and Phil Woods.
His own bands appeared at the Music Gallery, Jazz City, the Festival International de Jazz de Montréal (FIJM) and the Ottawa International Jazz Festival. A Ranger quintet was a finalist in the 1986 FIJM, receiving a special jury citation for his drumming. Relocating to Vancouver, Canada he served as a mainstay of the du Maurier International Jazz Festival, again as an accompanist to Canadian and U.S. musicians and as a leader of his own groups.
West Coast musicians Ron Samworth, Clyde Reed, Bruce Freedman and drummer Dylan vander Schyff also influenced Claude’s career. He was considered a jazz musician and drummer with natural swing, in the bebop-based tradition of Max Roach. Displaying great stamina, he sometimes worked against the grain of jazz in Canada. His ensembles ranged from a trio to the 15 and 19-piece Jade Orchestra that debuted at the 1990 Vancouver festival.
Ranger played a role in Canada similar to the one created by Art Blakey in the US – that of a veteran musician whose bands served as an important platform for the development of younger players. His discography included recordings by Allen, Barley, Breau, Gagnon, Greenwich, Koffman, Riley, Thompson, Jane Bunnett, P.J. Perry, Herb Spanier, Michael Stuart, and U.S. musicians Dave Liebman, and Michael Munoz.
Drummer, composer, arranger, and teacher Claude Ranger continues to pursue his career in music.
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