Daily Dose Of Jazz…
Ove Johansson was born on December 3, 1936 and didn’t start playing the tenor saxophone until the age of 13. However, he gave the clarinet a chance for a couple of years. Very early in his career he got into a professional jazz group playing before starting his own groups where he spent most of the time as a band leader.
For a short period Ove was a sideman with Swedish saxophonist Lars Gullin. From 1972 to 1994 he was a teacher of saxophone, improvisation, ensemble and harmony at the School of Music, Gothenburg University. He went on to start his own small record label LJ Records in 1989 and recorded his own and new Scandinavian jazz music internationally.
The end of the Fifties saw Johansson leading his own groups and a driving force of the Swedish jazz scene. He was musical director of Mwendo Dawa. His musical work stretched from straight ahead, free form and electronic jazz to the acoustic and electro acoustical mix of today.
He toured Europe, North and South America, and China, with Mwendo Dawa. He toured with the trio Natural Artefacts with performances both in the world of improvisation music as well as the world of electro acoustic music.
Tenor saxophonist and composer Ove Johansson, who produced 35 albums with his own material and with the group, died on December 25, 2015.
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Daily Dose Of Jazz…
Raymond Court was born on December 2, 1932 in Lausanne, Switzerland. He began playing trumpet in his late teens, but by age 20 was playing in Raymond Droz’s band from 1952 to 1956.
Later in the 1950s he played with Flavio Ambrosetti and Kurt Weil, and the early 1960s saw him with Daniel Humair, Martial Solal, and Rene Urtreger.
Starting in the mid-Sixties, he began concentrating on a new career in woodworking and cabinetry, but returned to music after about a decade. He recorded as a leader in the 1980s and with Weil again and Charly Antolini in the 1990s.
Trumpeter Raymond Court died March 03, 2012.
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Daily Dose Of Jazz…
Jimmy Lyons was born on December 1, 1931 in Jersey City, New Jersey and raised there until the age of nine, when his mother moved the family to Harlem and then the Bronx in New York City. In the mid-1940s he got his first saxophone and took lessons from Buster Bailey.
After high school he was drafted into the United States Army and spent 21 months on infantry duty in Korea before spending a year playing in army bands. Once discharged he enrolled at New York University but by the end of the Fifties, Lyons was supporting his music by working for the United States Postal Service.
1960 saw Jimmy followed Archie Shepp into the saxophone role in the Cecil Taylor Unit. His post-Parker sound and strong melodic sense became a defining part of the sound of that group, from the 1962 Cafe Montmartre sessions onwards. During the 1970s, he ran his own ensemble, with bassoonist Karen Borca and percussionist Paul Murphy and was part of the loft jazz movement.
Lyons’ group and Cecil Taylor Unit continued a parallel development throughout the 1970s and 1980s, often involving the same musicians, including trumpeter Raphe Malik, bassist William Parker and percussionist Murphy.
In 1976, Lyons performed in a production of Adrienne Kennedy’s A Rat’s Mass directed by Cecil Taylor at La MaMa Experimental Theatre Club in the East Village of Manhattan.
Alto saxophonist Jimmy Lyons, who recorded eight albums as a leader, twenty-nine as a sideman and performed in the free jazz genre, died from lung cancer at the age of 54.
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Daily Dose Of Jazz…
Michel Portal was born on November 27, 1935 in Bayonne, France into a musical family and home filled with several instruments growing up. His interest in jazz began after hearing it on the radio after World War II. He studied clarinet at the Conservatoire de Paris and conducting with Pierre Dervaux.
Gaining experience in light music with the bandleaders Henri Rossotti and with Perez Prado in Spain in 1958, Michel performed with drummer Benny Bennett, Raymond Fonsèque, Aimé Barelli and for many years, the singer Claude Nougaro.
Portal co-founded the free improvisation group New Phonic Art. During 1969, he played on a recording of Karlheinz Stockhausen’s Aus den sieben Tagen.
He began scoring music for films in the 1980s. He won the César Award for Best Music Written for a Film three times. Playing both jazz and classical music and is considered to be “one of the architects of modern European jazz.
Composer, saxophonist, and clarinetist Michel Portal continues to perform and record.
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Daily Dose Of Jazz…
Bill Allred was born in Rock Island, Illinois on November 19, 1936 into a family where his father played the Streckfus Steamboat lines on the Mississippi.
He formed a Dixieland band while still in high school. In 1954 he enlisted in the Navy, playing with Navy bands throughout his tour and was excited to be part of a big band for the first time. Returning home he married, pursued a regular career and continued to gig.
His big break came in 1970 when, out of 2500 auditioning musicians, he was chosen to be part of the Disney World Band on the park’s opening day in 1970. While at Disney he formed a trad band called The Reedy Creek Jazz Band. The band was noticed by Bob Snow, who recruited him to put together a show and band for the Rosie O’Grady’s Goodtime Jazz Emporium, that ran for 25 years.
In 1979, Bill formed the Continental Jazz Band for a Roaring Twenties club in Fort Lauderdale, Florida. “Auntie Mame’s” later won the Carbonell Award for Best Cabaret Show in South Florida.
Trombonist and bandleader Bill Allred, who was a vital component of the classic jazz scene in South Florida, died on February 1, 2024 at the age of 87.
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