Daily Dose Of Jazz…
Trilok Gurtu was born October 30, 1951 to Hindu Brahmin parents in Mumbai, India. His mother was a famous classical vocalist who encouraged him to learn to play the tabla. He attended Don Bosco High School in Mumbai and he received formal training in percussion from Shah Abdul Karim.
Gurtu began playing a western drum kit in the 1970s, and developed an interest in jazz. Not understanding overdubbing he learned multiple parts which most musicians would have never attempted. In the 1970s, he played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry.
In 1977 he recorded Apo-Calypso, an album by the German ethnic fusion band Embryo. His mother also sang on that record, and later joined him on his first solo CD, Usfret. The 1980s saw Trilok playing with Swiss drummer Charly Antolini and with John McLaughlin in McLaughlin’s trio. He joined Oregon and played on three of their records. In the early 1990s, he resumed his career as a solo artist and a bandleader.
By the end of the decade he was a member of Tabla Beat Science, collaborated with the Arkè String Quartet in 2007, and in 2012 with the electronic folk duo Hari & Sukhmani. He has worked with Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, Stefano Bollani and Robert Miles.
Drummer, percussionist, tabla player and composer Trilok Gurtu continues to compose, perform and record.
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Daily Dose Of Jazz…
Richard Bona was born Bona Penda Nya Yuma Elolo on October 28, 1967 in Minta, Cameroon. His family of musicians enabled him to start learning music from a young age. His grandfather was a griot and percussionist, as his mother was a singer. When he was four years old he started playing the balafon. At five he began performing at his village church, however, not being wealthy, he made many of his own instruments, flutes and guitars.
He began learning to play the guitar at the age of 11, and in 1980 at 13 he assembled his first ensemble for a French jazz club in Douala, Cameroon. The owner befriended him and helped him discover jazz starting with Jaco Pastorius, which inspired Bona to switch his focus to the electric bass.
Emigrating to Germany at the age of 22 he studied music in Düsseldorf, soon relocating to France, where he furthered his studies in music. While in France, he regularly played in various jazz clubs, sometimes with players such as Manu Dibango, Salif Keita, Jacques Higelin and Didier Lockwood.
He left France and established himself in New York City, playing bass guitar with Joe Zawinul, Larry Coryell, Michael and Randy Brecker, Mike Stern, George Benson, Branford Marsalis, Chaka Khan, Bobby McFerrin, and Steve Gadd, among others. In 1998, Bona was the Musical Director on Harry Belafonte’s European Tour.
His debut solo album, Scenes from My Life, was released in 1999. He has also been prominently featured in Jaco Pastorius Big Band albums. As an educator he held a professorship of jazz music at New York University. For five years beginning in 2015 he owned with restaurateur Laurent d’Antonio, the jazz club Club Bonafide in the city.
Bass guitarist, guitarist, percussionist and vocalist Richard Bona continues to compose, record and perform.
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Daily Dose Of Jazz…
Chris Karan was born Chrisostomos Karanikis on October 14, 1939 in Melbourne, Victoria, Australia. In the early 1960s he played in the Three Out Trio with Mike Nock and Freddy Logan in Sydney, Australia.
A move to London, England in 1962 saw him becaming the drummer in the Dudley Moore Trio. He toured and recorded with Moore for many years, including appearances on the TV series Not Only But Also and the soundtrack of the 1967 movie Bedazzled. Their association continued until Moore’s last major public appearance at Carnegie Hall in New York City in 2001.
Karan has worked with Michel Legrand, Lalo Schifrin, Charles Aznavour, the Swingle Singers, Quincy Jones, Herbie Hancock, Stanley Myers, Basil Kirchin, Tony Hatch, Jackie Trent, Jerry Goldsmith, Jerry Fielding, Pat Williams, André Previn, Richard Rodney Bennett, Barry Tuckwell, Carl Davis, Henry Mancini, the Beatles, the Seekers, Katie Melua and Roy Budd.
He toured with John Dankworth and Cleo Laine, the Bee Gees, Caterina Valente, Dusty Springfield, Lulu and the Yardbirds. He was a member of the Harry Stoneham group, which provided the musical backing for the Michael Parkinson shows on BBC-TV.
As a member of Roy Budd’s band, the Roy Love Trio, he performed on the Get Carter 1971 film soundtrack. He plays the tabla on some albums, having studied the instrument under the Indian musician Alla Rakha. He has recorded with Dudley Moore, Ronnie Scott, Teresa Brewer, Ian Carr, Ray Ellington, Stephane Grappelli, Cleo Laine, Oliver Nelson, among numerous others.
Drummer and percussionist Chris Karan, who at 84 years of age has recorded 84 albums as a sideman, continues to perform.
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Daily Dose Of Jazz…
Benoît Quersin was born in Brussels, Belgium on July 24, 1927 into a family with a classical tradition. He met personalities like the composer Béla Bartókor and the pianist Stefan Askenaseat at a very young age. Shortly before the war, he discovered jazz secretly in his bedroom while listening to the records of Fats Waller and Louis Armstrong, then Belgian jazz bandleader Fud Candrix.
His beginnings as a musician were with the kids in his Brussels neighborhood. At the Liberation, Quersin set up his first orchestra. In 1947 he hired Jean Thielemans, who later became known as Toots, with whom he played for some time. He abandoned the piano for the double bass and obtained his first engagements. Toots took him to the Paris, France festival at a time when the headliners were Charlie Parker and Miles Davis.
Moving to Paris in 1950 he played and recorded with Sidney Bechet, Lionel Hampton, Sarah Vaughan, Dizzy Gillespie, Chet Baker, Lucky Thompson, Zoot Sims, Lee Konitz, Jimmy Gourley, Blossom Dearie, Mary Lou Williams, Kenny Clarke, and Jonah Jones among others. The French musicians were Stéphane Grappelli, Maurice Vander, Barney Wilen, Henri Renaud, René Urtreger, Sacha Distel, and Martial Solal, the Belgians were René Thomas, Bobby Jaspar, Francy Boland, Leo Mouse, Jacques Pelzer, and Jack Sels.
Returning to Belgium in 1957 he opened a jazz club in Brussels, the Blue Note, where people like Lou Bennett, Jackie McLean, Martial Solalor and Marc Moulin. In 1961, Quersin became host of jazz programs on Belgium radio RTB and interviewed Charles Mingus, Thelonious Monk, Ray Charles, Fats Domino and John Coltrane. Late in life he became an ethno-musicologist, passionate about world civilizations and the music of West and Central Africa, and collected traditional music from the Mbam ethnic group inCameroon. He would go on tomove to Zaire, Democratic Reublic of Congo and release several albums of traditional instruments.
Double bassist Benoît Quersin, who was an important double bassist on the international jazz scene during the 1950s and Sixties, died on May 31, 1992 in Vaison-la-Romaine, France.
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Daily Dose Of Jazz…
Christiaan Herbert “Chris” Hinze was born June 30, 1938 in Hilversum, Netherlands. He initially performed publicly as a pianist until the mid-Sixtiess, when he began studying flute at the Royal Conservatory of The Hague and then came to America and Berklee College of Music.
As a pianist, he played with Boy Edgar until 1966, but by 1967 was playing flute professionally with the bassist Dick van der Capellen. His first releases as a leader were issued in 1969, and in 1970, and was awarded the Best Soloist prize at the Montreux Jazz Festival.
The 1970s saw him forming his own ensemble, the Chris Hinze Combination, which included Gerry Brown and John Lee, which produced some success with arrangements of Baroque music in a jazz setting. He founded the record label Keytone Records in the mid-1970s.
In the 1980s, Hinze played for several years in a duo with Sigi Schwab and continued touring with a new version of his Combination. He began studying the music of Tibet and South Asia in the middle of the decade, forming a world music ensemble which shifted toward more new age and electronic music styles rather than jazz.
Flautist Chris Hinze continues to compose and perform.
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