Daily Dose Of Jazz…

Tale Ognenovski was born April 27, 1922 in Brusnik, Bitola, Kingdom of Yugoslavia. He inherited his talent from his reed pipe great-grandfather Ognen and grandfather Risto and his father Jovan who played bagpipes. When he was seven he began playing on the reed pipe. With his father passing away in 1937 and when he was fifteen his grandmother gave him some money to buy his first clarinet.

During WWII he served as a Macedonian Partisan, Tale began playing clarinet at celebrations and concerts in villages and the town of Bitola with numerous musicians. For three years beginning in 1951 he worked as a member of the Police Wind Orchestra and from 1954 till 1956 he worked with the Public Town Skopje Orchestra.

1956 saw him performing to a capacity audienceat Carnegie Hall in New York City as a clarinet and reed pipe/recorder soloist of the Macedonian State Ensemble of Folk Dances and Songs. A seven year residency starting in 1960 had Ognenovski working with Radio Television Skopje. He went on to play in orchestras and ensembles that toured North America, and Europe.

HIs recordings were not singularly jazz, but included the works of Benny Goodman and Artie Shaw. Tale also recorded classical and folk dances, often interlinking the three genres. Alongside his son Stevan, they arranged for two clarinets the music of Mozart. He was the recipient of twenty-one prestigious awards, had several articles and was recognized as one of the top 100 clarinetists of all time.

Clarinetist Tale Ognenovski, who authored a book on Macedonia dance and was biographed by his son Stevan, died in Skopje, Macedonia on June 19, 2012.

Acquaint an inquisitive mind with a dose of a Brusnik clarinetist who is in the company of musical genius around the world as a member of the jazz canon…

Tale Ognenovski: 1922~2012 | Clarinet, Recorder

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Daily Dose Of Jazz…

Nino Frasio was born April 26, 1950 in Milan, Italy and his introduction in music was taken in 1964 as a guitarist and banjoist. He graduated in 1976 from the Universitá degli Studi of Milano and studied with professor Enea Vallesi. Like most  eenage players of the time he followed the Beatles craze, playing lead guitar where he also disastrously attempted to sing somewhat understandable English.

In 1969 he joined the Italian cast of Up With People! and played many performances on lead guitar and tenor banjo. Leaving the show in 1971, when he started his day job career, and since then has dedicated himself exclusively to classic jazz. His banjo studies had him discovering the other four string tuning and soon was doubling on tenor and plectrum banjo.

After performing on the national Italian TV network on a broadcast of Musica Insieme,  he founded the New Orleans styled Olympia Ragtime Band in 1972. a pure New Orleans style band in which he played banjo. Frasio left the band in the early ’80s and started a busy musical career as a free-lance performer with the many jazz bands active in Northern Italy. By 1973 he was enlisted in the Italian Air Force where he began the study of cornet and tuba. Post discharged he chose to play the tuba.

In 1984 Nino joined the Ambrosia Brass Band as a sousaphonist which gained a wide popularity all over Europe playing marches in the style of the great brass bands of New Orleans. He continued freelancing gigs on banjo and guitar, and participated in a long-lasting series of weekly live radio broadcasts.

In the mid-Nineties Frasio went back to playing classic jazz with a new project called the Odd Fellows New Orleans Quartet & Band. Three years later he joined the Jumpin’ Jazz Ballroom Orchestra on banjo and guitar and the ten piece band played a repertory of classic jazz tunes of the ’20s, ’30s and ’40s.

As he aged Nino slowed down his freelance playing and started to look for his old music pals again to play his banjo in a strict New Orleans style. He went on to become a founding member of the Pegasus Brass Band, which performed at several European jazz festivals. He played regularly with the Milano Rhythm Kings led by Giorgio Alberti, then with the Savannah Serenaders, before joining on guitar the Prefisso02 Orchestra, with its beautiful repertoire of early ’40s Italian swing.

Banjoist Nino Frasio, who also plays guitar, tuba and sousaphone, continues to perform with a series of brass bands and orchestras.

ROBYN B. NASH

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Daily Dose Of Jazz…

Eldon Payne was born in Morristown, Tennessee on April 25, 1957. He graduated cum laude from the University of Tennessee in Knoxville with a B.S. in Business Administration in 1979. Then he moved to Tampa, Florida in the spring of 1980.

Retiring from Delta Air Lines with twenty five years of service in 2008, Eldon performed during that period with the University of Tennessee Campus Band, Tampa Bay Buccaneer Band, Shades of Blue, Boulevard Jazz Orchestra, The Mostly Pops Orchestra, Helios Jazz Orchestra, Cigar City Big Band, Swing Sound Orchestra, Frankie D. New York Orchestra, Clearwater Community Jazz Band, Sun City Center Big Band, George Carroll Big Band, Gulf Bay Big Band, Ten O’clock Big Band, Frank Parsons Band, Ed Geimer Big Band, Encore IV Big Band, and The Sarasota Jazz Project.

Over the course of his career Payne has performed at several Florida clubs and festivals as well as backing the likes of Margo Rey, Denise Moore, Kathy Kosins, Michael Lynche, Bryan Hughes, Lorri Hafer, Chuck Wansley, Whitney James, Alexis Cole and the late Kevin Mahagony.

Trombonist Eldon Payne, who never recorded as a leader, continues to perform and record as a sideman and studio musician.

ROBYN B. NASH

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Daily Dose Of Jazz…

Peter Curtis was born on April 24, 1970. His formal education bestowed a Bachelor of Music from Berklee College of Music, a Masters of Music from Yale University, and a Doctor of Music in Classical Guitar Performance and Literature with minor fields in Ethnomusicology and Music History from Indiana University.

He has performed or recorded with Claudia Acuna, Lynn Arriale, Seamus Blake, Don Braden, James Carter, Freddy Cole, Barbra Morrison, Eldad Tarmu and Ron Westray of the Jazz at Lincoln Center Orchestra. Peter has played the top jazz clubs in Los Angeles, California, New York’s Carnegie Hall, and on Black Entertainment Television.

Having been to Europe, Curtis has been on club stages in Berlin, Brussels, Budapest, Florence, the Hague, Milan, Paris, Prague and Zurich. With his group, the Peter Curtis Quartet, he recently released his debut album Swing State. His classical chops have sent the guitarist recitals throughout the U.S. and Canada and was awarded the Andres Segovia memorial scholarship from the Banff Centre for the Arts.

Guitarist and composer Peter Curtis, a tenured professor of music at Riverside Community College in Riverside, California, continues to compose, perform and record.

ROBYN B. NASH

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Daily Dose Of Jazz…

Mike John Brett Daniels was born April 23, 1928 in Norbiton, Kingston-upon-Thames, Surrey, London, England. He had an early interest in jazz at a very young age while studying at Aldenham School from the age of 13 in 1941 as a pupil until 1945. Taking up the trumpet at 16, his family moved to Stanmore, Middlesex, where he organized a new group called the Stanmore Stompers in 1947.

He is probably best known for his work with his own seven piece group, The Delta Jazzmen. He led this group from 1948 to 1974 and again in the 1990s. He moved to Spain briefly in the mid-1960s. He had very little recorded output during his lifetime but he recorded two albums worth of material, one of which was titled Mike on Mike from 1960.

There exists some well recorded performances by the Delta Jazzmen which featured Daniels from 1958 to 1963, along with additional input from trombone player Gordon Blundy and John Barnes on reed instruments. The rhythm section is accompanied on these works by banjo-tuba-drums.

Mike was regarded as an ensemble-orientated player who provided a solid lead combined with laid-back solos. Some of his other bands have featured talents such as Keith Nichols and John Chilton. The British Lake Label produced ‘Limited Edition’ recordings of Daniels’ work.

Trumpeter Mike Daniels, who aspired to reproduce the original styles of King Oliver, Jelly Roll Morton, Louis Armstrong, died on October 18, 2016 at the age of 88

ROBYN B. NASH

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