Daily Dose Of Jazz…
Scot Albertson was born on November 20, 1957 and raised in Norwalk, Connecticut. Early childhood saw him as a choir member of the Little Singers of Norwalk and would travel, sing and compete internationally with the choir for six years. After graduating college he served for six years as a police officer segueing for a year in Arizona on border patrol. Returning to Connecticut he started a very successful small business which sustained his lifestyle for nineteen years.
In 2000 he began taking vocal lessons with Richard Lissemore in New York City. Four and one half years later after intensive study, Scot released his debut album titled Got A Date With Fate with bassist Mark Egan, drummer Danny Gottlieb and producer, composer and pianist Jon Werking. Showcasing the music in 2005 at Danny’s Skylight Cabaret Room in New York City began his life as a career performer.
Since his debut performance, vocalist Scot Albertson has gone on to continue to perform around the city and metropolitan area.
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Daily Dose Of Jazz…
Mornington Edward Lockett was born in Stepney, London, United Kingdom on November 19, 1961. He began playing clarinet at the age of 14 while he was a student at Cowes High School, then switched to tenor saxophone. He studied at Dartington College of Arts, graduating in 1981, then undertook further study at the Guildhall School of Music and Drama in 1984–85, under the tutelage of Lionel Grigson.
In the Eighties and ‘90s Lockett played in the bands of Jim Mullen, Ronnie Scott, Arturo Sandoval, Ian Shaw, and Andrea Vicari. During the mid ‘90s into the new century he performed with Martin Drew, Stan Tracey, Don Weller, Sarah Jane Morris, and Jimmy Smith, to name a few.
In February 1996, Mornington’s album Late Night Sax: After Dark reached No. 18 in the UK Albums Chart. From 2000 until 2004 he was involved in a group co-led by Martin Drew called Celebrating The Jazz Couriers. They played the music of Ronnie Scott and Tubby Hayes and won the British Jazz Award for Best Small Group in 2002. The band was reformed in 2004 as The New Jazz Couriers.
In 2008 in conjunction with fellow tenor saxophonists Art Themen and Don Weller, Lockett released the album The 3 Tenors at the Appleby Jazz Festival.
As an educator he now works at St. Paul’s Girls’ School, and the Royal College of Music in London, teaching jazz saxophone and improvisation. He has taught at Trinity College of Music, Leeds College of Music and has been a visiting tutor at the Dordogne Jazz Summer School.
He led a monthly residency at the 606 Club in Chelsea with saxophonist Peter King until a year before King’s death. Tenor saxophonist Mornington Lokett has since run an annual tribute, the Peter King Memorial Sax Summit. Invited guests have been saxophonists Graeme Blevins, Simon Allen and Alex Clarke, among others.
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Daily Dose Of Jazz…
Justin Wood was born on November 18, 1975 in rural Northern Maine and began playing saxophone in fifth grade growing up. During high school, he co-led a jazz trio with trombonist Philip Yaeger and brother Tyler on piano, and played gigs ranging from local restaurants to agricultural conventions.
After attending Harvard University, Justin moved to New York City in 1999 and worked as a union organizer and explored the city’s music scene. He began performing in the city in 2001, and has performed with diverse musical groups in venues including Birdland, the Brooklyn Academy of Music, NJ Performing Arts Center, the Knitting Factory, and the Garage.
Rather than pursuing a conservatory education, he has learned from and been inspired by his peers. Through private lessons with top creative musicians such as Bill McHenry and Michel Gentile he has developed his own voice.
Currently, alto saxophonist and flautist Justin Wood continues to participate in diverse musical projects. He co-leads Spoke, an eclectic quartet with trombonist Andy Hunter, bassist Dan Loomis, and drummer Danny Fischer.
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Daily Dose Of Jazz…
John Grant Sangster was born November 17, 1928 in the Melbourne suburb of Sandringham, Victoria, Australia. He was an only child that attended primary schools in Sandringham and Vermont, and then Box Hill High School. While at high school he taught himself to play trombone and with a friend, Sid Bridle, formed a band.
In 1946 he started a civil engineering course at Melbourne Technical School. Two years later Sangster performed at the third annual Australian Jazz Convention, held in Melbourne. By the following year he led his own ensemble, John Sangster’s Jazz Six, which included Ken Evans on trombone. He provided trombone for Graeme Bell and his Australian Jazz Band, later took up the cornet and then the drums. They toured several times from 1950 to 1955, and in the late Fifties he began playing the vibraphone.
He went on to play with Don Burrows in the early 1960s, form his own quartet and experimented with group improvisatory jazz, after becoming interested in the music of Sun Ra and Archie Shepp. By the end of the Sixties his attention turned to rock musicians and he joined the expanded lineup of the Australian progressive rock group Tully, who provided the musical backing for the original Australian production of the rock musical Hair. He performed and recorded with Tully and their successors, Luke’s Walnut, throughout the two years he played in Hair. In 1970 he re-joined the Burrows group for Expo 1970 in Osaka, Japan.
In the 1970s Sangster released a series of popular The Lord of the Rings inspired albums that started with The Hobbit Suite in 1973. He was also the composer of a large number of scores for television shows, documentaries, films, and radio. In 1988, Sangster published his autobiography, Seeing the Rafters.
Trombonist John Sangster, who also plays trumpet, drums, percussion, cornet, vibraphone and is best known as a composer, died in Brisbane, Queensland, Australia on October 26, 1995 at age 66.
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Daily Dose Of Jazz…
Wallace Leon Jones was born on November 16, 1906 in Baltimore, Maryland. He began playing trumpet in local Maryland bands such as Ike Dixon’s Harmony Birds and Percy Glascoe’s Kit Kat Orchestra early in his career.
He moved to New York City around 1935 and went to work with his cousin Chick Webb. He then joined Willie Bryant’s ensemble and recorded with Putney Dandridge and Duke Ellington, the latter where he was credited on clarinet, trombone and trumpet from 1938 to 1944.
He appeared in several sound films with Ellington, including 1943’s Cabin in the Sky. After this association, Wallace recorded with Ellington again in 1947, and also worked with Benny Carter, Snub Mosley, and John Kirby, but left music by the end of the Forties.
Trumpeter Wallace Jones died on March 23, 1983 in New York City.
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