Daily Dose Of Jazz…
Leah Stillwell was born on April 12, 1976 and raised in Western Washington. She was initially influenced by the diverse flavors and talents of the local jazz community. Her inspiration came from the greats and fell in love with jazz immediately once introduced as a teen to the satin melodies of classics like Ella Fitzgerald, Sarah Vaughan and Billie Holiday.
Her vocal style is a personal amalgamation of the old standards along with other music that has ever appealed to ear, heart and soul. With a fresh new approach to a classic art form, Leah captures the style and charisma of jazz with her sultry voice and laid back expression.
Vocalist Leah Stillwell continues to perform and tour.
Get a dose of the musicians and vocalists who were members of a global society integral in the making and preservation of jazz for over a hundred and twenty-five years…
Leah Stillwell: 1976 | Vocal
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Daily Dose Of Jazz…
Alberta Hunter was born on April 1, 1895 in Memphis, Tennessee to Laura Peterson, who worked as a maid in a Memphis brothel, and Charles Hunter, a Pullman porter, a father she never knew. She attended Grant Elementary School and attended school until around age 15.
Hunter had a difficult childhood and left for Chicago, Illinois, around the age of 11 in the hopes of becoming a paid singer hearing that it paid ten dollars per week. Instead of finding a job as a singer she worked at a boarding house for six dollars a week with room and board.
Her singing career started in a bordello and soon moved to Saloons, bars and clubs that appealed to men, black and white alike. By 1914 Alberta was receiving lessons from jazz pianist, Tony Jackson, who helped her to expand her repertoire and compose her own songs. Her big break came when she was booked at Dreamland Cafe, singing with King Oliver and his band.
Sheeventually rose from the city’s lowest dives to headlining the most prestigious venue for black entertainers, the Dreamland ballroom. She had a five-year residency with the venue in 1917 for $35 a week. She first toured Europe in 1917, performing in Paris and London. The Europeans treated her as an artist, showing her respect and even reverence, which made a great impression on her.
Hunter flourished in the 1920s and 1930s on both sides of the Atlantic. She recorded prolifically during the 1920s, starting with sessions for Black Swan in 1921, Paramount in 1922–1924, Gennett in 1924, OKeh in 1925–1926, Victor in 1927 and Columbia in 1929. While still working for Paramount, she also recorded for Harmograph Records. By the early 1940s she was performing at home and eventually moved to New York City where she performed with Bricktop and recorded with Louis Armstrong and Sidney Bechet.
Continuing to perform on both sides of the Atlantic she was the head of the U.S.O.’s first black show. In 1944, she took a U.S.O. troupe to Casablanca, in both theatres of World War II, then to Korea until her mother’s death in 1957. She retired from music and went into healthcare, becoming a nurse for 20 years at Roosevelt Island’s Goldwater Memorial Hospital. Aged out of the hospital because they believed she was 70, at 82 she returned to singing. With a two week residency at a Greenwich Village club, that turned into a six year attraction until her death on October 17, 1984 in Roosevelt Island, New York at the age of 89.
Daily Dose Of Jazz…
Layla Angulo was born March 12, 1976 to a Greek mother and an Irish-American father and started playing the piano at age 6. However, it was her grandfather’s upright bass playing that inspired her to learn the saxophone at age 10. She began playing in jazz clubs during high school. After graduation, she played in various funk, jazz, and pop and groups and performed as the horn section leader of various salsa bands around the Northwest.
Developing the idea to write her own music. Soon after Layla released her debut album, Live at The Triple Door, was recorded at the noted Seattle theater in 2005. The album’s first single Que Te Vaya Bien was Top 10 for three months. Mientras, her sophomore album, was recorded in New York with Arturo O’Farrill, Oscar Estagnaro, Tony Escapa, and Dario Escanazi and released in 2008.
Moving to New York City in 2009, she subsequently spent a year on tour with reggaeton artist Don Omar. Her third album TriAngulo gave up a single, No Se Como Olvidarte that rose to #16 on the Billboard Tropical Charts. Another song from TriAngulo, La Pelicula, reached #1 in the National Latin Record Pool.
On March 24, 2015, the International Songwriting Competition announced its 2014 Finalists, including Layla’s song Dame Todo.
Alto saxophonist, composer, singer, band director, and recording artist known professionally by the mononym Layla, continues to specialize in Latin music.
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The Jazz Voyager
The nation’s capital is this week’s destination as the Jazz Voyager departs the warm climes of South Florida for a more frigid weather experience ranging in the thirties. But jazz only knows two temperatures — cool and hot and the latter will be warming up the room at Blues Alley this Thursday with two shows at 7:00 and 9:30pm.
Wife and husband team Jean and Marcus comprise The Baylor Project which hail out of New York City are taking the stage this week. They have been nominated for four Grammy awards and continually pay homage to their wide-ranging musical influences. In doing so they generate an eclectic sound whose overall effect is spiritual, buoyant, and feel good music.
Tickets: $35 + $7 fee
Food and Beverage: $15 Minimum Per Person
Blues Alley’s address is 1073 Wisconsin Avenue NW, Washington, DC 20007. For more information visit bluesalley.com.
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Daily Dose Of Jazz…
LaVerne Butler was born on February 25, 1962 in Shreveport, Louisiana. The daughter of saxophonist Scott Butler, she was extensively exposed to jazz and rhythm and blues music and with a lot of encouragement from her father.
Leaving Shreveport for New Orleans, Louisiana she attended the University of New Orleans. During this period LaVerne became a fixture in the city’s Dixieland and bebop venues singing with Ellis Marsalis, Alvin Batiste, Henry Butler ( no relation) and James Black, among others. A move to New York City in 1984 had her working as an English teacher, singing in clubs and studying with jazz veteran Jon Hendricks.
Her musical influences were Nancy Wilson and Sarah Vaughan. In 1992 she recorded her debut album No Looking Back for Chesky Records. Her sophomore album for the label was Day Dreamin’ , then planned on signing with Herbie Mann’s Kokopelli label in 1997, but that fell through when the company experienced financial problems. She then was brought into the MaxJazz label for two albums and finally landed with HighNote Records for her 2012 release Love Lost and Found Again.
Vocalist LaVerne Butler, who has yet to receive the recognition her talent deserves, continues to perform around the country.
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