Daily Dose Of Jazz…
Alberta Hunter was born on April 1, 1895 in Memphis, Tennessee to Laura Peterson, a maid in a Memphis brothel and Charles Hunter, a Pullman porter who she never knew. She attended Grant Elementary School, off Auction Street, which she called Auction School, in Memphis. Having had a difficult childhood, and not happy with her new stepfather and family she left for Chicago, Illinois, around the age of 11, in the hopes of becoming a paid singer. She had heard that it paid 10 dollars a week but instead of finding a job as a singer she had to earn money by working at a boarding house that paid six dollars a week as well as room and board.
Hunter began her singing career in a bordello and soon moved to clubs that appealed to men, black and white alike. By 1914 she was receiving lessons from jazz pianist, Tony Jackson, who helped her to expand her repertoire and compose her own songs. Singing around Chicago, one of her first notable experiences as an artist was at the Panama Club where she honed her craft before a cabaret crowd. Her big break came when she was booked at Dreamland Cafe, singing with King Oliver and his band.
She first toured Europe in 1917, performing before adoring and respectful audiences in Paris and London. Her career as singer and songwriter flourished in the 1920s and 1930s, and she appeared in clubs and on stage in musicals in both New York and London. The songs she wrote include the critically acclaimed Downhearted Blues in 1922. She recorded several records with Perry Bradford from 1922 to 1927 as well as sessions on Black Swan, Paramount, Gennett, OKeh, Victor and Columbia. While still working for Paramount, she also recorded for Harmograph Records under the pseudonym May Alix.
Alberta eventually moved to New York City. She performed with Bricktop and recorded with Louis Armstrong and Sidney Bechet. She headed the U.S.O.’s first black show, performing in Casablanca, Korea and other theaters of war during World War II and after, until her mother’s death in 1957. It was at this point that she left music for a career in healthcare, working at Roosevelt Island’s Goldwater Memorial Hospital for 20 years. The hospital forced Hunter to retire because it believed she was 70 years old but was actually 82 years old. Deciding to return to singing, she had a regular engagement at a Greenwich Village club, becoming an attraction there until her passing away on October 17, 1984.
Her life was documented in Alberta Hunter: My Castle’s Rockin’, a 1988 TV movie, narrated by the pianist Billy Taylor, and in Cookin’ at the Cookery, a biographical musical by Marion J. Caffey, in which Ernestine Jackson portrays her. Vocalist and composer Alberta Hunter was inducted to the Blues Hall of Fame in 2011, the Memphis Music Hall of Fame in 2015 and her comeback album, Amtrak Blues, was honored by the Blues Hall of Fame in 2009.
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Daily Dose Of Jazz…
Sarah Lois Vaughan was born on March 27, 1924 in Newark, New Jersey and sang in church and learned to play piano as a child. Around age 18 she won the Apollo’s Amateur Night contest and in the spring of 1943 was called to open for Ella Fitzgerald. This engagement led to signing on with the Earl Hines band as his pianist, although she had some singing duties. An incubator for bebop Sarah played alongside Dizzy Gillespie, Charlie Parker, Bennie Green and Billy Eckstine.
By 1944 Eckstine left the Hines band to form his own and took Gillespie, Parker and Sarah with him giving her an opportunity to stretch her vocal prowess and her first recording session. The year spent with Eckstine proved rewarding as she honed her craft with Miles Davis, Lucky Thompson, Kenny Dorham, Art Blakey, Gene Ammons and Dexter Gordon among others.
Vaughan began her solo career in 1945 freelancing the 52nd Street clubs and record Lover Man on the Guild label. This would lead to recording sessions for Crown and Gotham labels, performing at Café Society and a subsequent Musicraft contract. Soon the hits If You Could See Me Now, Don’t Blame Me, I’ve Got A Crush On You, Everything I Have Is Yours and Body & Soul were released. She then signed with Columbia Records and her stardom was ensured.
Over an illustrious career Sarah Vaughan recorded over six dozen albums and live dates, has two recordings inducted into the Grammy Hall of Fame, was elected to the New Jersey Hall of Fame, has the lyrics to Send In The Clowns on the edge of the Newark Light Rail platforms, recognized as a NEA Jazz Master, received the George and Ira Gershwin Award for Lifetime Musical Achievement, recorded her final complete album Brazilian Romance in 1987 and briefly scatted on her final and only studio session with Ella Fitzgerald on Quincy Jones’ Back On The Block in 1989, a fitting end to a career that started with Ella.
Sarah Vaughan, nicknamed Sailor, Sassy and The Divine One and passed away due to complications from lung cancer on April 3, 1990. She was 66 years of age.
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Daily Dose Of Jazz…
Jeri Brown was born in Halifax, Missouri on March 20, 1952 and began singing publicly from the age of six. While matriculating through college in Iowa on a four-year scholarship she studied classical voice. As a result of student performances in mid-western U.S. and Europe her voice caught the attention of musical directors and composers looking for an imaginative voice with incredible range effortlessly creating aesthetic touches to their contemporary or avant-garde works.
Along with performances with the Cleveland Chamber Orchestra, St. Louis Symphony Orchestra and several combos, Jeri began incorporating more stylistic renditions of standards from theatre, film and pop culture. This led to her working with Ellis Marsalis, Billy Taylor and Dizzy Gillespie. Upon the suggestion of Joe Lovano, she began to improvise during concert performances.
The short list of jazz artists Jeri has performed and recorded with is not limited to Leon Thomas, John Hicks, Grady Tate, Kirk Lightsey, Betty Carter, David Murray, D.D. Jackson, Billy Hart, Kenny Werner, Pierre Michelot, Onaje Allan Gumbs, Fred Hersch, Tony Suggs, Michel Donato, Winard Harper, Chico Freeman, Rufus Reid and Seamus Blake.
Holding several degrees in Counseling, Education and English, Brown has taught at Cleveland State University, Oberlin Conservatory of Music, The university of Akron, University of Massachusetts at Amherst and several universities in Canada. Not to be limited, she has added documentaries, film and theatre to her arsenal of accomplishments and has written and recorded lyrics in collaboration with Avery Sharpe, Henry Butler, Cyrus Chestnut, Abdullah Ibrahim, and Jimmy Rowles. She continues her lifelong pursuit of excellence performing, composing and recording.
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Daily Dose Of Jazz…
Elis Regina was born Elis Regina Carvalho Costa in Porto Alegre, Sao Paulo Brasil on March 17, 1945. She began her career as a singer at age 11 on a children’s radio show, O Clube Do Guri on Rádio Farroupilha. In 1959, Rádio Gaúcha contracted her and the next year she travelled to Rio de Janeiro where she recorded her first LP, Viva a Brotolândia (Long Live Teenage Land).
Following this debut she won her first festival song contest in 1965 singing Arrastão that launched her solo career. Recording her sophomore project Dois na Bossa, that became the first album to sell over a million copies, is considered the beginning of the new musical style MPB, Musica Popular Brasileira.
In the late 1960s and early 1970s, along with Gal Costa, Caetano Veloso and Gilberto Gil, she helped to popularize the work of the tropicalismo movement. Her 1974 collaboration with Antonio Carlos Jobim, Elis & Tom, has been cited as one of the greatest bossa nova albums of all time. Her earlier records were mostly apolitical but from the mid-’70s on, her music became more engaged, and she began to choose compositions and structure her conceptually complex live shows in ways as to criticize the military government, capitalism, racial and sexual injustice and other forms of inequality.
Her death from a cocaine, alcohol and temazepan interaction on January 19, 1982 at the age of 36 shocked Brazil. Elis Regina, singer of MPB, samba, jazz, bossa nova, rock and pop, is widely regarded as the best Brazilian singer of all times by many critics, musicians, and commentators.
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Daily Dose Of Jazz…
Vanessa Rubin was born on March 14, 1957 and raised in Cleveland, Ohio in a musical household of Trinidadian and Louisianan parentage. After achieving her Bachelor of Arts degree in Journalism from Ohio State University, she received a standing ovation for her performance of “God Bless The Child” while competing in the Miss Black Central Ohio Contest, which convinced her that her true calling was to sing in the jazz tradition.
Returning to Cleveland after graduation, Rubin started singing locally, forming and managing her first group, consisting of organ, guitar, vibes and drums. By 1982 she was in New York City performing at such landmarks as Sweet Basil and the Village Vanguard with the Pharoah Sanders Quartet. She studied with pianist Barry Harris, went on to work with Kenny Barron, Lionel Hampton, the Mercer Ellington Orchestra, Cecil Bridgewater, Toots Thielemans, Steve Turre, Cedar Walton and Grover Washington, Jr.
In 1992 Vanessa signed with the Novus label, releasing four albums including a 1994 session I’m Glad There Is You: A Tribute to Carmen McRae. She left Novus to sign with RCA for one album and then Telarc releasing Language of Love and Girl Talk. She has recorded with Antonio Hart, Kenny Burrell, Monty Alexander, Houston Person, Frank Foster, E.J. Allen and Clark Terry.
Vocalist and composer Vanessa Rubin expertly interprets the lyrics with both honest emotion and swing, occasionally scatting in unison or in counterpoint with the horns. Billie Holiday’s classic God Bless The Child has since become her official theme song. Her latest release is The Dream Is You: Vanesa Rubin Sings Tadd Dameron. She continues to entertain audiences around the world.
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