Daily Dose Of Jazz…
Eduardo Puperi was born in Porto Alegre, Rio Grande do Sul, Brazil on October 25, 1969. From 1986 to 1991 he studied music at CLAM, a school directed by Zimbo Trio in São Paulo, Brazil with teachers Fernando Corrêa and Conrado Paulino. He graduated in composition and directing in 1993 from the University of Music and Arts Alcântara Machado (FAAM).
The next year Puperi formed the Ludi & Tiné Quartet with guitarrist Paulo Tiné. The instrumental group that lasted until 1999 and released an album called “Vento Leste” in 1997. He was musical director at Cultura Inglesa in São Paulo from 1996 to 2000, directing the musicals Guys and Dolls, Bye Bye Birdie, Hair, All that Jazz and Fame. From 1991 to 2004 he directed the big bands FAAM Jazz Band, Orquestralha and Swinging Sounds.
His groups have been Aura Tropical and the Edu Puperi Trio, the latter which became a quartet in 2005 with bassist Luis Passos, drummer Humberto Zigler, and tenor and soprano saxophonist and flutist Chiquinho de Almeida. Both groups have released albums.
In 2001 he began teaching piano, guitar and performing practice at Casa de Música Luiz Chaves. Pianist Edu Puperi continues teaching, performing and recording.
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Daily Dose Of Jazz…
Paulinho Garcia was born on August 16, 1948 in Belo Horizonte, Minas Gerais, Brazil and began his musical career at the age of nine as a singer in a Sunday children’s program in the city’s principal radio station, Radio Inconfidencia. His teens saw him performing as a house musician in all musical programs of the Radio network, Guarany—TV Itacolomy.
He led his own band, Os Agitadores, and with them recorded his first two albums. Before his arrival in the United States in 1979, Paulinho composed, arranged, produced, and performed jingles for HP Studios. Four of his commercials received national awards.
After his move to Chicago, Illinois he performed and recorded two albums with the band Made in Brazil. In 1991 he founded his own band, Jazzmineiro, and their 1996 recording received excellent reviews in the Chicago Tribune, Jazziz magazine, the Brazilian Music Review, and The Brazilians.
Paulinho has been the recipient of numerous awards and accolades for his music and bands. He has toured Japan, Poland, Prague, Bratislava, Netherlands, Hong Kong, and Bangkok and performed at several jazz festivals and jazz cruises. With the addition of Polish singer Grazyna Auguscik, Two for Brazil with Greg Fishman became Three for Brazil.
Garcia released My Very Life to critics and audience praise and was nominated for a Grammy for Best Latin Jazz Recording among 25 of the best, and was nominated for the Brazilian International Press Award.
Guitarist and vocalist Paulinho Gatcia continues to perform, tour and record.
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Daily Dose Of Jazz…
Nico Assumpção was born Antônio Álvaro Assumpção Neto on August 13, 1954 in São Paulo, Brazil. His father was a professional bass player, but he debuted in music by playing the acoustic guitar at the age of 10. He took classes with Paulinho Nogueira but changed to bass six years later to fill in the void in a schoolmate’s band.
At 16, he came to the United States to study harmony and orchestration at the University of California. Returning to Brazil he went to study at CLAM, with Brazilian bassists Luis Chaves and Amilton Godoy. In 1976 he again left Brazil and landed in New York City to study and perform on a deeper level. He played with among others Wayne Shorter, Pat Metheny, Sadao Watanabe, Larry Coryell, Fred Hersh, Larry Willis, Joe Diorio, John Hicks, Steve Slagle, Victor Lewis, Dom Salvador and Charlie Rouse.
While in the States he mastered various bass playing techniques, and became one of the pioneers of fretless and 6-string bass in Brazil when he came back in 1981. That same year he released the first bassist solo album in the country, titled Nico Assumpção. The following year he moved to Rio de Janeiro, Brazil where he lived for the rest of his life.
He was one of the most popular bassists in Brazil having played and/or recorded with Milton Nascimento, Caetano Veloso, Gilberto Gil, João Bosco, Maria Bethânia, Edu Lobo, César Camargo Mariano, Toninho Horta, Luiz Avellar, Wauke Wakabaiashi, Marco Pereira, Ricardo Silveira, Nelson Faria, Gal Costa, Hélio Delmiro, Maria Bethânia, Márcio Montarroyos, Raphael Rabello, Léo Gandelman and Victor Biglione, among others.
Bassist Nico Assumpção died from cancer on January 20, 2001 in Rio de Janeiro at age 47.
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Daily Dose Of Jazz…
Donald Henri Grusin was born April 22, 1941 and grew up in Littleton, Colorado to a Latvian, classical violinist father. He graduated from the University of Colorado Boulder with a bachelor’s degree in sociology and a master’s degree in economics. In the early Seventies he was an economics professor in Guadalajara, Mexico but soon after he taught economics at Foothill College in California.
By the mid Seventies Grusin was touring with Pete Escovedo’s group Azteca alongside his daughter Sheila E in Bogota, Colombia. The trip sparked a lifelong interest in Latin music. In 1975, Quincy Jones invited him to tour with his band, and he left teaching for a career in music.
He worked as a studio musician on albums by Randy Crawford, Billy Eckstine, Joe Pass, and the Pointer Sisters. He formed the fusion group Friendship with Lee Ritenour, Ernie Watts, and Alex Acuña and recorded one album, then released solo albums in 1981 and 1983. By 1985 Don had produced the album Musician for Ernie Watts, winning a Grammy Award.
Grusin’s 2004 live album The Hang received a Grammy Award nomination, and he won Grammy Awards for his work on two albums by the Paul Winter Consort. He won an Echo Award for the album Quality Time, recorded with Peter Fessler.
As a record producer or keyboardist, Grusin has worked with Gerald Albright, Patti Austin, David Benoit, Larry Carlton, Oscar Castro-Neves, Dori Caymmi, Gilberto Gil, Jim Hall, Sérgio Mendes, Airto Moreira, Milton Nascimento, Flora Purim, Nelson Rangell, Brenda Russell, Zoot Sims, Leon Ware, and Sadao Watanabe.
Keyboardist, composer, and record producer Don Grusin, who is Dave Grusin’s younger brother, continues to push the boundaries of jazz and Latin jazz music.
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Daily Dose Of Jazz…
Yervant Harry Babasin, Jr. was born on March 19, 1921 in Dallas, Texas to American/Armenian parents. He attended North Texas State University, one of many noted jazz alumni from the school. Among them were Jimmy Giuffre, with whom he played in Bill Ware’s orchestra around 1940, and Herb Ellis, who played with him in the Charlie Fisk Orchestra starting in 1942. Fisk actually fired his rhythm section after hearing Ellis and Babasin play, and after he was admitted, Babasin quit school to go on tour with Fisk.
He toured in the 1940s with Jimmy Joy, Bob Strong, Billie Rogers, Gene Krupa, Charlie Barnet, Boyd Raeburn, Benny Goodman, Woody Herman, Frank DeVol, and Jerry Gray. He also appeared in A Song Is Born, one of many jazz stars to play roles in the film. On the film set he met guitarist Laurindo Almeida, and the two began jamming together. Along with Roy Harte and Bud Shank their quartet was an early experiment blending Brazilian music and jazz. Their 1954 ten inch discs are predecessors to the bossa nova explosion of the late 1950s and early 1960s.
1947 saw him recording the first cello solos known in jazz music, with the Dodo Marmarosa Trio. In order to do so, he tuned his strings in fourths. In later cello ensembles he added a bass player. He and Oscar Pettiford did a session together with two cellos. In the mid-1950s, he put together his own ensemble, Harry Babasin & the Jazzpickers. This ensemble released three albums and played regularly at the Purple Onion in Hollywood, California. One recording of note was made in 1952 at the Tradewinds nightclub in Inglewood. It features Charlie Parker, Chet Baker, Sonny Criss, Al Haig, Larance Marable, and Harry, in one of Bird’s few West Coast appearances.
His career cooled in the 1960s, returning to work with Charlie Barnet and supporting Bob Hope’s USO tours. In the 1970s he and Harte initiated the Los Angeles Theaseum, a jazz archive and preservation society. Harry gave his last tour in 1985 with John Banister on piano. Over the course of his career he was possibly a part of as many as 1,500 recordings.
Bassist Harry Babasin, nicknamed The Bear, died of emphysema in Los Angeles, California on May 21, 1988.
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