Daily Dose Of Jazz…
Bill Ohashi was born on March 29, 1949 in New York City, New York. His formative years were spent learning at Julliard, Mannes College, U. of PA, Berkley School of Music, and bandstands in NYC, New England and the southern corridor. He was making the jam session rounds in the city with jazz legends Kenny Dorham, Roy Eldridge, Charlie Mingus, Jack DeJohnette, Joe Henderson, Jaki Bayard, Carla Bley, George Cables, Lenny White, Billie Cobham and Art Blakey’s Messengers, among others.
Bill’s early work was with Willie Colon, Eddie Palmieri, Larry Harlow, Machito, Slide Hampton, Chuck Israels, Chico O’Farrill, Joe Farrell, Elvin Jones, Bruce Fowler, Ray Charle’s Big Band, Thad Jones-Mel Lewis Jazz Orchestra, Charlie Mingus, Gil Evans, as well as Paul Butterfield Blues Band, Eddie Kendricks & The Temptations, Franki Valli & The Four Seasons, Marvin Gaye, The Spinners, Aretha Franklin, The Four Tops, Jay & the Americans, Yoko Ono, The O’Jays & Stevie Wonder.
After a brief to move to the west coast and a short hiatus from playing, the legendary Ray Charles wisely gave Bill the opportunity to join his band on the road for about a year, bringing Bill back into the working music scene; Bill subsequently toured Europe three times with Lionel Hampton, playing around NYC and began his own record label, EAR Records, Inc.
As an educator he taught at NYC’s Third St. Music School, Henry St. Settlement, Boy’s Harbor, New England Conservatory, Metropolitan School of Music and others. Trombonist Bill Ohashi, who subs on Saturday Night Live, continues to perform and record.
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Daily Dose Of Jazz…
Mayuto Correa was born March 9, 1943 in São Gonçalo, Rio de Janeiro, Brazil and began playing in local bands from the age of twelve when he became a member of the big band Rapazes da Alvorada. At age 16 he formed the ensemble Samba Show with musicians from Niterói and made several recordings for the CBS label with them.
In the 1960s Correa was the artistic director of Pontifical Catholic University of Rio de Janeiro where he wrote and directed several plays. During this time, he also made several recordings in Brazil and worked as the musical director for the shows of Maria Bethânia, Elza Soares, and Eliana Pittman as well as playing in Roberto Carlos’s ensemble RC-7 and performing in Chacrinha’s television shows.
Leaving Brazil for Mexico in 1969 he worked with the Brazilian bossa nova group Tamba 4 before moving to the United States. Establishing himself as a musician in Los Angeles, California in the early 1970s, Mayuto became a vital session player in hundreds of major and minor albums taped in the city by 1977.
Some of the artists he recorded with are Howard Roberts, Charles Lloyd, Nat Adderley, Cannonball Adderley, Cal Tjader, Miriam Makeba, Gábor Szabó, Gato Barbieri, Kenny Burrell, Moacir Santos, Donald Byrd, Henry Mancini, Jon Lucien, Freddie Hubbard, and Richard “Groove” Holmes, among numerous others.
During that period he toured with many of the artists and became the record producer for the Argentine group Arco Iris. He returned to Brazil in 1972 when he toured with Carlos Santana and again in 1979 when he appeared on the Rede Globo television show Sexta Super.
Among his compositions is the soundtrack for the 1979 documentary Homeboys depicting Chicano youth gang culture in East Los Angeles, California. In the later years of his career, Correa performed with his bands Mayuto & Genuises 2000, Mayuto & The Dream Team Big Band, and Mayuto & Samba Pack.
Mayuto Correa continues to perform, record and tour.
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Daily Dose Of Jazz…
Clarence Lacquese Penn born on March 2, 1968 in Detroit, Michigan and started playing the drums at around eigh years old. In 1986, while still at high school, he attended the Interlochen Arts Academy. He started studying at the University of Miami in Florida that same year, but transferred to Virginia Commonwealth University.
At Virginia Commonwealth he studied with Ellis Marsalis, and played in the pianist’s trio from 1987 to 1991, including for a tour of Japan in 1990. Penn graduated in classical percussion in 1991 and was part of vocalist Betty Carter’s trio from until 1993.
Penn later went on to work with David Sanchez, Jimmy Smith, Slide Hampton, Jimmy Scott, Greg Hatza, Stanley Clarke, Tim Warfield, Bob Berg, Diana Krall, Cyrus Chestnut, and Stephen Scott.
He recorded his debut album, Penn’s Landing, for Criss Cross Jazz in 1997 with some of the tracks he composed. His sophomore album as leader, Play-Penn, was recorded four years later, followed by a third the following year. He took a nine year hiatus from recording then recorded three more albums.
Drummer Clarence Penn, who also plays organ and rhodes, continues to perform and record.
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Daily Dose Of Jazz…
Tom McEvoy was born on February 13, 1981 into a non-musical family but discovered his passion for music by chance. Early in his life he was mesmerized by Beethoven’s Pathetique Sonata played in a Peanuts cartoon, and immediately went to his toy piano to try and figure it out. He had a similarly powerful reaction to a video of Louis Armstrong he saw a few years later. He had his first ensemble experience in kindergarten, when his teacher played the piano in class and led the students in song and knew he wanted to be a musician.
His formal training began with classical piano at six, adding the cello at age nine and gaining an appreciation for ensemble playing. His skill and musicality led to McEvoy receiving top marks in state piano judgings and invitations to play cello with the state honors youth orchestra. His life changed when he bought Ahmad Jamal’s Pershing: But Not For Me and Monk’s Straight, No Chaser. Immersing himself, he began to experiment with composition and improvisation. Joining his high school jazz band in his senior year, they went on to win awards for best band and best rhythm section at the tri-state competition at James Madison University that year.
Tom’s first college stop was at Virginia Tech majoring in engineering but he couldn’t leave the music and changed his major to jazz piano. He began playing professionally in the area, but left Tech with a scholarship to study at the University of North Florida with renowned pianist Kevin Bales. Distinguishing himself he represented the school in performances in Europe and North America.
While still a student, Tom established himself as a first-call pianist and performed extensively with some of the best musicians in the southeast, including Delbert Felix, Ben Tucker, Von Barlow, and Kebbi Williams. Moving to New York City in 2006, the following year at Juilliard he played a piano duo with Kenny Barron every week for two years. He studied and/or performed with Benny Golson, Mulgrew Miller, Christian McBride, Terence Blanchard, Gerald Wilson, Joe Wilder, Benny Green, Kenny Washington, and Steve Turre.
Presently pianist Tom McEvoy stays busy performing with his own groups, working as an in- demand sideman, and sharing his knowledge with the next generation.
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Daily Dose Of Jazz…
Don M’Orton was born on February 10, 1942. Having landed the gig as the resident reedman at the famous Boston, Massachusetts Lincs Jazz Club , in Europe during the 70s and 80’s he played with many British jazz musicians like Digby Fairweather and Roy Williams among others. He also played with many visiting Americans as well, including Thomas Jefferson, Wingy Manone, Alton Purnell, Al CAsey and Benny Waters, the latter with whom he played several tours.
By the mid 1990’s he was off again first to London and then Europe, the Middle East, the USA and the Caribbean. He had a trio in London with bassist Paul Godfrey and Ray Dempseywho was replaced by Cedric West on guitar. New York City saw him meet up with Al Casey again and played alongside him and tenor saxophonist George Kelly.
He went on to play with Michael Boothman and Kysufusion in Trinidad, before returning to the East Midlands. Since returning to the UK, Don has spent much of his time composing new tunes which vary from ballads to jazz tunes, including Caribbean and Latin American rhythms, and arranging material for his bands.
Tenor saxophonist Don M’Orton is still active as a player, performing regularly with the Red Hot Chillies, Dave Gladdish’s Irregulars, and the Big Wheel Quartet, in addition to his own swing trio.
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