Daily Dose Of Jazz…

George Dixon was born on April 8, 1909 in New Orleans, Louisiana but grew up throughout the South traveling with his father as he ministered. He began playing trumpet as a child, then while living in Natchez, Mississippi at age thirteen he began playing the violin. He would go on to study the instrument at Arkansas State College, where he picked up the alto saxophone.

Dixon’s move to Chicago in 1926 would have him playing with Sammy Stewart from 1928, including a tour of New York City in 1930. His longest and most important residency was with Earl Hines and for nearly twelve years he would play trumpet, saxophone and arrange for the band.

During World War II George led a Navy band in Memphis, Tennessee, then returned to Chicago playing with Floyd Campbell, Ted Eggleston and others. During the Forties into the next decade he led his own band at the Circle Inn. Never recording as a leader, from about the mid-1950s trumpeter and multi-instrumentalist George Dixon stopped playing full-time, though he continued to play occasionally up until his death on August 1, 1994.

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Daily Dose Of Jazz…

Ramón “Mongo” Santamaría Rodríguez was born on April 7, 1917 in Havana, Cuba and learned rumba as a kid in the streets of the barrio. Mentored on bongos and rumba quinto by Clemente “Chicho” Piquero, Mongo recorded some of the very first recorded folkloric rumbas.

Santamaría began playing bongos with Septeto Beloña in 1937. In the 1940s he worked in the house band of the prestigious Tropicana nightclub. When Chicho could not join a late Forties Mexico tour, Mongo stepped in and opened a wider audience. Then a move to New York proved fortuitous as he joined Tito Puente followed by Cal Tjader’s Latin jazz combo.

In 1959 he composed and recorded Afro Blue that has since become a jazz standard. In 1963 when Chick Corea left the band, Santamaria hired Herbie Hancock and a subsequent backstage conversation between Mongo and Donald Byrd who recommended Herbie play Watermelon Man, led to Santamaria recording the tune that soared to the top of the charts.

He recorded over thirty-six albums as a leader and sideman, established a niche of blending Afro-Cuban and African American music. He was an integral figure in the fusion of Afro-Cuban rhythms with R&B and soul, paving the way for the boogaloo era of the late 1960s such as the Temptations 1969 hit “Cloud Nine”, on which he played congas.

Mongo Santamaria, rumba quinto master, conguero and percussionist, whose rendition of Watermelon Man has been inducted into the Grammy Hall of Fame, and whose name has been punned in the classic Mel Brooks/Richard Pryor comedy screenplay Blazing Saddles as “Mongo! Santa Maria!” passed away on February 1, 2003 in Miami, Florida.

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Daily Dose Of Jazz…

Freddie Green was born Frederick William Green on March 31, 1911 in Charleston, South Carolina. Exposed to music early he learned to play banjo before taking up the guitar and learning to read music. He got his first gig playing with a local group alongside trumpeter William “Cat Anderson who would end up in Ellington’s band.

Following his parent’s death while in his teens, Freddie moved to New York to live with his aunt and finish school. He began playing the club circuit, earning both money and a reputation. Noticed by the legendary talent scout John H. Hammond, Green was introduced to Count Basie and in 1937 became part of the outfit. He would remain a pivotal fixture of the Count Basie Band for the next fifty years.

Freddie recorded extensively with Count Basie but also produced several albums as a leader and in addition as a sideman working with such artists as Joe Newman, Al Grey, Zoot Sims, Herb Ellis, Paul Quinichette and Al Cohn to name a few to his credit.

Guitarist Freddie Green, who made a name for himself during the Swing era, who was part of the All-American Rhythm Section alongside pianist Count Basie, drummer Jo Jones and bassist Walter Page and whose technique was to play only certain important notes of each chord limiting unnecessary harmonic presence, passed away at age 75 on March 1, 1987.

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Daily Dose Of Jazz…

George Chisholm was born on March 29, 1915 in Glasgow, Scotland and began playing trombone in his youth. His musical career started in the Glasgow Playhouse orchestra and by the late 1930s he moved to London, where he played in dance bands led by Bert Ambrose and Teddy Joyce. He later recorded with jazz musicians such as Coleman Hawkins, Fats Waller and Benny Carter when they visited the U.K.

In 1940, during World War II George signed on with the Royal Air Force becoming a member of the RAF Dance Orchestra, known popularly as The Squadronaires. He followed this with freelance work and a five-year stint with the BBC Show Band and as a core member of Wally Stott’s orchestra on BBC Radio’s The Goon Show, for which he made several acting appearances.

In the 1960s, Chisholm was part of The Black and White Minstrel Show, went on to join the house band for two children’s programs Play School and Play Away, and had roles in the films The Mouse on the MoonThe Knack and Superman III.

Despite undergoing heart surgery, during the 1980s George continued to play with his band The Gentlemen of Jazz, with Keith Smith’s Hefty Jazz among others, and playing live with touring artists. He was awarded an OBE (Order of the British Empire) in 1984 but in the mid-1990s, trombonist George Chisholm retired from public life due to ill health and passed away on December 6, 1997, aged 82.

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Daily Dose Of Jazz…

Herbert “Herb” Hall was born on March 28, 1907 in Reserve, Louisiana. He began on banjo and guitar with the Niles Jazz Band, then settled on reeds playing clarinet. In 1926 he played with Kid Augustin Victor in Baton Rouge, then moved to New Orleans the following year. Hall played briefly with trumpeter Sidney Desvigne’s outfit, and then teamed up with bandleader Don Albert played for many years from 1929-40. Following this stint he moved to San Antonio with him and remaining there until 1945.

After this Herb moved to Philadelphia playing with Herman Autrey; a few years later he was in New York, working with Doc Cheatham and toured Europe with Sammy Price in the mid-Fifties. He was a regular at the New York clubs of Jimmy Ryan and Eddie Condon in the late 1950s and 1960s. In 1968-69 he was on the road again touring with Wild Bill Davison’s Jazz Giants, and then a stint with an offshoot band of The Jazz Giants, called “Buzzy’s Jazz Family”.

Hall worked with Don Ewell, and appeared in Bob Greene’s Jelly Roll Morton revue show in the Seventies. Herb Hall, the highly skilled stylist, clarinetist, alto and baritone saxophonist who produced an impressive body of work, passed away on March 5, 1996.

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