Daily Dose Of Jazz…
Matt Lavelle was born on April 11, 1970 in Paterson, New Jersey and began his music career with Hildred Humphries, a swing era veteran who played with Count Basie and Billie Holiday.
Playing in ensembles led by Sabir Mateen since 2002, three years later Matt began study with Ornette Coleman. He has been a member of the Bern Nix Quartet since 2010 and recorded with Giuseppi Logan the same year.
In 2011 he created the 12 Houses Orchestra. Lavelle is also a visual artist inspired by his Grandfather Fritz Kluber. He is author of the Substack No Sound Left Behind. Matt published a book titled New York City Subway Drama and Beyond, in 2011. In 2013 he published a short story titled The Jazz Musician’s Tarot Deck.
He has recorded nineteen albums as a leader, and another forty-five as a sideman with Nix and Logan as well as Sumari, Eye Contact, Daniel Carter, Bern Nix, Giuseppi Logan, Matana Roberts, William Hooker, Francois Grillot, Steve Swell, Sabir Mateen, Ras Moshe, Assif Tsahar, William Parker, Charles Waters, Barry Chabala, Earth People, Allen Lowe, D3, Julie Lyon, Tom Cabrera, The Cooperative Sound, Stars Like Fleas, Eric Plaks, and Pete Dennis.
Trumpeter Matt Lavelle, who also plays flugelhorn, alto and bass clarinet, continues to perform, record and tour.
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Daily Dose Of Jazz…
Gary Bruno was born in New Jersey on March 26, 1962. Showing an interest in music at the age of five he began learning drums and two yers later started studying guitar. Taking weekly lessons he showed prodigious technique and a hunger for learning music. His parents gave him a radio that he took everywhere as early as age three. It only took a short period of guitar lessons that he began to learn the songs of the day from the radio.
By age thirteen Gary had his first professional job with his band. Hired by a family friend he played a Christmas party, and that job was the first of what would become a livelihood. By his junior year in high school he was playing three to four nights a week as well as teaching. All four years of high school also found him playing first chair in the local jazz ensemble and winning outstanding soloist awards two of the four years.
After high school he began to get calls for recording sessions from unsigned local songwriters and local producers creating jingle ads for radio. Local club dates with bands served as his night job, and the days found him teaching, recording and studying guitar. The club dates kept Bruno within the New York, New Jersey, and Pennsylvania area with occasional outside tri-state travel.
Gary landed a seat in the Dave Mason Band, which took his playing to a national & international level. This led to playing Greenpeace concerts with John Denver. Moving to Las Vegas he got gigs playing the Las Vegas Strip as much as six nights a week. Leaving Las Vegas, he settled in Southern California where he currently resides.
Guitarist and educator Gary Bruno will continue composing, recording & performing.
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Requisites
Live From Los Angeles ~ Oliver Nelson’s Big Band | By Eddie Carter
Submitted for your approval this morning is a 1967 live album by Oliver Nelson’s Big Band, Live From Los Angeles (Impulse A-9153/AS-9153). It was recorded at Marty’s on The Hill over three nights during a six-day engagement. Oliver was a brilliant arranger, composer, and multi-instrumentalist. The band members are Bobby Bryant, Conte Candoli, Buddy Childers, and Freddy Hill on trumpet; Lou Blackburn, Billy Byers, Pete Myers, and Ernie Tack on trombone; Gabe Baltazar and Frank Strozier on alto saxophone; Bill Perkins and Tom Scott on tenor saxophone, Oliver Nelson on soprano saxophone, arranger and conductor, Jack Nimitz on baritone saxophone, Frank Strazzeri on piano, Mel Brown on guitar, Monty Budwig on bass, and Ed Thigpen on drums. My copy is the 1967 U.S. Mono release.
Side One opens with Miss Fine, an original by Oliver Nelson named in honor of his sister. The band begins at a medium beat, with their ensemble playing admirably tight during the opening and concluding chorus. Freddy Hill delivers a captivating performance in the song’s only interpretation, mesmerizing both the audience and the listener. Milestones by Miles Davis is a high-energy swinger from the start, setting a brisk pace for the big band’s theme. Frank Strozier bursts out of the gate quickly, followed by an intense exchange with Tom Scott. Tom takes flight last with a spirited performance leading to the final theme and ending.
Frank takes center stage in the next tune, I Remember Bird by Leonard Feather, a gentle ballad that begins with the saxophonist presenting the theme and its restatement while the band supports in the background. As the only soloist, he provides delicate softness in a gorgeous interpretation, preceding a beautiful conclusion. Night Train by Jimmy Forrest, Lewis Simpkins, and Oscar Washington is one of two tunes Oliver recorded with Jimmy Smith and Wes Montgomery a year earlier. The ensemble opens and closes similarly. Mel Brown is the featured soloist and serves a healthy portion of soul food for the ears until the band takes it out.
Oliver Nelson’s Guitar Blues gets Side Two underway, giving Mel another opportunity to shine. The band sets things in motion with a feisty melody, then Mel shows up and shows out in an outstanding performance, culminating in the theme’s reprise and a spirited finale. Down By The Riverside is an African-American spiritual that initially received a jazzy makeover from Jimmy, Wes, and Oliver on their collaborative album. After the band establishes the theme in this version, the driving force consists of four trumpeters: Bobby Bryant, Freddy Hill, Conte Candoli, and Buddy Childers, who take four successive solos that nearly bring the house down before the band wraps things up.
The band’s theme, Ja Da by Bob Carleton, brings the album to a gentle close. The slow-paced melody sets the mood for Lou Blackburn’s lone solo while the ensemble provides a warm and heartfelt backdrop. The trombonist’s performance creates a rich tapestry of sound, leading to an elegant theme restatement. Bob Thiele produced Live From Los Angeles, and Wally Heider was the recording engineer. The album’s sound quality is exceptional, immersing the listener in the big band’s performances and making you feel like you’re in the audience. The album adheres to Impulse’s high standards, featuring laminated gatefold covers, distinctive spine color, stunning photography, insightful liner notes, and outstanding music.
Oliver Nelson was also a master of the alto and tenor saxophones. Throughout his career, he arranged numerous albums for jazz and pop musicians and vocalists, showcasing a style combining traditional big band elements with modern jazz innovations. He also recorded for Argo, Flying Dutchman, Prestige, and Verve Records. After moving to the West Coast in 1967, Nelson became sought after for scoring background music for films and television shows. The jazz community deeply mourned his untimely death from a heart attack at the age of forty-three. If you’re in the mood for a terrific big-band live album, I recommend Oliver Nelson’s Big Band Live From Los Angeles the next time you’re record shopping. It’s a thrilling release that promises endless listening pleasure for jazz enthusiasts like me!
~ Jimmy & Wes: The Dynamic Duo (Verve Records V-8678/V6-8678) – Source: Discogs.com
~ Ja Da, Milestones, Night Train – Source: Wikipedia.org
© 2025 by Edward Thomas Carter
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Daily Dose Of Jazz…
Michael Nickolas was born on March 23, 1962 in Southington, Connecticut. A move to Boston, Massachusetts in 1980 had him attending the Berklee College of Music. After graduating Cum Laude in 1984, the guitarist became a founding member and leader of one of Boston’s most successful local acts, High Function. The group played extensively at clubs and colleges throughout New England and toured Switzerland, New York City, and recorded an eight song album in Chicago, Illinois.
After leaving High Function, he co-found and played guitar for the Boston Music Award winning R&B band, Universal Language. In addition to performing, Michael was teaching himself the art of recording, and built a home recording studio, worked as a freelance recording engineer, and has been published numerous times in the international periodical, Recording Magazine.
His home studio, Studio Nine Productions, has clients working on everything from voice over narration sessions to digital audio editing and CD creation. As a composer, Nickolas has licensed original music for NBC, ABC and CBS television’s daytime programming. In prime time, as well as Showtime.
Guitarist Michael Nickolas continues to perform, compose, record and engineer.
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Daily Dose Of Jazz…
Antonio Ciacca was born in Wuppertal, Germany March 14, 1969 and raised in Italy. He began playing the piano at the age of seven and studied with Steve Grossman, Jaki Byard, Bruce Barth and Barry Harris.
Ciacca toured Europe with the Larry Smith Quartet in 1995 and 1996, played in Japan with the Eiji Nakayama Quartet in 1998, and toured Europe with Wes Anderson and Steve Lacy in 1999. His study with Jaki Byard in 1998–99, and dedicated the album Hollis Avenue to him.
He founded the Detroit Gospel Singers, and toured Europe with them in 2000. He earned his undergraduate Diploma at the G.B. Martini Conservatory in Bologna, Italy. He became Director of Programming at Jazz at Lincoln Center from 2007 to 2011. Earning his master’s degree in jazz studies at City College in New York City and his DMA, Doctor of Musica Arts at Stony Brook University.
Pianist Antonio Ciacca is currently the adjunct professor of Jazz History at Marymount Manhattan College, and Professor of Jazz Arranging and Composition at the G. Nicolini Conservatory in Piacenza, Italy.
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