Daily Dose Of Jazz…

Scott Samenfeld was born on October 26, 1951 in New York City and grew up between the city and New Jersey. Moving to Boston, Massachusetts in 1970 he attended Berklee College of Music and has been performing in the Boston area ever since.

The first band Scott founded, Muse Stew, began its life performing jazz and poetry. He currently leads his group performing his original compositions as well as other jazz and Latin artists. They blend African, Afro-Cuban, Brazilian and other folk rhythms of jazz.

Samenfeld performs with a 16 piece big band, the Sounds of Swing Orchestra. They have been performing throughout New England for almost 20 years. As an educator Samenfeld has been a music teacher for many years and taught music theory and jazz guitar at the Guitar Workshop. During the 1970’s he taught jazz ensemble and instrumental music at the Cambridge School in Weston and The Open Road School in Waltham during that period as well.

Scott has focused on composing and performing his music and has been a member of the groups Razzamatazz, Trillium, Favela, and Ibrahima’s World Beat.

Bassist Scott Samenfeld who plays in the mediums of avant garde, bossa nova, and modern jazz, continues to perform, compose and teach.

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Daily Dose Of Jazz…

Oscar Feldman was born on June 12, 1961 in Cordoba, Argentina listening to his father’s jazz collection. He attended Conservatorio Provincial de Musica and was soon part of the prominent music scene in his hometown, becoming a founding member of acclaimed band Los Musicos del Centro.

Beginning in 1979 when he was 19 Oscar accepted an invitation to join bandoneonist Hermeto Pascoal and Dino Saluzzi to join his group. Moving to Buenos Aires, Argentina his career took off and he became a sought after studio musician. He recorded more than 40 albums as a sideman and toured with Argentina’s most prominent artists. Winning the Outstanding Performance Award as the Best Soloist in Fusion in 1986, he went on to procure the Achievement Scholarship Award from Berklee College of Music and graduated cum laude in 1995 with a Major in Professional Music.

Realizing he could bridge two worlds he joined Dizzy Gillespie’s United Nations Orchestra conducted by Paquito D’ Rivera. Moving to New York City his reputation grew as a versatile musician, and worked with Al Di Meola, Eumir Deodato, Jeff Tain Watts, Avantango, Alex Acuna, Bebo Valdes and His All Star Latin Jazz Band. He toured and performed across the United States, Europe and Africa.

As a leader Feldman has led numerous tours Horacio Negro Hernandez, Alex Acuna, Dave Samuels, Otmaro Ruiz and Tom Kennedy. As an educator he is currently on the faculty at the New York Jazz Academy, has taught workshops and clinics at Berklee College of Music in Boston, Massachusetts. He leads his own music jam classes weekly in New York and has written an article for Down Beat Magazine.

By the end of the 1990’s he recorded his debut as a leader El Angel on the Songosaurus record label. For his sophmore ten track album Oscar e Familia was released in 2009 on Sunnyside, he put together a Pan-American cast of Mexican drummer Antonio Sanchez, Cuban pianist Manuel Valera, Puerto Rican bassist John Benitez and Curacao percussion master Pernell Saturnino.

Alto saxophonist and composer Oscar Feldman. known for his splendid tonalities and melodically outstanding charts, continues to transcend his musical horizons.

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Daily Dose Of Jazz…

Denys Justin Wright, known professionally as Denny Wright, was born on May 6, 1924 in Deptford, London, England. He grew up in Brockley with frequent forays to the Old Kent Road and the Elephant and Castle. His first instrument was the piano. His older brother was a semi-professional guitarist and soon he was trying to play his brother’s guitar. He began playing professionally before the Second World War, while at school.

A session musician for many years, he frequently acted as arranger and fixer for recording sessions. As a prolific jazz and orchestra composer Wright led many bands, from small ensembles and night club bands to orchestras. He worked with Latin American and Jamaican bands, Afro-Cubists and the Decca Records house band.

In the Forties Wright played in jazz clubs in the West End of London, doing session work, performed in bands on radio shows, and medically unfit to serve due to a childhood injury, he entertained the troops. In 1945 he started the first bebop club in London.

He went on to form several bands, tour the Soviet Union, and continued his work as a session musician, producing Tribute To The Hot Club as The Cooper-Wright Quintet. Denny gave private lessons and at London comprehensive schools, and he lectured at the Royal College of Music on the life of a session musician.

During his career he worked with Stéphane Grappelli, Lonnie Donegan, Johnny Duncan, Digby Fairweather, Ella Fitzgerald, Ken Snakehips Johnson, Billy Eckstine, Fapy Lafertin, Russ Conway, Biréli Lagrène, Humphrey Lyttelton, Marie Bryant, Nigel Kennedy, and George Shearing.

Guitarist and pianist Denny Wright, who was voted the 1980 BBC Jazz Society Musician of the Year, died on February 8, 1992.

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Daily Dose Of Jazz…

Alejandro Vargas Rodríguez was born on February 4, 1980 in Havana, Cuba and started his musical studies at six years old, receiving lessons from Joel Rodríguez Milord, Ulises Hernández and Harold Gramatges. These continued until he graduated as a concert pianist from the University ISA (Instituto Superior de Arte) in Havana. He completed his studies with different seminars led by Herbie Hancock, Chucho Valdés, Danilo Pérez or Jorge Luis Prats.

When he was 20 he recorded his first album Calor, performing the arrangements of Benny Moré compositions. He began his jazz career performing at the Festival Jazz Plaza while attending college.

Forming his first jazz trio he competed in the 2001 in the Jojazz competition winning 1st Prize. Two years later his band Alejandro Vargas and Oriental Quartet is one of the most recognized in the country. With this fame he began touring internationally and his album Trapiche recorded in was awarded the best jazz jazz album of the year in Cubadisco contest in 2008.

Experimenting with a wide range of styles he moves from abstract to traditional where jazz standards and popular Cuban music are taken to the aesthetic of free improvisation. His trio plays between the contemporary and the afrocuban. For two years in 2006 he was a professor of Harmony and Popular Piano at the University of Havana and worked as a composer of audio visual and documentary at the school of international cinema of San Antonio de los Baños.

Developing an intense work on free improvisation and free jazz, he continually explores new horizons. Pianist Alejandro Vargas Rodríguez is currently recording a new trio album across different landscapes from the sonority of the oriental organ evoking the rural Cuban fields to mambo to the blues to Monk’s minimalism.

BRONZE LENS

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Daily Dose Of Jazz…

Francisco “Chino” Pozo was born on October 4, 1915 in Havana, Cuba. An autodidact on piano and bass, he concentrated on bongos, congas, and drums before leaving his home for greener pastures. Moving to the United States in 1937, he played with Machito from 1941–43 and with the Jack Cole Dancers from 1943-1949.

In the Fifties he went on to play in numerous jazz ensembles, especially latin jazz and Afro-Cuban jazz. He performed and/or recorded with Jose Curbelo, Noro Morales, Tito Puente, Tito Rodríguez, Enric Madriguera, Perez Prado, Josephine Premice, Tadd Dameron, Charlie Parker, and Dizzy Gillespie.

He toured with Peggy Lee in 1954-55 and played with Stan Kenton in 1955, Herbie Mann in 1956, Xavier Cugat and René Touzet in 1959.

He also recorded with Illinois Jacquet, Phineas Newborn, Gábor Szabó, Paul Anka, Justo Betancourt, Harry Betts, Fats Navarro, Eddie Palmieri, Johnny Richards, A. K. Salim, Billy Taylor, Clark Terry, Chico O’Farrill, Julius Watkins and Charlie Rouse.

Drummer Chino Pozo, whose claim to be the cousin of Chano Pozo has been disputed, died on April 28, 1980 in New York City.

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