Daily dose Of Jazz…

David Kane was born in Glasgow, Scotland on April 13, 1955 and moved to the United States with his family in 1965. He began playing piano and composing music at the age of eight and went on to attend North Texas State University in 1972. Moving to Washington, D.C. in 1975, he studied with Doctor Asher Zlotnik for five years. In addition, he studied with Ludmila Ulehla, Alan Mandel, and Clare Fischer.

He has performed with Woody Shaw, David Liebman, Marlene VerPlanck, Charlie Byrd, Jim Snidero, Mark Murphy, Eddie Daniels, Dizzy Gillespie, Pam Bricker, Maxine Sullivan, Tom Keenlyside, and Michelle Hendricks. In addition, he has led his jazz quartet featuring drummer Michael S. Smith, saxophonist Glenn Cashman, and bassist Drew Gress.

Kane has accompanied many classical artists including the Twentieth Century Consort, the National Symphony Orchestra, Baltimore Symphony Orchestra, Charlotte Church, Joshua Bell, Renée Fleming, Denyce Graves, and James Galway.

Having composed a variety of chamber works, David is also a prolific composer for film and television for over 30 years with over 250 credits to his name. Most notably, he composed music for the National Geographic Channel, the Smithsonian Channel and for Public Radio International.

From 2006 to 2015, he put on his music critic cap and wrote for Cadence Magazine. In 2021 Jamey Aebersold Jazz published his treatise on improvisation, Playing Outside the Chord. Pianist, composer, arranger, author and music critic David Kane continues to expand his endeavors in music.

ROBYN B. NASH

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Daily Dose Of Jazz…

Jayna Nelson was born in Lincoln, Nebraska on March 16, 1958. She began to study piano as soon as she could reach the keyboard. At age 9 she began to study the flute as well and by age 17 had won both the Baldwin Junior Keyboard award and the l Music Teachers’ National Association Competition.

Graduated from the University of Toronto in Flute Performance, for the next two years, she served on the faculty at University of Toronto teaching chamber music. There she also premiered a work by Mario Davidovsky, and was principal flutist with the Union College Orchestra, the Wesleyan College Orchestra, Opera Omaha Orchestra and Symphony Canada. In 1983 she attended the Banff Centre Jazz program headed by Dave Holland and studied and performed with Anthony Braxton, Don Thompson, Dave Liebman and John Abercrombie.

A move to New York City in 1989 saw her continuing to work in the classical and jazz genres as a performer, producer, composer, arranger and educator. She designed and implemented integrated arts curriculum for New York area schools and summer camps. She has lectured and given seminars, maintained a private teaching studio for over 20 years and  has been a flute technician and consultant for Anthony Braxton, Dave Liebman, Joe Giardullo, Jeanne Baxtresser, Joannie Maddon, Carlos Malta, Hermeto Pascoal, and James Moody.

Nelson has recorded and performed with a host of musicians including Karl Berger, Hilliard Green, Howard Johnson, Silvana Malta, Francois Moutin, Hermeto Pascoal, Sirius String Quartet, Petula Clark, Ingrid Jensen, Marty Morrell, Dave Valentine, and numerous others.

Flutist Jayna Nelson continues to perform, tour, compose, record and educate.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Richard Hyman was born in New York City on March 8, 1927 and grew up in suburban Mount Vernon, New York. His older brother, Arthur, owned a jazz record collection and introduced him to the music of Bix Beiderbecke and Art Tatum. Trained classically by his uncle, concert pianist Anton Rovinsky, who taught him touch and a certain amount of repertoire while he pursued Chopin on his own.

Enlisting in the U.S. Army in 1945, Dick was transferred to the U.S. Navy band department. After leaving the Navy he attended Columbia University where he won a piano competition with the prize being 12 free lessons with swing-era pianist Teddy Wilson. It was during this period Hyman fell in love with jazz.

During the 1950s Relax Records released his first two solo piano versions of All the Things You Are and You Couldn’t Be Cuter. Hyman recorded two honky-tonk piano albums under the pseudonym Knuckles O’Toole and recorded more as Willie the Rock Knox and Slugger Ryan.

In the 1950s and early 1960s Dick worked as a studio musician and performed with Tony Bennett, Perry Como, Guy Mitchell, LaVern Baker, Ruth Brown, Mitch Miller and many more. He played with Charlie Parker for Parker’s only film appearance and had a stint as music director for Arthur Godfrey’s television show from 1959 to 1961.

As a composer, arranger, conductor, and pianist he worked on eleven Woody Allen films as well as other films like Moonstruck and Scott Joplin. Hyman composed and performed scores for ballet and dance companies. In the 1960s, Hyman recorded several pop albums on Enoch Light’s Command Records       using the Lowrey organ and then the Moog synthesizer.

Between 1970    and 2014 he recorded 112 albums as a leader, sixty-two as a sideman, and arranged four albums for Count Basie, Trigger Alpert and Flip Phillips. He has been a guest performer at jazz festivals and concert venues around the world. In 1995 pianist and composer Dick Hyman moved his wife Julia permanently to Venice, Florida.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Kathleen Gorman was born on February 18, 1967 and grew up in Halifax, Nova Scotia in a musical family where creative expression was encouraged. Piano lessons started at age six, and years of classical studies gave her a solid musical foundation. She began performing and writing in her teens and after composing a theme for CTV for the Winter Olympics, she moved to Montreal, Canada to pursue jazz piano, arranging and composition studies. Completing a Bachelor of Fine Arts at Concordia University, Montreal she  followed this by McGill for advanced study in composition and orchestration.

She continuously worked as a pianist/vocalist for several years in Montreal clubs before settling in Toronto, Canada where she began performing weekly, and set up a home studio, for recording projects and teaching. She is a Toronto based pianist/vocalist, as well as a composer/arranger and jazz educator, teaching jazz piano, theory and composition. She has trained with Jan Jarczyk, Jon Ballantyne, Hilario Duran, Sheila Jordan, Barry Harris, Kurt Elling, and Jeri Brown.

Pianist, vocalist and bandleader Kathleen Gorman continues to record, arrange, compose and educate, performing often in Toronto.

BRONZE LENS

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Daily Dose Of Jazz…

John Francis Coates Jr. was born February 17, 1938 in Trenton, New Jersey to a full-time performing musician and bandleader father, and his mother a dancer and actress. He attended Ewing High School and began his formal study in New York City at age eight with Urana Clarke at the Mannes College of Music on full scholarship. His earliest influences were credited to listening to Symphony Sid on his AM radio.

From age 11 to 14 he played clarinet with his father at the Trenton YMCA dance hall night, where he learned to improvise. His father began teaching him jazz piano at twelve and influenced by Jack Weig he joined the Trenton musicians union the same year. By 14 he was playing gigs two nights a week, as well as weekends and at sixteen he was gigging six nights a week during the summer at the Deer Head Inn where Savoy Records discovered him.

He recorded his debut Savoy album, Portrait, with bassist Wendell Marshall and drummer Kenny Clarke during his senior year of high school. He performed on the Steve Allen, Mike Douglas, and Merv Griffin tv shows in support of that album. From 1956 to 1958 he toured with Charlie Ventura, then while in college John played with Barry Miles, Eddie Gomez, Ron Carter, Woody Shaw, Harry Leahey, Al Cohn, Zoot Sims, Kai Winding, Urbie Green, and Pepper Adams.

Attending Rutgers University he graduated with a degree in romance languages in 1962. After graduating Coates returned to Deer Head where he again played six nights a week, four alone and two as bandleader. He took a position with Shawnee Press as an arranger and editor. He began performing at Henderson’s Club 50, where he had a six night per week gig and played with Coleman Hawkins, Clark Terry, Doc Severinsen, Phil Woods, Marvin Stamm and Bill Watrous among others.

Moving to Mountain Lake, New Jersey in 1966 and began working as an editor at Shawnee Press, arranged on his own time on a royalty basis, and playing at the Deer Head year round where he became an early inspiration for Keith Jarrett, who would listen and sit in occasionally. His arrangement for Amazing Grace has sold more than 750,000 copies and remains one of the publishing company’s best sellers.

John recorded nine albums for the record label Omnisound, toured briefly with bassist Paul Langosch, then began recording for Pacific St Records, including two albums with Phil Woods. In the 1990s, he became homeless and attempted suicide, then moved to Coney Island and began playing again around the year 2000.

Pianist, composer and arranger John C. Coates Jr., who occasionally played vibraphone and clarinet, died on November 22, 2017.

BRONZE LENS

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