Daily Dose Of Jazz…
Gus Bivona was born on November 25, 1915 in New London, Connecticut. He got his musical start under the close eye of his musician parents, his mother was a pianist, and his father was a guitarist. His first instrument was violin, but he switched to a combination of alto saxophone and clarinet at the age of 16.
He began his professional debut in the Spider Johnson Band, followed by performing around New England in Leo Scalzi’s Brunswick Orchestra. 1935 saw Gus begin a lengthy stint with the Jimmy Monaco Orchestra and worked with the Hudson-DeLange Orchestra, He went on to spend several months with Bunny Berigan in 1938. Through the end of the decade he worked with bandleaders Will Hudson and Teddy Powell.
In 1940 he put his name on his first band but work as a sideman in more established bands appeared to be what he was after. He spent a period with Benny Goodman in 1940 through the spring of 1941 alongside Charlie Christian. Prior to joining the Naval Air Force Band, Bivona gigged with Jan Savitt and Les Brown & His Band of Renown. He went on to have a series of gigs with Tommy Dorsey and Bob Crosby post World War II.
Signing on with MGM In 1947 he performed numerous studio sessions and on freelance recordings into the 1950s. He connected with Steve Allen, the two would occasionally hit the concert trail, including a lengthy club residency at the Roundtable in New York City. Their collaboration rendered Music for Swingers: Gus Bivona Plays the Music of Steve Allen in 1958 followed by many other West Coast jazz recordings. They were in the company of top studio players and arrangers, such as Skip Martin, Henry Mancini and Pete Rugolo.
Clarinetist Gus Bivona, who also palys saxophone and flute, died on January 5, 1996 in Los Angeles, California.
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Daily Dose Of Jazz…
Fletcher Smith was born on September 22, 1913 in Lincoln, Nebraska and was orphaned by the age of eight. He and his siblings moved in with their grandfather who had a nine-room house. When the Lloyd Hunter Serenaders came through Lincoln and there was a guitar player there named Finney. He asked Finney to teah him to play if he could get his uncle to buy him a banjo. He wrote out a chart of chords and gave him lessons when he came back.
Smith played for Cootie Williams in 1943 and in the following years with Slim Gaillard, King Perry, Varetta Dillard, Jimmy Rushing, Big Maybelle, Linda Hopkins, Sister Rosetta Tharpe, Stick McGhee, Mickey Baker, Percy Mayfield, and Geechie Smith. In the Fifties he performed with Earl Bostic, Percy Mayfield, Benny Carter, Billy Eckstine, Lionel Hampton, Les Hite, and the Ink Spots, among others.
Under his own name, Fletcher Smith’s Squares and Fletcher Smith’s band, he played in the 1950s and recorded several singles such as Mean Poor Gal, Ting Ting Boom Scat or Shout, Shout, Shout. He recorded extensively as a sideman and toured most of the United States with various organizations. During the early 1970s he was a popular artist in Paris, France performing with the Golden Gate Quartet. From 1981 to 1991 he was featured in Las Vegas, Nevada.
Upon his return to Los Angeles, he became one of the mainstays of the Southern California music scene, he continued playing and honing his book of tunes and arrangements until his death. Pianist and bandleader Fletcher Smith died on August 15, 1993 in Los Angeles, California.
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Daily Dose Of Jazz…
Art Anton was born on September 8, 1926 in New York City. In the early 40’s he was a private student of Irving Torgman, and was a music major at New York University from 1943 through 1944. He returned for further studies from 1946 through 1947. In between, the Navy grabbed him to play its own military paradiddles. From the late ’40s onward, he began working with leaders such as Herbie Fields, Sonny Dunham, Bobby Byrne, Tommy Reynolds, and Art Wall.
In 1952, he got into the combo of saxophonist Bud Freeman, moving to pianist Ralph Flanagan’s band the following year. Anton’s drumming style stuck closely to straight-ahead jazz swinging or whatever other beat was required. After gigs in 1954 with Jerry Gray and Charlie Barnet, he relocated to the west coast and began freelancing. He performed and recorded with the big band of Stan Kenton to multi-instrumentalist Jimmy Giuffre’s smaller units.
Maintaining steady employment as a jazzman on the stingy Los Angeles, California scene was difficult, and Artie looked for other types of employment. During the ’60s, he turned to selling vacuum cleaners, worked as a private detective, while remaining a highly respected West Coast percussionist.
Drummer and percussionist Art Anton, who is also listed as Artie or Arthur, died on July 27, 2003 in Yakima, Washington.
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Daily Dose Of Jazz…
Court Mast was born Corky Miller on August 24, 1951 in Sunnyvale, California, where he took up the accordion and then trumpet in grade school. He went to Fremont High School, graduating in 1969. He traveled to Europe on tour with 120 high school and college musicians. Trumpet great Raphael Mendez was on board as guest artist, and Corky took six weeks of private lessons from the master. Returning to the Bay Area, he began performing in big bands around the South Bay and Peninsula and performed with the earliest version of the band that went on to fame as Tower of Power.
While taking performance and composition courses at De Anza College, Corky stayed active in a wide variety of bands, playing rock, jazz, Latin and Mexican music that kept this young working trumpeter onstage. By 1977 he moved to San Francisco, California where he led quartet and quintet jazz groups active on the North Beach music scene and in funky venues like the Hotel Utah.
Disillusioned with the direction that popular music, and jazz in particular, was moving in, in 1983 Miller stepped away from the music world. He became a surfer, changed his name to Court Mast, got into photography and became one of San Francisco’s leading commercial photographers. Then in the first decade of the new century his love of music returned and in 2008 he recorded his debut album Sausalito Summer
Composer and cornetist Court Mast, whose influences have been Henry Mancini, Chuck Mangione, Maurice Ravel, Duke Ellington, the Beatles, Steely Dan, Clifford Brown and Thad Jones, continues to compose and perform as well as maintain his photography.
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Daily Dose Of Jazz…
Thomas Robert Talbert was born on August 4, 1924 in Crystal Bay, Minnesota and grew up listening to big band music on the radio. He learned to play piano before he became a composer. He got started as a band leader when he was drafted in the Army in 1943, becoming composer for a military band at Fort Ord, California, performing for War Bond drives throughout California.
In the late 1940s he led his own big band on the West Coast, much of his work foreshadowing what became known as West Coast jazz. During the decade in Los Angeles he worked with Johnny Richards, Lucky Thompson, Dodo Marmarosa, Hal McKusick, Al Killian, Art Pepper, Steve White and Claude Williamson…….
Moving to New York in the early 1950s after being denied a recording contract in Los Angeles, California he worked with Marian McPartland, Kai Winding, Don Elliott, Johnny Smith, Oscar Pettiford, Herb Geller, Joe Wilder, Eddie Bert, Barry Galbraith, Aaron Sachs and Claude Thornhill. In 1956, Talbert recorded two records that would become his best known works, Wednesday’s Child and Bix Duke Fats, which gained him fleeting fame.
When rock and roll eclipsed jazz in popularity, in 1960 he moved to his parents’ home in Minnesota. He tried his hand at cattle ranching in Wisconsin but eventually moved back to Los Angeles and a musical career in 1975. As a sideman he recorded with the Boyd Raeburn Orchestra, Johnny Richards, and Patty McGovern.
In addition to composing for TV and movie studios, he became involved in music education, and set up a foundation to help talented young musicians, with one of the first recipients in 1996 was Maria Schneider.
Pianist, composer and band leader Thomas Talbert, who recorded eighteen albums as a leader, transitioned on July 2, 2005 in Los Angeles.
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