Daily Dose Of Jazz…
Charles Gayle was born February 28, 1939 in Buffalo, New York and his childhood was influenced by religion, and his musical roots trace to black gospel music. He began his musical education on piano then added tenor and alto saxophone. Much of his history is murky, he spent an apparent homeless period of about twenty years playing saxophone on street corners and subway platforms around New York City.
A multi-instrumentalist playing pianist, bass clarinetist and percussion, his music is spiritual, heavily inspired by the Old and New Testaments, explicitly dedicated several albums to God. Gayle credits among his influences Louis Armstrong, John Coltrane, Albert Ayler, Thelonious Monk and Art Tatum.In 1988, he gained fame through a trio of albums recorded on the Swedish label Silkheart Records. Since then he has become a major figure in free jazz, recording for Black Saint, Knitting Factory, FMP and Clean Feed record labels.
Charles has performed and recorded with Cecil Taylor, William Parker and Rashied Ali with his most celebrated work to date being Touchin’ on Trane with Parker and Ali. He would include lengthy spoken-word addresses in his performances and for a period performed as a mime, “Streets the Clown”. As an educator he taught music at Bennington College.
In 2001, Gayle recorded an album titled Jazz Solo Piano of consisted mostly of straightforward jazz standards in response to critics who charge that free jazz musicians cannot play bebop. In 2006, Gayle followed up with a second album of solo piano originals, and his most recent release in 2012 is titled Streets. His final recording as a leader was The Alto Sessions in 2019.
Suffering from complications of Alzheimer’s disease, saxophonist Charles Gayle, who also played piani, bass clarinet, bass and percussion, died in Brooklyn, New York on September 7, 2023 at the age of 84.
Daily Dose Of Jazz…
Eddie Higgins was born Edward Haydn Higgins on February 21, 1932 in Cambridge, Massachusetts and began study of piano with his mother. His professional career began in Chicago while attending Northwestern University. He played the most prestigious clubs in Chicago for more than two decades in the 50s and 60s with his longest tenure at the London House, playing opposite Cannonball Adderley, Bill Evans, Errol Garner, Stan Getz, Dizzy Gillespie, Oscar Peterson, and George Shearing among others.
As a leader he amassed a number of recordings during the Chicago years but as a sideman he added many more albums working with Wayne Shorter, Coleman Hawkins, Bobby Lewis, Freddie Hubbard, Jack Teagarden and Al Grey to name just a few.
Equally adept in every jazz circle Eddie was able to work in Dixieland, modal, bebop and swing as well as being a persuasive, elegant and sophisticated pianist whether he was soloing or accompanying a singer.
Higgins eventually moved to Fort Lauderdale, Florida, played in local clubs, performed the jazz festival circuit, toured Europe and Japan, and continued to record up until his death on August 31, 2009 at 77.
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Daily Dose Of Jazz…
Wade Legge was born on February 4, 1934 in Huntington, West Virginia. He played more bass than piano in his early years, and it was with the bass that Milt Jackson first noticed him, recommending Wade to Dizzy Gillespie. After hiring him, Gillespie moved him to piano and he remained a member of Gillespie’s ensemble until 1954. During his Dizzy years, Legge recorded a date in France as a trio session leader.
Following his tenure with Gillespie, Wade moved to New York City and freelanced there, playing in Johnny Richards’s orchestra, and sessions with Charles Mingus, Sonny Rollins, Milt Jackson, Joe Roland, Bill Hardman, Pepper Adams, Jimmy Knepper and Jimmy Cleveland.
Legge was one of three pianists recording as a member of the variously staffed Gryce/Byrd Jazz Lab Quintets in 1957 and appeared on more than 50 recordings before retiring to Buffalo in 1959. Jazz bassist and pianist Wade Legge died on August 15, 1963 in Buffalo, New York at the age of 29.
Daily Dose Of Jazz…
Herbert Anthony Charles Spanier was born in Cupar, Canada on December 25, 1928. He played guitar and harmonica at five, bugle in Regina, Canada cadet bands, and trumpet in high school. One of the first beboppers in Canada, and a figure of some legend on the Canadian jazz scene,
He played with Paul Perry and with his own band ‘Boptet’ in Regina before working in Chicago, Illinois from 1949-1950 and from 1950-1954 in Toronto, Canada. He was a sideman to Paul Bley in New York 1954-1955 and Los Angeles, California 1958-1959, and toured out of New York with the Claude Thornhill and Hal McIntyre orchestras in 1955.
He was an influential jazz musician in Montreal, Canada from 1956-1958 and between 1960-1971. Spanier taught briefly at Sir George Williams University, performed in various dance, hotel, and CBC orchestras, contributed music to NFB films. Herbie was the leader on the CBC’s ‘Jazz en Liberté’ and in various clubs. Returning to Toronto in 1971, he was a featured soloist for nine years with Nimmons ‘N’ Nine Plus Six.
For the next two and a half decades he led his own groups, won the Juno Awards, received a Special Recognition Award and recorded sessions in 1993-1994 in which he produced new works which combined with earlier recordings on compact discs.
Trumpeter, flugelhornist, pianist, and composer Herbie Spanier died in Toronto, Canada on December 13, 2001.
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Daily Dose Of Jazz…
Jerome Darr was born on December 21, 1910 in Baltimore, Maryland. His first major professional affiliation was a jug band, the Washboard Serenaders. As a member of this group from 1933 through 1936, the guitarist enjoyed a well-received European tour.
During the 1940s he focused on work as a studio musician showing up on sessions from blues to bebop. His incredibly versatile and prolific career had him playing behind Frankie Lymon & The Teenagers.
Between 1935 and 1973 Jerome participated in roughly twenty jazz recording sessions. in total for this artist. Such a thin statistic indicates that the hefty, complete list of recordings Darr appears on include many other styles besides jazz.
He recorded and/or performed with the Marlowe Morris Trio, Paul Quinichette All-Stars and his Quartet, Rex Stewartand the Charlie Parker Quintet. In his final years, Darr was mostly swinging in the busy band of trumpeter Jonah Jones, in a sense coming full circle with the type of playing he had started out with.
Guitarist Jerome Darr died October 29, 1986 in Brooklyn, New York.
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