Daily Dose Of Jazz…

Luiz Floriano Bonfá was born on October 17, 1922 in Rio de Janeiro, Brazil. He studied weekly with Uruguayan classical guitarist Isaías Sávio from the age of 11, spending five hours traveling to and from the guitarist’s Santa Teresa home. However his extraordinary dedication and talent for the guitar, Sávio excused the youngster’s inability to pay for his lessons.

Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio’s Rádio Nacional. He was a member of the vocal group Quitandinha Serenaders in the late Forties. As a composer his first compositions such as Ranchinho de Palha and O Vento Não Sabe were recorded and performed by Brazilian crooner Dick Farney in the 1950s. His first hit song was De Cigarro em Cigarro, recorded by Nora Ney in 1957.

Farney introduced Luiz to Antônio Carlos Jobim and Vinicius de Moraes, the leading songwriting team behind the worldwide explosion of Brazilian jazz/pop music in the late 1950s and 1960s. He collaborated with them and with other prominent Brazilian musicians and artists in productions of de Moraes’ anthological play Orfeu da Conceição, which several years later gave origin to Marcel Camus’ film Black Orpheus (Orfeu Negro).

Bonfá wrote some of the original music featured in the film, including the numbers “Samba de Orfeu” and his most famous composition, “Manhã de Carnaval” (of which Carl Sigman later wrote a different set of English lyrics titled “A Day in the Life of a Fool”), which has been among the top ten standards played worldwide.

As a composer and performer, he was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção style that predated the arrival of João Gilberto‘s more refined and subdued bossa nova style. Bonfá became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York’s Carnegie Hall.

Luiz worked with Quincy Jones, George Benson, and Frank Sinatra, and Elvis Presley sang his composition Almost in Love with lyrics by Randy Starr in the 1968 MGM film Live a Little, Love a Little. His composition The Gentle Rain with lyrics by Matt Dubey, and Sambolero have been recorded by numerous jazz musicians of the decades.

Guitarist and composer Luiz Bonfá, who played in a polyphonic style, harmonizing melody lines in a manner similar to that made famous by Wes Montgomery, passed away at 78 in Rio de Janeiro on January 12, 2001.

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Daily Dose Of Jazz…

Tim Berne was born on October 16, 1954 in Syracuse, New York. Though a music fan, he had no interest in playing until his matriculation through college, when he bought an alto saxophone. Even then he was more interested in rhythm and blues following Stax Records releases and those of Aretha Franklin until he happened upon Julius Hemphill‘s album “Dogon A.D. recorded in 1972.

Berne moved to New York City in 1974 and took lessons from Hemphill who was integrating soul and funk with free jazz, and then later recorded with him. In 1979, he founded Empire Records, released his own recordings, then recorded Fulton Street Maul and Sanctified Dreams for Columbia Records, generating discussion and controversy by straying away from the neo-traditionalist hard-boppers of the 80s into the avant-garde.

By the late Nineties Tim founded Screwgun Records, released his own recordings, as well as others musicians. He has played in the sideman seat with guitarists Bill Frisell and David Torn, composer/saxophonist John Zorn, violinist Mat Maneri, and cellist Hank Roberts, trumpeter Herb Robertson, bassist Michael Formanek, trombonist Ray Anderson , saxophonist Ingrid Laubrock and has been a member of the group Miniature.

Wearing his composer hat, Berne creates complex, multi-section compositions are often quite lengthy, often twenty to thirty minutes. However, utilizing brilliantly creative and experienced musicians who don’t get lost or make their audiences never grow tired. He has been a part of nine different groups and has recorded forty-one albums. Alto saxophonist and bandleader Tim Berne continues to compose and perform prolifically.

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Daily Dose Of Jazz…

Bill Charlap was born William Morrison Charlap on October 15, 1966 in New York City. Coming from a musical background and a distant cousin to famed jazz pianist Dick Hyman. His mother, singer Sandy Stewart had the hit “My Coloring Book”, his father, Broadway composer Moose Charlap.

Charlap began playing piano at age three. He later studied classical music but remained most interested in jazz. Over his career he has worked with Gerry Mulligan, Benny Carter, Tony Bennett, Phil Woods, Scott Hamilton, Ron Carter, and others. In the mid-90s, he was the musical director of Midnight in the Garden of Good and Evil, A Celebration of Johnny Mercer, part of New York’s JVC Jazz Festival. In 1995 he joined the Phil Woods Quintet.

Charlap has recorded seven albums as a leader or co-leader for Blue Note, has had two Grammy nominated CDs: “Somewhere” and “The Bill Charlap Trio, Live At The Village Vanguard”. He has recorded two albums as a leader for Venus Records, as well as eight albums as a member of the New York Trio.

Bill appears at least twice a year for lengthy runs at some of the world’s major jazz clubs with his rhythm section, consisting of double bassist Peter Washington and drummer Kenny Washington. He became the Artistic Director of New York’s 92nd Street Y “Jazz in July” six program series in 2004. In 2008, the pianist became part of The Blue Note 7, celebrating the 70th anniversary of the label, recording Mosaic with promotion tour around the world. He continues to compose, record and tour.

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Daily Dose Of Jazz…

Matthew Parrish was born on October 14, 1969 in Fresno, California. Traveling with his parents most of his formative years, the bassist developed a wide appreciation for culture and arts and his family finally settled in New Jersey for his high school years. This led to his tenure at Rutgers Mason Gross School of the Arts. From there he moved to Philadelphia where his music studies really began at Ortliebs Jazz Haus.

At Ortliebs, Parrish played with Mickey Roker and Shirley Scott, backing everyone from Cecil Payne, Johnny Coles and Danny Turner to Sylvia Simms. He was soon partnered with Al Grey and while touring hit with Clark Terry, Marian McPartland, Dr. Lonnie Smith, Lou Donaldson, Joe Cohn, Savion Glover, Bill Charlap and many others.

Considering himself an East Coast player his list of accolades is more than sufficient to fall in the lineage of great Philly players. He has toured all over the world and his beautiful, warm and complex sound has earned him an impressive reputation in the music community. He has toured with Greg Osby, Stefon Harris and Regina Carter among others and continues to tour with the Dave Leonhardt group, Houston Person as well as the Vana Gierig Trio with Paquito D’Rivera. Bassist Matthew Parrish also continues to perfect his arrangements and compositions – a true passion for the music.

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Daily Dose Of Jazz…

Johnny Lytle was born John Dillard Lytle on October 13, 1932 in Springfield, Ohio, the son of a trumpeter father and an organist mother. He began playing the drums and piano at an early age. Before studying music in earnest, he was a boxer and was a successful Golden Gloves champion. During the late ’50s, Lytle continued to box, but landed jobs as a drummer for Ray Charles, Jimmy Witherspoon and Gene Ammons.

Switching from drums to vibraphone Johnny toured with organist Hiram “Boots” Johnson in 1955 and then formed his first group in 1957 with saxophonist Boots Johnson, organist Milton Harris and drummer William “Peppy” Hinnant. He so impressed Grammy winning producer Orrin Keepnews who signed him to his Jazzland label in 1960.

Known for his great hand speed and showmanship, Lytle was also a songwriter, penning many of his own hits, including “The Loop,” “The Man,” “Lela,” “Selim” (honoring Miles Davis), and the jazz classic “The Village Caller”. He recorded more than 30 albums for various jazz labels including Tuba, Jazzland, Solid State and Muse. Throughout his career he performed and recorded with a host of jazz greats including Louis Armstrong, Lionel Hampton, Miles Davis, Nancy Wilson, Bobby Timmons and Roy Ayers.

Johnny never recorded with any of the major record labels fearing loss of control of his music and creative development, thus never gaining the status of a jazz icon like some of his peers, but finding success early in his career with chart-topping albums like A Groove, The Loop, and Moonchild. Nicknamed “Fast Hands,” he always kept an audience’s attention, was popular on the jazz circuit and built a respectable catalog of music with recordings in the ’70s,’80s and ’90s. Johnny toured throughout the U.S. and Europe, with his last performance one month before his passing on December 15, 1995 in his hometown of Springfield. The street where the vibraphonist and drummer used to live was renamed Johnny Lytle Avenue in his honor.

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