Daily Dose Of Jazz…
Sam Wooding, born on June 17, 1895 in Philadelphia, Pennsylvania learned to play piano as a child, eventually becoming a bandleader who led several big bands in both the United States and abroad. In 1925 while performing at Small’s Paradise in Harlem, a Russian impresario hired him to be the pit band for the Chocolate Dandies in Berlin. That date led him to a record date for Vox Records with Doc Cheatham, Herb Fleming in the band.
In 1929, with a change in personnel, Wooding’s orchestra made more recordings in Barcelona and Paris for the Parlaphone and Pathé labels. He would remain in Europe, performing on the Continent, in Russia and England through most of the 1930s. He became an expatriate and his overseas stays made him virtually unknown in the States, building staunch jazz fans that liked what his orchestra offered.
Returning home in the late 1930s, when World War II seemed a certainty, Wooding began formal studies of music, attained a degree, and began teaching full-time, counting among his students trumpeter Clifford Brown. During this period he would lead and tour with the Southland Spiritual Choir. By the early 1970s, he formed another big band and took it to Switzerland for a successful concert, but this venture was short-lived. Pianist, arranger and bandleader Sam Wooding passed away on August 1, 1985 at age 89.
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Daily Dose Of Jazz…
Ivan Lins was born on June 16, 1945 in Rio de Janeiro, Brazil. He began studies at the Military College in Rio, received an industrial chemical engineering degree from the Federal University and spending several years in Boston, Massachusetts with his naval engineer father, he continued his graduate studies at M.I.T. He considered a career in volleyball before discovering his considerable musical talent.
As a pianist Luiz Eça and João Donato influenced Lins. While in college he performed in a jazz-bossa trio. In 1970 Ivan started his music career by winning second place in a competition with the song “O Amor É o Meu País” and that same year famed Brazilian singer Elis Regina recorded his composition “Madalena”. He would host the TV Globo show Som Livre Exportaçã, partner with Vitor Martins and the two would become MPB history with romantic verses and political anthems.
His influence of jazz and bossa nova became evident in his music and an invitation from Quincy Jones brought him to international attention. Quincy recorded “Velas” (Sails) which won a Grammy, and George Benson recorded his Love Dance, and Paul Winter recorded “Velho Sertão”, renaming it Common Ground. It wasn’t too longer afterward that jazz artists like Patti Austin, Herbie Mann, Sarah Vaughan, Joe Pass, Diane Schuur, Manhattan Transfer and Ella Fitzgerald were recording his melodies.
He has recorded three-dozen albums, won two Latin Grammy awards, has won Best MPB Album of the Year, and many of his tunes have been part of Grammy winning albums and is one of the three most recorded Brazilian composers outside their native land.
Daily Dose Of Jazz…
Nasheet Waits was born on June 15, 1971 in New York City, the son of legendary drummer Freddie Waits, and learned to play the drums as a child. Before pursuing a music career, he studied psychology and history at Morehouse College. Transferring to Long Island University, he graduated with a degree in music but during his matriculation, in 1970, drummer and instructor Michael Carvin, who laid a great foundation for Waits, secured him a spot in Max Roach’s M’Boom.
Waits has recorded or performed as a sideman with such talents as Fred Hersch, Antonio Hart, Joe Lovano, Jason Moran, Andrew Hill, Bunky Green, William Parker, Eddie Gomez, John Medeski, Ron Carter, Hamiett Bluiett, Steve Coleman, Bill Lee, Jackie McLean and Mark Turner among others.
Acquiring the moniker “Heavy” as a part of his jazz legacy, Nasheet has been active on the jazz scene since 1993 and delivered his first album as a leader in 2009, titled “Equality”. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States. Amidst all of that, Nasheet teaches private lessons to youth and adults, stressing a personal approach to the drums and music and remains dedicated to exploring his role and creative path in music.
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Daily Dose Of Jazz…
Karl Marsh was born on June 14, 1959 in Los Angeles, California. He learned to play the saxophone as a child coming out of the tradition of John Coltrane, Joe Henderson and Pharoah Sanders, with an added twist of Ben Webster.
Marsh’s big & warm toned tenor saxophone is comfortable in a variety of performance settings, from combos, duos and quintets delivering heartfelt ballads and standards and straight-ahead, earthy and spirit-filled original compositions.
Since 2009 Karl has held a regular gig at the Left Coast Wine Bar and Gallery, has played Maggiano’s at The Grove and the LA Farmer’s Market Summer Jazz Concert series in Los Angeles, has performed at Belgocargo in France, the Joe Henderson Tribute Concert and art venues throughout metro Los Angeles. He released his debut album titled “Push’N Ahead!” in 2005.
Tenor saxophonist Karl Marsh currently serves as the saxophone instructor for the Pasadena Community Youth Orchestra and also offers private instruction.
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Daily Dose Of Jazz…
Buddy Catlett was born George James Catlett on June 13, 1933 and grew up in Seattle, Washington. During his childhood he listened to records his mother brought home, and learned to play the cornet around age 10 after hearing Louis Armstrong, and by fourteen had saved enough money from his movie theater job to buy a saxophone. He would soon be gigging with his childhood friend Quincy Jones till 5:30 in the morning and then the two would go to Garfield High School a few hours later. It was during this time that he also met and performed with Ray Charles.
He first professional gig was with vibraphonist Bumps Blackwell’s band that included Ernestine Anderson, but by 17 had to stop performing due to tubercular pleurisy that hospitalized him for two years. Not to be beaten, he started taking bass lessons with Tiny Martin of the Seattle Symphony. Learning quickly he was soon asked to join pianist Horace Henderson’s band and on the road he went. This was followed up with a stint with Cal Tjader, a move to New York in 1958, and a European tour with Quincy Jones playing for the musical Free and Easy starring tapper Harold Nicholas.
Throughout his career he performed with Billie Holiday, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Count Basie and Louis Armstrong among others. He has appeared on over 100 recordings and is recognizable on the Sinatra/Basie arrangement of Fly Me To The Moon and Armstrong’s What A Wonderful World. With declining health, bassist Buddy Catlett scaled down his jazz performances in his hometown of Seattle but has not lost his popularity or respect from an admiring community. Bassist Buddy Catlett passed away on November 12, 2014, at age 81 at the Leon Sullivan Health Care Center in Seattle’s Central District.