Daily Dose Of Jazz…

Mervyn Africa was born on October 18, 1950 in Cape Town, South Africa and studied music there and sang in the boys choir. Moving to the United Kingdom in 1981 he searched for work in the bands of fellow exiles, trumpeter Hugh Masekela, percussionist Julian Bahula and saxophonist Dudu Pukwana. With drummer Brian Abrahams and Russel Herman he was a co-founder of the Afro/jazz group District Six.

He put together a quartet consisting of bassist Michael Mondesir, trumpeter Dave Defries and percussionist Nana Tsiboe. Drawing from his rich cultural and musical background, he created a strong reputation as a solo performer, band leader and big in African jazz.

As a composer he is known for his piano improvisations and unique compositions, Mervyn’s influences range from classic and carnival music through to township jazz and Malay musical heritage.

Pianist and composer Mervyn Africa, also known for his 2010 portrayal in Master Harold and The Boy, remains a major presence on the London scene. 

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Daily Dose Of Jazz…

Ronald Wayne Laws was born on October 3, 1950 and raised in Houston, Texas. He is the fifth of eight children and started playing the saxophone at the age of 11. He went on to attend Stephen F. Austin State University in Nacogdoches, Texas, for two years.

In 1971 he journeyed to Los Angeles, California to embark upon a musical career. He started performing with trumpeter Hugh Masekela and the following year joined Earth, Wind & Fire, where he played saxophone and flute on their album Last Days and Time. Eighteen months later he decided to become a solo artist. Laws released his debut album Pressure Sensitive on Blue Note Records in 1975.

His first two albums charted on Billboard and by his third album, Friends and Strangers in 1977 was certified gold. Ronnie produced and sang on his sister Debra’s 1981 album Very Special. He would go on to play saxophone through the Eighties on albums by Ramsey Lewis, Sister Sledge, Deniece Williams, Jeff Lorber, Alphonse Mouzon, and Howard Hewett. In the 1990s he recorded with Norman Brown and again with Earth, Wind & Fire.

Saxophonist, flutist and vocalist Ronnie Laws, who has also worked with Guru, Brian Culbertson, and the Crusaders, also influenced  Boney James and Norman Brown, and continues to explore the boundaries of his talent.

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Daily Dose Of Jazz…

Putte Wickman was born Hans Olof Wickman on September 10, 1924 in Falun, Sweden and grew up in Borlänge, Sweden where his parents hoped he would become a lawyer. He nagged them to allow him to go to high school in Stockholm, Sweden and when he arrived in the capital he still did not know what jazz was and probably the only 15 year-old who did not.

Not having access to a piano in Stockholm, he was given a clarinet by his mother as a Christmas present. As it turned out, he started to hang out with the worst elements in the class, those with jazz records. Wickman considered himself self-taught, having never taken classes on the instrument.

Artie Shaw and Benny Goodman were the role models for the young Wickman, who, in 1944 had turned to music full-time. He was taken on as band leader at Stockholm’s Nalen. He led a band at Nalen for eleven years, and during the 1960s he ran the big band at Gröna Lund and at Puttes, the club he co-owned, at Hornstull in Stockholm.

In 1994, Wickman received the Illis Quorum gold medal, today the highest award that can be conferred upon a private Swedish citizen by the government of Sweden.

Clarinetist Putte Wickman, who was a member of the Royal Swedish Academy of Music and active as a musician until shortly before his passing, died on February 14, 2006.

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Daily Dose Of Jazz…

Vinnie Cutro was born in New Jersey on September 9, 1953 and received his formal musical training throughout his formative years. He continued his education at New Jersey University, receiving his B.A in Music Education, then got his Masters in Jazz Performance from New York University. He furthered his studies in jazz composition, classical studies, jazz arranging and counterpoint with Dr. Tom Boras and Jim McNeely.

His working education began as a freelance musician in the New York City area. During the past 30 years Vinnie has performed with Horace Silver, Buddy Rich and Lionel Hampton. During his tenure with the latter he performed guest appearances with various American symphonic orchestras.

He has traveled extensively throughout the world appearing at jazz festivals and concerts in Europe, Japan, Africa, Canada, South America and the U.S.A. Cutro’s debut release as a leader, Blues for the Optimist, came in 1995 and featured Bob Mintzer, Jim McNeely, Victor Jones, and Mike Richmond. His sophomore release, Aberration, features guitarist Mike Stern, trombonist Bob Farrel, bassist Martin Wind, Sarah Jane Cion on piano, Victor Jones on drums and pianist Mitch Schechter.

Trumpeter Vinnie Cutro continues to compose, record and perform in the New York City area with his new ensemble New York City Soundscape.

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Irene Aranda was born in Jaén, Andalucía, Spain on September 2, 1980 and started to play piano at age seven under the guidance of her maternal grandparents. She graduated from the Conservatory of Music in Granada and complimented her classical training by attending piano performance and composition classes with Gerardo López Laguna, Guillermo González, Fernando Puchol, Pilar Bilbao, Antonio J. Flores and Javier Darías, among the most notable.

She was self-taught in jazz and free improvisation, she later studied with Peter Zack, Eduard Simons, Chano Domínguez, Nikky Illes, Mike Ph. Mosman, Greg Hopkins, David Pastor, Jordi Farrés Tomás, Pete Churchill, Perico Sambeat, Tony Reedus, etc.

Her first work as a leader,  Interfrequency 23 7, brought her great critical acclaim which led her to participate in numerous festivals. Since her debut release in 2007 she has released six more albums.

Freed from stereotypes, Irene has gone on to perform and collaborate with Paolo Fresu, Toots Thielemans, Maria Pia De Vito, Baldo Martínez and Bojan Z among others. Aranda has played with Don Malfon, Brandon López, Markus Breuss, Johannes Nästestjö, Samuel Blasser, Germán Díaz, Agustí Fernández, Joanna Mattrey, Lucía Martínez, Javier Carmona, Núria Andorrà, Marc Egea and numerous others.

Pianist, improviser, composer Irene Aranda continues to swim against the stream of pianists with her creativity and exploration in her music.

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