Daily Dose Of Jazz…
Nathan Gershman was born Nathan Gerschman on November 29, 1917 in Philadelphia, Pennsylvania. He received classical training at the Curtis Institute of Music, graduating in 1940 and from that point in his life he played with the Cleveland Orchestra.
In 1947 Nathan moved to New York City to work as a studio musician, then worked in the same capacity in Los Angeles, California after 1954. Three years later he replaced Fred Katz as cellist in Chico Hamilton’s band, playing and recording in his band until 1961. As a jazz musician, he worked with Nat Adderley, Gábor Szabó, and Ronnie Laws during the 1970s.
Gershman was frequently active as a session player and studio musician for television, theater, and recordings in and around Los Angeles from the Sixties into the 1990s. He recorded on albums by David Axelrod, The Beach Boys, Geronimo Black, David Bromberg, Neil Diamond, Lee Hazlewood, Wayne Henderson, Van Dyke Parks, Esther Phillips, and Pleasure.
Cellist and session musician Nathan Gershman, who played in popular music, jazz, and classical idioms, died on September 13, 2008 in the North Hollywood neighborhood of Los Angeles, California.
More Posts: cello,history,instrumental,jazz,music
Daily Dose Of Jazz…
Terry Plumeri was born John Terryl Plumeri on November 28, 1944 in Greensboro, North Carolina, and grew up in Tampa, Florida. He began studying music when he was 10 and while attending Chamberlain High School, he was introduced to the double bass by band director Robert Price. He went on to attend the Manhattan School of Music in New York City, studying with Robert Brennand, then the principal bassist in the New York Philharmonic. Later, he studied composition and conducting with Antal Doráti.
During his military service, Terry was a member of the Air Force Band. After his discharge he played with among others John Abercrombie, Cannonball Adderley, Herbie Hancock, Woody Herman, Quincy Jones, Yusef Lateef, Les McCann, Wayne Shorter, Frank Sinatra, Ralph Towner, and Joe Williams.
He performed, toured, and recorded with Roberta Flack from 1969 to 1974, playing electric and acoustic bass. He appears on the albums Chapter Two, Quiet Fire, Killing Me Softly, and wrote the song Conversation Love on the latter album.
Moving to Los Angeles, California to work in the film industry, Terry wrote the music for over 50 feature films, and his score for the film One False Move was nominated for Best Score by the IFC Independent Spirit Awards. In later years, he was guest conductor for the Moscow Philharmonic Orchestra and was a frequent guest lecturer, teacher, music producer, and photographer.
Double bassist, classical and film score composer, orchestra conductor, lecturer, teacher, and producer, and composer Terry Plumeri was murdered by burglars during a home invasion on March 31, 2016 in Dunnellon, Florida. He was 71.
More Posts: bandleader,bass,composer,conductor,history,instrumental,jazz,lecturer,music,producer,teacher
Daily Dose Of Jazz…
Tom Archia was born Ernest Alvin Archia, Jr. on November 26, 1919 in Groveton, Texas, and moved with his family as a child to Rockdale and then Baytown, near Houston, Texas. He played saxophone in the Wheatley High School orchestra. Known during childhood as Sonny, but took the name Tom when he decided that neither his first or middle names were appropriate for a musician.
After graduating from Prairie View A&M University in 1939, he joined Milt Larkin’s band which included Eddie Vinson, Arnett Cobb, and Illinois Jacquet in the reed section and Cedric Haywood as pianist and arranger. 1942 saw Archia arrived in Chicago, Illinois with Larkin for a nine-month residency backing T-Bone Walker at the Rhumboogie Club.
The following year he joined the Roy Eldridge orchestra alongside Ike Quebec, Ted Sturgis, and Doc West that recorded in Chicago for the Brunswick label. He moved to the Rhumboogie Dream Band until mid 1944. Unfortunately he frequently disrupted band discipline and was fired by Marl Young who took over as bandleader.
In 1945 Tom went to Los Angeles, California and joined Howard McGhee’s combo, with Teddy Edwards, among others. Shortly afterwards, he was recording with the brothers Illinois and Russell Jacquet, as well as Helen Humes.
Returning to Chicago in 1946, Archia became a headliner at the Macomba Lounge, recorded extensively for Aristocrat Records during the late Forties, and recorded with Wynonie Harris and Hot Lips Page. He would go on to participate in tenor saxophone duels with Buster Bennett, Gene Ammons, Claude McLin, Hal Singer, Harold Ashby, Porter Kilbert and Lucius Washington.
By the Sixties he was struggling to find gigs and he retired to Houston in 1967, after being temporarily disabled by a broken jaw. After recovering, he played the Houston club circuit for the rest of his life. Tenor saxophonist Tom Archia died on January 16, 1977 at the age of 57.
More Posts: history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Gus Bivona was born on November 25, 1915 in New London, Connecticut. He got his musical start under the close eye of his musician parents, his mother was a pianist, and his father was a guitarist. His first instrument was violin, but he switched to a combination of alto saxophone and clarinet at the age of 16.
He began his professional debut in the Spider Johnson Band, followed by performing around New England in Leo Scalzi’s Brunswick Orchestra. 1935 saw Gus begin a lengthy stint with the Jimmy Monaco Orchestra and worked with the Hudson-DeLange Orchestra, He went on to spend several months with Bunny Berigan in 1938. Through the end of the decade he worked with bandleaders Will Hudson and Teddy Powell.
In 1940 he put his name on his first band but work as a sideman in more established bands appeared to be what he was after. He spent a period with Benny Goodman in 1940 through the spring of 1941 alongside Charlie Christian. Prior to joining the Naval Air Force Band, Bivona gigged with Jan Savitt and Les Brown & His Band of Renown. He went on to have a series of gigs with Tommy Dorsey and Bob Crosby post World War II.
Signing on with MGM In 1947 he performed numerous studio sessions and on freelance recordings into the 1950s. He connected with Steve Allen, the two would occasionally hit the concert trail, including a lengthy club residency at the Roundtable in New York City. Their collaboration rendered Music for Swingers: Gus Bivona Plays the Music of Steve Allen in 1958 followed by many other West Coast jazz recordings. They were in the company of top studio players and arrangers, such as Skip Martin, Henry Mancini and Pete Rugolo.
Clarinetist Gus Bivona, who also palys saxophone and flute, died on January 5, 1996 in Los Angeles, California.
More Posts: bandleader,clarinet,flute,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Jiří Stivín was born November 23, 1942 in Prague, Republic. After graduating from the Film Faculty of the Academy of Performing Arts in Prague, he continued his studies of composition at the Royal Academy of Music as well as at the Prague Academy of Music and the flute under Milan Munclinger.
Stivín performs music from the Middle Ages, the Renaissance, and the Baroque periods. As a sololist, he performed with the Prague Symphony Orchestra, with the Slovak Chamber Orchestra, with Suk Chamber Orchestra, Barocco sempre giovane as well as with several other ensembles.
Involved in jazz, both as a composer and a performer, he has been a member of the European Jazz Ensemble, European Jazz Sextet, European Jazz Trio, Interjazz IV, Jazz Q, Jiří Stivín & Co., Prague Big Band and Jazz System.
Flutist, saxophonist, multi-instrumentalist, composer, bandleader Jiří Stivín, who was originally cinematographer, reemains active playing both the flute and saxophone in the Jazz Quartet in the Czech Republic, and gives regular lectures at the Prague Conservatory.