Daily Dose Of Jazz…
Candido was born Candido de Guerra Camero on April 22, 1921 in Havana, Cuba and learned to play percussion as a child listening to the music of his native land. Early in his career, Camero focused on conga and bongo, recording in his native Cuba with fellow jazz musician Machito. Although he has been credited as the first person to use the congas in jazz music, both Diego Iborra and Luciano “Chano” Pozo Gonzales preceded him in the 1940s.
Moving to New York in 1952 he started recording with Dizzy Gillespie and from 1953-54 he was in the Billy Taylor Quartet. The next year saw him performing and recording with Stan Kenton. During the Seventies Candido enjoyed success during the disco era, most notably with the Babatunde Olatunji-penned track “Jingo” from his Dancin’ and Prancin’ album on the Salsoul Record label, that has been acknowledged as a precursor five years prior to the birth of the house music genre.
He has performed and recorded Errol Garner, Gene Ammons, Art Blakey, Sonny Rollins, Wes Montgomery, Elvin Jones and Lionel Hampton on the short list of jazz luminaries. Percussionist Candido was honored with the National Endowment for the Arts Jazz Masters Award in 2008. In 2014, Camero recorded his last album, The Master, also for Chesky.
He continued to perform in jazz clubs in New York until the late 2010s. AWhen he was 96 years of age he was residing in his home in Cuba. Candido, who played conga, bongo, tres and bass died on November 7, 2020, at his home in New York. He was 99.
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Daily Dose Of Jazz…
Omar Sosa was born on April 10, 1965 in Camaguey, Cuba and began studying marimba at age eight, then switched to piano and studied jazz while attending the Escuela Nacional de Musica in Havana.
In 1993 Omar moved to Quito, Ecuador, then San Francisco, California two years later. The following years saw him deeply involved in the local Latin jazz scene and a long collaboration with percussionist John Santos. He made a series of recordings with producer Greg Landau, including the groundbreaking Oaktown Irawo, featuring Tower of Power drummer Dave Garibaldi, Cuban saxophonist Yosvany Terry and Cuban percussionist Jesus Diaz.
Omar works outside jazz and Afro-Cuban traditions incorporating Latin rhythms, North African percussions, spoken word, rap and classical music. He music ranges from big band, improvisation and world to free jazz and avant-garde.
He won The 10th Annual Independent Music Awards in the Jazz Album category for Ceremony in 2011. Inspired by various musical elements and motifs from Kind Of Blue, Sosa wrote a suite of music honoring the spirit of freedom in Davis’ seminal work. The CD received a nomination for Best Latin Jazz Album at the 56th annual Grammy Awards.
In 2015 he returned to his Cuban roots with the release of Ilé. Joining him on the project were three musicians with whom Omar shares a close connection: fellow Camagüeyanos, Ernesto Simpson on drums, and Leandro Saint-Hill on alto saxophone, flute and clarinet, and Mozambican electric bassist Childo Tomas – collectively known as Quarteto AfroCubano. Pianist, composer and bandleader Omar Sosa has recorded with Carlos “Patato” Valdes, Pancho Quinto and numerous world musicians, worked on several film scores, and now lives in Barcelona, Spain.
Daily Dose Of Jazz…
Ali Jackson Jr. was born on April 3, 1976 in Detroit, Michigan. His mother, a classical pianist, taught him piano and how to read music at age 4, his father, a professional bass player, taught him music theory and gave him drums lesson from rudiment books.
Attending Detroit’s prestigious Cass Technical High School, he went on to matriculate through The New School For Jazz and Contemporary Music and privately studying with Elvin Jones and Max Roach.
Ali has recorded two albums as a leader and as a sideman has performed and recorded with musicians including with Joshua Redman, Anat Cohen, Kurt Rosenwinkel, Wynton Marsalis, Jacky Terrasson, Craig Handy, James Carter, Dee Dee Bridgewater, Aretha Franklin, George Benson, Harry Connick Jr., KRS-1, Marcus Roberts, Cyrus Chestnut, Joshua Redman, Diana Krall and Eric Reed.
Ali Jackson is currently the drummer with the Lincoln Center Jazz Orchestra, performs with the Wynton Marsalis Quintet, Horns in the Hood, and leads the Ali Jackson Quartet. He is also the voice of “Duck Ellington,” a character in the Penguin book series Baby Loves Jazz and has hosted “Jammin’ with Jackson,” a series for young musicians at Jazz at Lincoln Center’s Dizzy Club Coca-Cola.
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Daily Dose Of Jazz…
Freddie Green was born Frederick William Green on March 31, 1911 in Charleston, South Carolina. Exposed to music early he learned to play banjo before taking up the guitar and learning to read music. He got his first gig playing with a local group alongside trumpeter William “Cat Anderson who would end up in Ellington’s band.
Following his parent’s death while in his teens, Freddie moved to New York to live with his aunt and finish school. He began playing the club circuit, earning both money and a reputation. Noticed by the legendary talent scout John H. Hammond, Green was introduced to Count Basie and in 1937 became part of the outfit. He would remain a pivotal fixture of the Count Basie Band for the next fifty years.
Freddie recorded extensively with Count Basie but also produced several albums as a leader and in addition as a sideman working with such artists as Joe Newman, Al Grey, Zoot Sims, Herb Ellis, Paul Quinichette and Al Cohn to name a few to his credit.
Guitarist Freddie Green, who made a name for himself during the Swing era, who was part of the All-American Rhythm Section alongside pianist Count Basie, drummer Jo Jones and bassist Walter Page and whose technique was to play only certain important notes of each chord limiting unnecessary harmonic presence, passed away at age 75 on March 1, 1987.
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Daily Dose Of Jazz…
George Chisholm was born on March 29, 1915 in Glasgow, Scotland and began playing trombone in his youth. His musical career started in the Glasgow Playhouse orchestra and by the late 1930s he moved to London, where he played in dance bands led by Bert Ambrose and Teddy Joyce. He later recorded with jazz musicians such as Coleman Hawkins, Fats Waller and Benny Carter when they visited the U.K.
In 1940, during World War II George signed on with the Royal Air Force becoming a member of the RAF Dance Orchestra, known popularly as The Squadronaires. He followed this with freelance work and a five-year stint with the BBC Show Band and as a core member of Wally Stott’s orchestra on BBC Radio’s The Goon Show, for which he made several acting appearances.
In the 1960s, Chisholm was part of The Black and White Minstrel Show, went on to join the house band for two children’s programs Play School and Play Away, and had roles in the films The Mouse on the Moon, The Knack and Superman III.
Despite undergoing heart surgery, during the 1980s George continued to play with his band The Gentlemen of Jazz, with Keith Smith’s Hefty Jazz among others, and playing live with touring artists. He was awarded an OBE (Order of the British Empire) in 1984 but in the mid-1990s, trombonist George Chisholm retired from public life due to ill health and passed away on December 6, 1997, aged 82.
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