Daily Dose Of Jazz…
Jimmy Maxwell: The Trumpet Master You’ve Heard a Thousand Times
Born on January 9, 1917, in Stockton, California, Jimmy Maxwell was practically born with a trumpet in hand—he picked up the instrument at the remarkable age of four. Even as a child prodigy, he understood the value of serious training, studying throughout the 1930s with a roster of legendary brass teachers, including the renowned Herbie Clarke.
A Young Gun in the Swing Era
During the vibrant 1930s, Maxwell’s precocious talent found him working alongside some of the biggest names in jazz: Gil Evans, Jimmy Dorsey, vocalist Maxine Sullivan, and bandleader Skinnay Ennis. His big break came when he joined the prestigious Benny Goodman Orchestra—a gig that announced his arrival as a world-class player.
The Golden Age of Television
In 1943, Maxwell transitioned to what would become a legendary three-decade run as a studio musician for NBC. Night after night, his trumpet graced America’s living rooms through The Perry Como Show, The Patti Page Show, The Pat Boone Show, and The Tonight Show. While many musicians might have settled into such comfortable work, Maxwell’s restless talent demanded more.
A Secret Weapon on Countless Sessions
Maxwell’s studio work was merely the foundation. In 1962, he toured the Soviet Union during the height of the Cold War—music as cultural diplomacy. He appeared on hundreds of recordings and commercials, becoming one of those invisible giants whose sound defined an era. As a sideman, he lent his brilliant tone to sessions with Woody Herman, Count Basie, Duke Ellington, Oliver Nelson, Gerry Mulligan, Maynard Ferguson, Quincy Jones, the New York Jazz Repertory Company, and Chuck Israels’ National Jazz Ensemble.
That Haunting Solo
Perhaps Maxwell’s most iconic moment came when he played the unforgettable trumpet solo for The Godfather soundtrack—that lonely, haunting theme that perfectly captured the film’s operatic melancholy. Millions heard it; few knew the master behind it.
Full Circle
Later in life, Maxwell returned to his roots, working with Dixieland jazz and swing ensembles and even reuniting with Benny Goodman for nostalgic performances. In 1977, he finally stepped into the spotlight as a leader, recording a session for Circle Records—a rare glimpse of Maxwell unfiltered.
Though he eventually retired from recording and performing, Maxwell never stopped teaching. From 1950 until 2001—an astonishing fifty-one years—he passed on his knowledge to new generations of brass players. When he passed away on July 20, 2002, the world lost not just a brilliant musician, but a patient mentor who had helped shape the sound of American music for over seven decades.
If you’ve watched television, heard a commercial, or listened to jazz from the mid-20th century, you’ve almost certainly heard Jimmy Maxwell’s trumpet—even if you never knew his name.
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Daily Dose Of Jazz…
Henry Goodwin: A Globetrotting Trumpet Voice of Early Jazz
Born in the nation’s capital on January 2, 1910, Henry Goodwin was a musical explorer from the start. As a young boy in Washington, D.C., he didn’t limit himself to just one instrument—he experimented with drums and tuba before the trumpet ultimately captured his heart.
A Teenage Talent Goes International
Goodwin’s talent blossomed early. By 1925, while still a teenager, he was already performing professionally with the bands of Sam Taylor and Claude Hopkins. His youthful career took a dramatic turn at just 15 years old when he traveled to Europe with Hopkins as part of the glamorous Josephine Baker Revue. Though the adventure led him to Berlin, the pull of home proved stronger, and young Henry made his way back to New York.
A Life of Musical Adventure
What followed was a career marked by constant motion and collaboration. Goodwin soon found himself sailing to Argentina with Paul Wyer’s ensemble. Upon returning to New York, he worked with Elmer Snowden and laid down tracks with Cliff Jackson’s Krazy Kats. In 1933, Europe called again—this time with Lucky Millinder—before Goodwin returned stateside to perform with Willie Bryant and settle into a two-year tenure with Charlie Johnson.
The late 1930s brought new chapters: a brief but memorable stint with the legendary Cab Calloway, followed by three years with Edgar Hayes. Finding a comfortable artistic home with Sidney Bechet’s distinctive style, Goodwin went on to collaborate with Cecil Scott, Gene Sedric, and Art Hodes. His freelancing years included a memorable return to Europe for the Nice Jazz Festival with Mezz Mezzrow, and by the mid-1950s, he was swinging on the West Coast with Earl Hines in San Francisco.
Throughout the 1960s, Goodwin remained active in various Dixieland bands before eventually retiring. Though he never led his own recording session—a curious footnote for such a well-traveled musician—Henry Goodwin’s trumpet voice graced countless stages across three continents during jazz’s formative decades.
Henry Goodwin passed away on July 2, 1979, leaving behind a legacy of musical wanderlust and dedication to his craft.
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Daily Dose Of Jazz…
Peter Charles Strange was born on December 19, 1938 in Plaistow, Newham, London, England. He played violin as a child before switching to trombone as a teenager.
His first major gig was with Eric Silk and his Southern Jazz Band when he was just 18 years old. In 1957, Silk’s clarinetist Teddy Layton split off and formed his own band, and Strange went with him. Called up for National Service in 1958 he became a bandsman in the Lancashire Fusiliers, whilst serving in Cyprus.
Following his discharge from service Peter played with Sonny Morris, Charlie Gall, and Ken Sims, then joined Bruce Turner from 1961 to 1964. After 1964, Turner went into partial retirement for about 10 years, so he played off and on with Freddy Randall, Joe Daniels, and Ron Russell, but not carrying any full-time associations. He returned to play with Turner again permanently in 1974.
In 1978 co-founded the Midnite Follies Orchestra with Alan Elsdon. 1980 saw Strange founding the five-trombone ensemble, Five-A-Slide, which featured Roy Williams and Campbell Burnap. He joined Humphrey Lyttelton’s band in 1983, and remained with the ensemble until he died.
Trombonist, arranger and composer Peter Strange, who played with his own side group, the Great British Jazz Band, died of cancer at the age of 65 on August 14, 2004 in Banstead, Surrey, England.
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Daily Dose Of Jazz…
Bhumibol Adulyadej was born on December 5, 1927 in Cambridge, Massachusetts, however, the family moved to Bangkok, Thailand where she briefly attended Mater Dei school. In 1933 his mother took the family to Switzerland, where he continued his education at the École nouvelle de la Suisse romande in Lausanne. In 1934 he was given his first camera, which ignited his lifelong enthusiasm for photography.
Before he became King of Thailand, titled Rama IX, in 1942, Bhumibol became a jazz enthusiast, and started to play the saxophone, a passion that he kept throughout his life. He received his high-school diploma with a major in French literature, Latin, and Greek from the Gymnase Classique Cantonal de Lausanne, and by 1945 had begun studying sciences at the University of Lausanne, when World War II ended and the family was able to return to Thailand.
Adulyadej became an accomplished jazz baritone saxophone player and composer, playing Dixieland and New Orleans jazz. He also played the clarinet, trumpet, guitar, and piano. It is widely believed that his father may have inspired his passion for artistic pursuits at an early age. Initially focusing on classical music exclusively for two years but eventually switched to jazz since it allowed him to improvise more freely. It was during this time that he decided to specialize in wind instruments, especially the saxophone and clarinet. By 18 he started composing his own music with the first being Candlelight Blues.
He continued to compose even during his reign following his coronation in 1946. Bhumibol performed with Preservation Hall Jazz Band, Benny Goodman, Stan Getz, Lionel Hampton, and Benny Carter. Throughout his life, Bhumibol wrote a total of 49 compositions, much of it is jazz swing but he also composed marches, waltzes, and Thai patriotic songs.
He initially received general music training privately while he was studying in Switzerland, but his older brother, then King Ananda Mahidol, who had bought a saxophone, sent Bhumibol in his place. King Ananda would later join him on the clarinet. On his permanent return to Thailand in 1950, he started a jazz band, Lay Kram, whom he performed with on a radio station he started at his palace. The band grew, being renamed the Au Sau Wan Suk Band and he performed with them live on Friday evenings, occasionally taking telephoned requests.
Many bands such as Les Brown and His Band of Renown, Claude Bolling Big Band, and Preservation Hall Jazz Band recorded some of his compositions and can still be heard in Thailand. A 1996 documentary, Gitarajan, was made about his music. Adulyadej still played music with his Au Sau Wan Suk Band in later years, but was rarely heard in public. In 1964, Bhumibol became the 23rd person to receive the Certificate of Bestowal of Honorary Membership on behalf of Vienna’s University of Music and Performing Arts.
Baritone saxophonist, clarinetist, trumpeter, guitarist, pianist and composer and King Bhumibol Adulyadej, who reigned for 70 years and 126 days and is the longest of any Thai monarch, died on October 13, 2016 in Bangkok, Thailand.
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Daily Dose Of Jazz…
Bill Allred was born in Rock Island, Illinois on November 19, 1936 into a family where his father played the Streckfus Steamboat lines on the Mississippi.
He formed a Dixieland band while still in high school. In 1954 he enlisted in the Navy, playing with Navy bands throughout his tour and was excited to be part of a big band for the first time. Returning home he married, pursued a regular career and continued to gig.
His big break came in 1970 when, out of 2500 auditioning musicians, he was chosen to be part of the Disney World Band on the park’s opening day in 1970. While at Disney he formed a trad band called The Reedy Creek Jazz Band. The band was noticed by Bob Snow, who recruited him to put together a show and band for the Rosie O’Grady’s Goodtime Jazz Emporium, that ran for 25 years.
In 1979, Bill formed the Continental Jazz Band for a Roaring Twenties club in Fort Lauderdale, Florida. “Auntie Mame’s” later won the Carbonell Award for Best Cabaret Show in South Florida.
Trombonist and bandleader Bill Allred, who was a vital component of the classic jazz scene in South Florida, died on February 1, 2024 at the age of 87.
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