Daily Dose Of Jazz…
John Stanley Marshall was born August 28, 1941 in Isleworth, Middlesex , England and worked with various jazz and rock bands and musicians, among them J. J. Jackson, Allan Holdsworth, Barney Kessel, Alexis Korner, Graham Collier, Michael Gibbs, Arthur Brown, Keith Tippett, Centipede, Jack Bruce, John McLaughlin, Dick Morrissey, Hugh Hopper, Elton Dean, John Surman, Charlie Mariano, John Abercrombie, Arild Andersen, and Eberhard Weber’s Colours.
From 1999, he worked with former Soft Machine co-musicians in several Soft Machine-related projects like SoftWare, SoftWorks and Soft Machine Legacy. He toured as a member of the band, which operated under the name Soft Machine again, from 2015 to 2023.
Drummer John Marshall, was a founding member of Ian Carr’s jazz rock band Nucleus, and Eberhard Weber’s Colours, died on September 16, 2023, at the age of 82.
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Daily Dose Of Jazz…
ELEW was born Eric Robert Lewis on May 13, 1973 in Camden, New Jersey where he studied piano as a child. Graduating from Overbrook High School in 1991, he received a full merit scholarship to the Manhattan School of Music. He graduated on the Dean’s List in 1995, then began touring.
Lewis began his career as a jazz purist, playing as a sideman for jazz artists like Wynton Marsalis, Cassandra Wilson, Elvin Jones, Jon Hendricks, and Roy Hargrove as well as performing as a member of the Lincoln Center Jazz Orchestra. Eventually becoming interested in rock music he embarked on a solo career as a crossover musician, quickly gaining recognition for his instrumental Rockjazz piano covers of mainstream rock hits like The Rolling Stones’ Paint It, Black and The Killers’ Mr. Brightside. He released his debut album of instrumental covers, titled ELEW Rockjazz Vol. 1, on his own label, Ninjazz Entertainment, in 2010.
Lewis became disillusioned with the jazz world after a solo record deal failed to materialize and struck out on his own to find success. It was around this time that he heard his first rock album, Linkin Park’s Meteora, which made a profound impression on his musical sensibilities. Taking the stage name ELEW, he adjusted his stage presence accordingly, growing an afro and adopting a distinctive style of dress, wearing armored vambraces over tailored suits. Discarding his piano bench for standing, he reached inside to grab the strings and beat on its wooden case like a percussion instrument.
Mainstream recognition came when he played a cover of Evanescence’s Going Under and an original composition, and was a featured speaker at the Long Beach TED Conference in 2009. He drew the interest of fashion designer Donna Karan, for whom he composed an original piece inspired by her fall 2009 collection and at her next New York City fashion show. That led to an invite by White House Social Secretary Desiree Rogers to play in the East Room for President Obama and the First Lady.
Pianist Eric Lewis, popularley known as ELEW, continues his journey of performing, composing, recording and touring.
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Daily Dose Of Jazz…
John Grant Sangster was born November 17, 1928 in the Melbourne suburb of Sandringham, Victoria, Australia. He was an only child that attended primary schools in Sandringham and Vermont, and then Box Hill High School. While at high school he taught himself to play trombone and with a friend, Sid Bridle, formed a band.
In 1946 he started a civil engineering course at Melbourne Technical School. Two years later Sangster performed at the third annual Australian Jazz Convention, held in Melbourne. By the following year he led his own ensemble, John Sangster’s Jazz Six, which included Ken Evans on trombone. He provided trombone for Graeme Bell and his Australian Jazz Band, later took up the cornet and then the drums. They toured several times from 1950 to 1955, and in the late Fifties he began playing the vibraphone.
He went on to play with Don Burrows in the early 1960s, form his own quartet and experimented with group improvisatory jazz, after becoming interested in the music of Sun Ra and Archie Shepp. By the end of the Sixties his attention turned to rock musicians and he joined the expanded lineup of the Australian progressive rock group Tully, who provided the musical backing for the original Australian production of the rock musical Hair. He performed and recorded with Tully and their successors, Luke’s Walnut, throughout the two years he played in Hair. In 1970 he re-joined the Burrows group for Expo 1970 in Osaka, Japan.
In the 1970s Sangster released a series of popular The Lord of the Rings inspired albums that started with The Hobbit Suite in 1973. He was also the composer of a large number of scores for television shows, documentaries, films, and radio. In 1988, Sangster published his autobiography, Seeing the Rafters.
Trombonist John Sangster, who also plays trumpet, drums, percussion, cornet, vibraphone and is best known as a composer, died in Brisbane, Queensland, Australia on October 26, 1995 at age 66.
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Daily Dose Of Jazz…
Richard Malden Heckstall-Smith was born on September 26, 1934 in the Royal Free Hospital, in Ludlow, Shropshire, England. Raised in Knighton, Radnorshire, he learned to play piano, clarinet and alto saxophone as a child. He attended a York boarding school but refused a second term there, instead enrolling in Gordonstoun, where his father had accepted a job as headmaster of the local grammar school.
Completing his education at Dartington Hall School, before co-leading the university jazz band at Sidney Sussex College, Cambridge, from 1953, by the age of 15 Dick had taken up the soprano sax while at Dartington. He was captivated by the sound of Sidney Bechet, then Lester Young and tenor saxophonist bebop jazzman Wardell Gray proved to be major influences for him.
An active member of the London jazz scene from the late 1950s, Heckstall-Smith did a six-month stint in 1957 with the Sandy Brown band. He joined Alexis Korner’s Blues Incorporated, a groundbreaking blues group in 1962, recording the album R&B from the Marquee.
The following year, he was a founding member of that band’s breakaway unit, The Graham Bond Organisation. Then in 1967, he joined guitarist-vocalist John Mayall’s blues rock band, Bluesbreakers. He went on to jazz rock with Colosseum until ‘71, then recorded a solo album and ventured into jazz fusion with several groups, which sustained most of his performing through the remainder of his career.
In 1984 he published his witty memoirs, The Safest Place in the World, with an expanded version, retitled Blowing the Blues, published in 2004.
Diagnosed with acute liver failure, tenor, soprano, and baritone saxophonist Dick Heckstall-Smith, who also played piano, clarinet and alto saxophone, transitioned on December 17, 2004 at 70 in Hampstead, London, England.
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Daily Dose Of Jazz…
David W. Bargeron was born September 6, 1942 in Atho, Massachusetts. He became the lead trombonist with Clark Terry’s Big Band and played bass trombone and tuba with Doc Severinsen’s Band between 1968 and 1970.
In 1970 he joined Blood, Sweat, and Tears after Jerry Hyman departed and first appeared on the album B, S & T; 4. While with this group, he recorded the jazz-rock solo on the tuba in And When I Die/One Room Country Shack on the album Live and Improvised. His recording credits with BS&T include eleven albums. A break in their schedule allowed him to join the Gil Evans Orchestra in 1972.
After leaving Blood, Sweat, and Tears he became a freelance musician recording with Billy Joel, Paul Simon, Mick Jagger, James Taylor, Eric Clapton, David Sanborn, Carla Bley, and Pat Metheny.
He has performed with the George Gruntz Concert Jazz Band from Switzerland, the George Russell Living Time Orchestra, and was a long-time member of Jaco Pastorius’s Word of Mouth Band. He has recorded and toured with Tuba Tuba, a jazz tuba band which includes Michel Godard, Luciano Biondini, and Kenwood Dennard.
He is a member of Howard Johnson’s Gravity, a six-tuba group that has been together since 1968. Trombone and tubist David Bargeron, who has released several albums as a soloist and collaborator, at 80 still performs.