On The Bookshelf

A Grammy winner and pioneer of multi-track jazz recording, Bill Evans was the pianist on Miles Davis’ classic Kind of Blue album and a key figure in the development of modern jazz piano.

This biography details his wide-ranging and absorbing career, from freelance work in the 1950s, through his groundbreaking trios and solo releases, to his relationships with various record labels, to the intense final phase before his death in 1980.

Bill Evans: Everything Happens To Me contains full-page photos along with a selected discography that highlights key recordings throughout his career as a leader, co-leader and sideman.

Author Keith Shadwick has written for several magazines as well as Jazz: Legends of Style and The Illustrated Story of Jazz. He contributed Masters of Jazz Saxophone.

SUITE TABU 200

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On The Bookshelf

Jazz On Film: The Complete Story Of The Musicians & Music Onscreen is a compendium of reviews, analyzes, and rates virtually every appearance of a jazz musician or singer on film. After presenting a detailed essay on the history of jazz on film and television.

Reading this book one gets a brief history of jazz on film between 1917 to 1960, accounting for Soundies, Snader telescriptions, jazz on television and movies. from 1960 to the present day, Ruth Etting, the film careers of Hoagy Carmichael, Harris Barris, Cliff Edwards, Kay Kyser, and Svend Asmussen. It includes three jazz film collectors: Mark Cantor, Ken Poston, John Altman.

Yanow reviews and rates 1,300 movies, documentaries, shorts, videos, and DVDs. This book lets readers know how to view the jazz legends and the greats of today, and what DVDs and videos are worth acquiring. Each film is given a 1 to 10 rating and a concise description of its contents and value.

 

SUITE TABU 200

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The Quarantined Jazz Voyager

A Tale of God’s Will (A Requiem for Katrina) is a perfect album to listen to as this country continues to play the stupid card and not take this pandemic or its remedy serious. So as those of us who are vaccinated, wearing masks and social distancing. This studio album was recorded in 2007 by the Terence Blanchard Quintet at Conway Recording Studios, Los Angeles, California and Bastyr University, Kenmore, Washington. It was released on August 14, 2007 by Blue Note Records. Blanchard won the Grammy Award for Best Large Jazz Ensemble Album, and was nominated for Best Jazz Instrument Solo for his work on the song Levees.

The album was produced by Blanchard, with Robin Burgess as the associate producer, the engineers were Brian Valentino and Frank Wolf, Seth Waldman was the assistant engineer, and mastering by Gavin Lurssen. Lolis Eric Elie, Blanchard, Brice Winston, Derrick Hodge,and Aaron Parks each contributed to the liner notes.

Spike Lee commissioned Terence Blanchard to compose the score for his 2006 four-hour HBO documentary When the Levees Broke: A Requiem in Four Acts, to show the agony of the aftermath of Hurricane Katrina in 2005. In 2007 Blanchard recorded “A Tale of God’s Will”, which contains The Water, Levees, Wading Through, and Funeral Dirge heard in Lee’s documentary. His mother Wilhelmina survived but lost her Pontchartrain Park home.

Track List | 69:13 All tracks are written by Terence Blanchard except where noted.
  1. Ghost of Congo Square (Blanchard, Hodge, Scott) ~ 3:01
  2. Levees ~ 8:07
  3. Wading Through ~ 6:27
  4. Ashé (Aaron Parks) ~ 8:18
  5. In Time Of Need (Brice Winston) ~ 7:53
  6. Ghost Of Betsy ~ 1:58
  7. The Water ~ 4:07
  8. Mantra Intro (Kendrick Scott) ~ 3:22
  9. Mantra (Kendrick Scott) ~ 9:49
  10. Over There (Derrick Hodge) ~ 7:43
  11. Ghost Of 1927 ~ 1:38
  12. Funeral Dirge ~ 5:51
  13. Dear Mom ~ 3:39
Band
  • Terence Blanchard ~ conductor, trumpet, orchestration, producer, liner notes
  • Brice Winston ~ soprano sax, tenor sax, liner notes
  • Derrick Hodge ~ double bass, bass guitar, liner notes
  • Aaron Parks ~ piano, orchestration, liner notes,
  • Kendrick Scott ~ drums, percussion, orchestration
  • Zach Harmon ~ tabla and happy apple

CALIFORNIA JAZZ FOUNDATION

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The Quarantined Jazz Voyager

The Delta variant is causing a rise in new cases of Covid~19 and is much easier to contract. The modus operandi of the day is continuing my exercise of social distancing, quarantining myself at home and wearing my mask whenever I am in public places. I hope you are doing the same.

I offer up my latest selection is the tenth album and sixth on Concord from Nnenna Freelon. It is her 2005 album Blueprint Of A Lady: Sketches Of Billie Holiday. It was her tribute to the late great vocalist. The album was recorded March~April 2005 at the Fantasy Studio in Berkeley, California, and released on the Concord Jazz label that same year.

Though her arrangements may not reflect the melodies we are historically familiar with, Freelon has an inimitable way of taking us on a journey that brings her own sensibilities to interpret these songs with refreshing renditions that may appeal to old fans and hopefully garner new enthusiasts.

Track Listing | 1:02:46

  1. I Didn’t Know What Time It Was (Lorenz Hart, Richard Rodgers) ~ 4:18
  2. What a Little Moonlight Can Do (Harry M. Woods) ~ 5:13
  3. Don’t Explain (Billie Holiday, Arthur Herzog, Jr.) ~ 4:03
  4. God Bless the Child (Holiday, Herzog) ~ 5:21
  5. Strange Fruit (Abel Meeropol) ~ 2:20
  6. Willow Weep For Me (Ann Ronell) ~ 2:52
  7. Balm in Gilead (Traditional) ~ 4:49
  8. Them There Eyes (Maceo Pinkard, Doris Tauber, William Tracey) ~ 5:09
  9. Only You Will Know (Nnenna Freelon, Brandon McCune) ~ 3:41
  10. You’ve Changed (Bill Carey, Carl Fischer) ~ 5:24
  11.  Now or Never (Billie Holiday, Curtis Reginald Lewis) ~ 2:55
  12. Lover Man (Jimmy Davis, Roger (Ram) Ramirez, James Sherman) ~ 4:14
  13. Left Alone (Billie Holiday, Mal Waldron) – 5:02
  14. Little Brown Bird (Interlude) (Nnenna Freelon, Brandon McCune) ~ 1:32
  15. All of Me (Gerald Marks, Seymour Simons) ~ 5:53
Personnel 
  • Nnenna Freelon ~ arranger, producer, vocals
  • Brandon McCune ~ arranger, fender rhodes, Hammond B3, piano, trumpet
  • Beverly Botsford ~ arranger, percussion
  • Wayne Batchelor ~ arranger, acoustic bass guitar, acoustic bass
  • Kinah Boto ~ drums
  • André Bush, Julian Lage ~ guitar
  • Doug Lawrence ~ tenor saxophone
  • Christian Scott ~ trumpet
  • Jessica Ivry ~ cello
  • Mary Fettig ~ alto flute, alto saxophone, baritone saxophone, rhythm arrangements
  • John Clayton ~ horn arrangements
Production
  • Nnenna Freelon/Ed Keane – producer
  • Josiah Gluck – engineer, audio engineer, mixing 
  • Jesse Nichols – assistant engineer, mixing
  • Nick Phillips – audio production, producer
  • George Horn – mastering
Design
  • Abbey Anna – art direction
  • Terri Apanasewicz – hair stylist
  • Rudy Calvo – make-up
  • Danielle Brancazio – package design
  • Randee Saint Nicholas – photography

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Travis Sullivan was born in 1971 in New York City and founded his 18 piece genre bending jazz orchestra Björkestra in New York City in 2004. Led by the alto saxophonist, musical arrangements are by Sullivan, Kevin Schmidt, and Kelly Pratt. The Björkestra performs the music of eclectic musician Björk.

Since its debut at the Knitting Factory in New York City, the group has performed around the country. In 2007 Sullivan conducted his arrangements with the Sicilian Jazz Orchestra in Palermo, Sicily.

Members of the orchestra, that includes vocalist Becca Stevens, have performed with Arcade Fire, Dr. Dre, Charlie Hunter, Avishai Cohen, Ana Cohen, Jane Monheit, Clark Terry, Rachel Z, Phil Woods, The Spam All Stars, Maria Schneider, and the Saturday Night Live Band, as well as, with Donny McCaslin, Kurt Rosenwinkel and Ben Monder.

His project Altois: The Masters Of Alto Sax interprets the music of the most influential alto saxophonists of the bebop era. Alto saxophonist, pianist, composer and arranger Travis Sullivan continues to further his exploration of jazz.

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