On The Bookshelf
88: The Giants Of Jazz Piano
Ever wondered what made the piano gods of jazz so extraordinary? This captivating hardcover opens the door to 88 legendary artists who didn’t just play the piano—they transformed it into an instrument of revolution, soul, and pure genius.
Get ready to discover the fascinating stories behind the music. Each profile reveals not just what these pianists played, but who they were—their quirks, their breakthroughs, and the unmistakable fingerprints they left on jazz history.
The book takes you on an intimate journey with seven towering figures: Jelly Roll Morton, Earl Hines, Art Tatum, Thelonious Monk, Bud Powell, Keith Jarrett, and Cecil Taylor. But that’s just the beginning. You’ll also meet Mary Lou Williams, James P. Johnson, Count Basie, Duke Ellington, Nat “King” Cole, Dorothy Donegan, Oscar Peterson, Les McCann, Herbie Hancock, Dave Brubeck, Billy Taylor, McCoy Tyner, Chick Corea, Geri Allen, and 67 more innovators who pushed boundaries across every style imaginable—from stride’s joyful bounce to swing’s sophistication, bebop’s lightning-fast complexity to the fearless explorations of the avant garde.
At 344 pages packed with 100 stunning photos, plus a bonus CD featuring 11 essential jazz tracks, this is more than a book—it’s an experience. And with a foreword by Keith Jarrett himself, you know you’re in for something special.
Whether you’re a devoted jazz lover or just beginning your journey into this incredible art form, these stories will inspire, surprise, and maybe even change how you hear music.
88: The Giants Of Jazz Piano | Robert L. Doerschuk | Backbeat Books
On The Bookshelf
Satchmo: The Genius of Louis Armstrong | Gary Giddins
Gary Giddins has been called “the best jazz writer in America today” by Esquire Magazine. Louis Armstrong has been called the most influential jazz musician of the twentieth century. His magnificent career as trumpeter, singer, bandleader and actor made him a legend in his own time. His influence on jazz and popular music is impossible to overstate. Satchmo is one of the most vivid and insightful portraits ever drawn of the great man and superlative artists in the history of American music.
This edition is an authoritative introduction to Armstrong’s life and art for the curious newcomer and offers fresh insight even for the serious student of the musician. Whether he was known as Pops, Satch,Satchelmouth, Gatemouth, Dippermouth, Louie or King Menelik, this recounting of Louis’s colorful and controversial life brings the man to life.
Satchmo ~ The Genius of Louis Armstrong: 2001 | Gary Giddins
Da Capo Press
On The Bookshelf
A Grammy winner and pioneer of multi-track jazz recording, Bill Evans was the pianist on Miles Davis’ classic Kind of Blue album and a key figure in the development of modern jazz piano.
This biography details his wide-ranging and absorbing career, from freelance work in the 1950s, through his groundbreaking trios and solo releases, to his relationships with various record labels, to the intense final phase before his death in 1980.
Bill Evans: Everything Happens To Me contains full-page photos along with a selected discography that highlights key recordings throughout his career as a leader, co-leader and sideman.
Author Keith Shadwick has written for several magazines as well as Jazz: Legends of Style and The Illustrated Story of Jazz. He contributed Masters of Jazz Saxophone.
On The Bookshelf
Jazz On Film: The Complete Story Of The Musicians & Music Onscreen is a compendium of reviews, analyzes, and rates virtually every appearance of a jazz musician or singer on film. After presenting a detailed essay on the history of jazz on film and television.
Reading this book one gets a brief history of jazz on film between 1917 to 1960, accounting for Soundies, Snader telescriptions, jazz on television and movies. from 1960 to the present day, Ruth Etting, the film careers of Hoagy Carmichael, Harris Barris, Cliff Edwards, Kay Kyser, and Svend Asmussen. It includes three jazz film collectors: Mark Cantor, Ken Poston, John Altman.
Yanow reviews and rates 1,300 movies, documentaries, shorts, videos, and DVDs. This book lets readers know how to view the jazz legends and the greats of today, and what DVDs and videos are worth acquiring. Each film is given a 1 to 10 rating and a concise description of its contents and value.
The Quarantined Jazz Voyager
A Tale of God’s Will (A Requiem for Katrina) is a perfect album to listen to as this country continues to play the stupid card and not take this pandemic or its remedy serious. So as those of us who are vaccinated, wearing masks and social distancing. This studio album was recorded in 2007 by the Terence Blanchard Quintet at Conway Recording Studios, Los Angeles, California and Bastyr University, Kenmore, Washington. It was released on August 14, 2007 by Blue Note Records. Blanchard won the Grammy Award for Best Large Jazz Ensemble Album, and was nominated for Best Jazz Instrument Solo for his work on the song Levees.
The album was produced by Blanchard, with Robin Burgess as the associate producer, the engineers were Brian Valentino and Frank Wolf, Seth Waldman was the assistant engineer, and mastering by Gavin Lurssen. Lolis Eric Elie, Blanchard, Brice Winston, Derrick Hodge,and Aaron Parks each contributed to the liner notes.
Spike Lee commissioned Terence Blanchard to compose the score for his 2006 four-hour HBO documentary When the Levees Broke: A Requiem in Four Acts, to show the agony of the aftermath of Hurricane Katrina in 2005. In 2007 Blanchard recorded “A Tale of God’s Will”, which contains The Water, Levees, Wading Through, and Funeral Dirge heard in Lee’s documentary. His mother Wilhelmina survived but lost her Pontchartrain Park home.
Track List | 69:13 All tracks are written by Terence Blanchard except where noted.- Ghost of Congo Square (Blanchard, Hodge, Scott) ~ 3:01
- Levees ~ 8:07
- Wading Through ~ 6:27
- Ashé (Aaron Parks) ~ 8:18
- In Time Of Need (Brice Winston) ~ 7:53
- Ghost Of Betsy ~ 1:58
- The Water ~ 4:07
- Mantra Intro (Kendrick Scott) ~ 3:22
- Mantra (Kendrick Scott) ~ 9:49
- Over There (Derrick Hodge) ~ 7:43
- Ghost Of 1927 ~ 1:38
- Funeral Dirge ~ 5:51
- Dear Mom ~ 3:39
- Terence Blanchard ~ conductor, trumpet, orchestration, producer, liner notes
- Brice Winston ~ soprano sax, tenor sax, liner notes
- Derrick Hodge ~ double bass, bass guitar, liner notes
- Aaron Parks ~ piano, orchestration, liner notes,
- Kendrick Scott ~ drums, percussion, orchestration
- Zach Harmon ~ tabla and happy apple
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