On The Bookshelf

3 SHADES OF BLUE | JAMES KAPLAN

Miles Davis, John Coltrane, Bill Evans And The Lost Empire Of Cool

1959 saw Miles Davis, John Coltrane, Bill Evans and the other members of Miles’s sextet come together to record the best selling jazz album of all time: Kind of Blue. That year, America’s great indigenous art form, jazz, reached the height of its power and popularity. Black geniuses, so legendary that they go by one name – Mingus, Monk, Rollins, Ornette, Blakey, Cannonball, Brubeck and Miles. They changed the music landscape and introduced a new sound. Kind of Blue is widely considered the most iconic jazz album of all time and certainly the bestselling.

3 Shades of Blue follows the paths of Miles, Coltrane and Evans to the mountaintop of 1959 and their roads on from there. It’s a book about music and business, race and heroin, and an astonishing meditation on creativity and the strange hothouses that can produce its full flowering. But above all this is the story of three very different men – their struggles, their choices, their inspiration. The tapestry of their lives is, in James Kaplan’s hands, an American Odyssey.

SUITE TABU 200

More Posts: ,,,,,

On The Bookshelf

JAZZ SINGING | WILL FRIEDWALD

America’s Great Voices From Bessie Smith To Bebop and Beyond

Jazz Singing is a biographical guide for those who desire to be knowledgeable about those voices that made the 20th century a great time in the creation of music. This treatise of 832 pages covers 210 singers from Ella Fitzgerald, Sarah Vaughan, Louis Armstrong and Frank Sinatra to Elvis Presley, Johnny Mathis and Patti Page, to lesser known Jackie Paris, David Allyn, Edythe Wright, Irene Reid and everyone in between.

This  book is not meant to be read from covers to cover. One should take a sip, uncovering nugget by nugget of information and insight on the classic blues stylists of the 1920s who laid the foundation on which the two greatest singers in our history, Louis Armstrong and Bing Crosby, built a tradition.

Jazz Singing reveals how the master jazz and pop singers created, what made them great, and why their music has the power to touch us so profoundly.

 

SUITE TABU 200

More Posts: ,,,,,

On The Bookshelf

WHAT JAZZ IS | JONNY KING

Drawing on the unique insight of a seasoned jazz pianist, What Jazz Is offers an illuminating journey into the heartbeat of America’s original art form. With clarity and passion, Jonny King breaks down the essential building blocks of jazz, tempo, harmony, and melody, demystifying the role each instrument plays in creating the genre’s unmistakable sound.

Through the eyes and ears of a performer, he reveals the hidden structure behind improvisation, showing that what often sounds spontaneous is guided by a deep internal logic and shared musical language. Far from abstract theory, his explanations come to life through vivid examples and personal reflections.

King pays tribute to the giants who shaped jazz, Art Blakey’s explosive rhythms, John Coltrane’s spiritual intensity, Thelonious Monk’s angular genius, while also spotlighting the brilliance of modern innovators like Kenny Garrett, Christian McBride, and Joshua Redman.

Part guide, part homage, What Jazz Is invites readers to hear jazz not just as music, but as a conversation—one that’s rich with history, soul, and ever-evolving creativity.

 

SUITE TABU 200

More Posts: ,,,,,

On The Bookshelf

SASSY: THE LIFE OF SARAH VAUGHAN | LESLIE GOURSE

This is a vivid, intimate portrait of one of the most extraordinary voices in American music. In this definitive biography, acclaimed jazz chronicler Leslie Gourse brings to life the woman behind the legend— a vocal genius whose range, tone, and effortless improvisation changed the sound of jazz forever.

Born in Newark, New Jersey on March 27, 1924, Sarah Vaughan began her musical journey in the pews of Mount Zion Baptist Church, where she played organ and sang in the choir. By her early twenties, she was performing alongside jazz revolutionaries like Dizzy Gillespie, Charlie Parker, and Billy Eckstine—helping shape the very fabric of bebop and setting a new standard for vocal jazz.

A look behind the glamorous performances was a woman navigating a life as complex as her music: three turbulent marriages, financial upheavals, and a nightlife fueled by passion, excess, and resilience. Yet Vaughan remained grounded, driven by an unwavering dedication to her family and her art. Her voice is rich, operatic, and fearlessly expressive, defying genre boundaries, earning her acclaim in both jazz and pop and elevating her to the rare status of jazz’s only diva.

Gourse draws upon candid interviews with those who knew her best, revealing a fiercely talented, deeply human artist, unpretentious, hard-working, and ultimately triumphant.

SUITE TABU 200

More Posts: ,,,,,

On The Bookshelf

Jazz and Justice explores the rich, complex origins of jazz, the historical American art form born in the late 19th century, most likely in the brothels of Storyville in New Orleans, Louisiana from the cultural traditions of the newly emancipated African Americans. Rooted in the blues, a genre that gave voice to the pain, endurance, and aspirations of the oppressed Black communities under Jim Crow. Jazz emerged from the discarded instruments of post–Civil War military bands and quickly evolved into a profound cultural force.

In this revelatory work, historian and professor Gerald Horne examines the social, economic, and political dynamics that shaped jazz into a singular Black American contribution to global arts and culture. He chronicles the struggles musicians faced in a deeply segregated and exploitative society, contending with organized crime, white supremacist groups like the Ku Klux Klan, and the pervasive racism of American society and the entertainment industry.

Horne gives overdue recognition to the groundbreaking contributions of women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, while also highlighting the influence of musicians with Native American heritage. Jazz and Justice is both an incisive historical investigation and a tribute to the resilience of an art form that gave voice to generations.


Jazz & Justice: 2019 | Gerald Horne

Monthly Review Press

SUITE TABU 200

More Posts: ,,,,,

« Older Posts       Newer Posts »